Eagles – On The Border
Label: |
Asylum Records – UDSACD 2231 |
|---|---|
Series: |
Ultradisc UHR |
Format: |
SACD
, Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Folk Rock |
Tracklist
| 1 | Already Gone | 4:16 | |
| 2 | You Never Cry Like A Lover | 4:01 | |
| 3 | Midnight Flyer | 3:58 | |
| 4 | My Man | 3:34 | |
| 5 | On The Border | 4:26 | |
| 6 | James Dean | 3:39 | |
| 7 | Ol' '55 | 4:22 | |
| 8 | Is It True? | 3:15 | |
| 9 | Good Day In Hell | 4:27 | |
| 10 | Best Of My Love | 4:36 |
Companies, etc.
- Record Company – Warner Music Group
- Mastered At – Mobile Fidelity Sound Lab
- Marketed By – Mobile Fidelity Sound Lab, Inc.
- Manufactured For – Warner Music Group
- Phonographic Copyright ℗ – Elektra/Asylum Records
- Copyright © – Elektra/Asylum Records
- Recorded At – Record Plant, Los Angeles
- Recorded At – Olympic Studios
- Produced For – Pandora Productions Ltd.
- Manufactured By – Sonopress – 58130764
- Manufactured By – Sonopress – 58130765
- Glass Mastered At – Sony DADC – A0103371519-A911
- Glass Mastered At – Sony DADC – A0103371519-B911
Credits
- Art Direction, Design – Gary Burden
- Electric Guitar – Don Felder
- Engineer [Assisted By] – Rod Thaer* (tracks: 2, 10)
- Lettering – Rick Griffin (2)
- Mastered By – Shawn R. Britton
- Painting [Cover] – Beatian Yazz
- Photography By – Henry Diltz
- Producer, Engineer – Glyn Johns (tracks: 2, 10)
- Remix – Bill Szymczyk (tracks: 2, 10)
- Vocals, Bass – Randy Meisner
- Vocals, Drums – Don Henley
- Vocals, Guitar, Banjo, Steel Guitar – Bernie Leadon
- Vocals, Guitar, Piano – Glenn Frey
Notes
Single-pocket gatefold, no booklet.
Mastered by Shawn R. Britton at Mobile Fidelity Sound Lab®, Sebastopol, CA on The Gain HD System™.
℗ © 1974 Elektra/Asylum Records, a division of Warner Music Group Company.
1/4" / 15 IPS Dolby A analog master to DSD 256.
Track durations are not printed on the release
Mastered by Shawn R. Britton at Mobile Fidelity Sound Lab®, Sebastopol, CA on The Gain HD System™.
℗ © 1974 Elektra/Asylum Records, a division of Warner Music Group Company.
1/4" / 15 IPS Dolby A analog master to DSD 256.
Track durations are not printed on the release
Barcode and Other Identifiers
- Barcode (Text): 8 21797 22316 4
- Barcode (Scanned, UPC-A): 821797223164
- Matrix / Runout (Outer ring): 58130764 0821797223164 A0103371519-A911 1000 1A00
- Mastering SID Code (Outer ring): IFPI LY25
- Matrix / Runout (Inner ring): 58130765 0821797223164 A0103371519-B911 14 A00
- Mastering SID Code (Inner ring): IFPI L551
- Mould SID Code: IFPI 94B1
Other Versions (5 of 222)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
On The Border (LP, Album, Textured Sleeve) | Asylum Records | SYL 9016 | UK | 1974 | ||
|
New Submission
|
On The Border (LP, Album) | Asylum Records | AS 43005 | Europe | 1974 | ||
| On The Border (LP, Album, Stereo, Textured Sleeve) | Asylum Records | SYL 9016 | UK | 1974 | |||
|
Recently Edited
|
On The Border (LP, Album, Quadraphonic) | Asylum Records | EQ-1004 | US | 1974 | ||
|
New Submission
|
On The Border (LP, Album) | Asylum Records | AE 1004 | New Zealand | 1974 |
Recommendations
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2022 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
-
2023 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
-
2023 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2022 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2018 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
Reviews
-
This is a vast improvement on the very 'edgy' and thin sound on my original copy. 'Already Gone' sounds like it is still a bit shrill but the rest are much better tamed. The Glyn Johns produced tracks sound the best in of dynamics and tone but there is more detail and depth to the rest too. You can turn this up and get the full benefit. This is certainly the best master I've ever heard. There's an argument that this master might take away some of the urgency and energy but just crank the volume and you get so much back.
Release
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