Supertramp – Breakfast In America
Label: |
Universal Music Special Markets – B0024490-06 |
|---|---|
Series: |
Ultradisc UHR |
Format: |
SACD
, Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Soft Rock |
Tracklist
| 1 | Gone Hollywood | 5:20 | |
| 2 | The Logical Song | 4:10 | |
| 3 | Goodbye Stranger | 5:49 | |
| 4 | Breakfast In America | 2:38 | |
| 5 | Oh Darling | 4:11 | |
| 6 | Take The Long Way Home | 5:10 | |
| 7 | Lord Is It Mine | 4:09 | |
| 8 | Just Another Nervous Wreck | 4:25 | |
| 9 | Casual Conversations | 2:58 | |
| 10 | Child Of Vision | 7:27 |
Companies, etc.
- Record Company – UMG Recordings, Inc.
- Phonographic Copyright ℗ – A&M Records
- Copyright © – A&M Records
- Manufactured By – Universal Music Enterprises
- Mastered At – Mobile Fidelity Sound Lab
- Recorded At – The Village Recorder
- Mixed At – Crystal Sound
- Engineered At – Air Studios
- Glass Mastered At – Sony DADC – A0103013154-A911
- Glass Mastered At – Sony DADC – A0103013154-B911
Credits
- Art Direction, Concept By [Cover] – Mike Doud (2)
- Bass – Dougie Thomson
- Cover [Back Cover] – Mark Hanauer
- Cover [Cover Photography] – Aaron Rapoport
- Design – Mick Haggerty
- Design [For MFSL] – John A. Beck
- Drums – Bob C Benberg*
- Engineer [Assistant Engineer] – Lenise Bent
- Engineer [Concert Sound Engineer] – Russel Pope
- Engineer [Engineered By] – Peter Henderson
- Mastered By – Rob LoVerde
- Producer – Supertramp
- Programmed By [Oberheim] – Gary Mielke
- Tuba, Trombone – 'Slyde' Hyde*
- Vocals, Keyboards – Rick Davies
- Vocals, Keyboards, Guitar – Roger Hodgson
- Woodwind [Woodwind Instruments] – John A Helliwell*
- Words By, Music By – Rick Davies & Roger Hodgson
Notes
Some extra info printed inside gatefold:
Rehearsed at SOUTHCOMBE STUDIOS, Burbank
All songs © 1979 ALMO MUSIC CORP. and DELICATE MUSIC (ASCAP)
Supertramp is represented by Dave Margereson of Mismanagement.
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA on THE GAIN HD SYSTEM ™
Mobile Fidelity Sound Lab gratefully acknowledges and thanks these individuals and companies for their technical and expertise: Tim de Paravicini, Labs, Lipinski Sound, and Sound Application. Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.
Printed on disc:
ULTRADISC UHR™ GAIN HD WITH 4X DSD.
Rehearsed at SOUTHCOMBE STUDIOS, Burbank
All songs © 1979 ALMO MUSIC CORP. and DELICATE MUSIC (ASCAP)
Supertramp is represented by Dave Margereson of Mismanagement.
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA on THE GAIN HD SYSTEM ™
Mobile Fidelity Sound Lab gratefully acknowledges and thanks these individuals and companies for their technical and expertise: Tim de Paravicini, Labs, Lipinski Sound, and Sound Application. Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.
Printed on disc:
ULTRADISC UHR™ GAIN HD WITH 4X DSD.
Barcode and Other Identifiers
- Barcode (Text): 8 21797 21896 2
- Barcode (Scanned): 0821797218962
- Matrix / Runout (SACD layer, variant 1): Sony DADC A0103013154-A911 18 A00
- Mastering SID Code (SACD layer, variant 1): IFPI L558
- Matrix / Runout (CD layer, variant 1): Sony DADC A0103013154-B911 18 00A
- Mastering SID Code (CD layer, variant 1): IFPI L558
- Mould SID Code (Variant 1): IFPI 94B1
- Matrix / Runout (SACD layer, variant 2): Sony DADC A0103013154-A911 18 A00
- Mastering SID Code (SACD layer, variant 2): IFPI L558
- Matrix / Runout (CD layer, variant 2): Sony DADC A0103013154-B911 18 A00
- Mastering SID Code (CD layer, variant 2): IFPI L558
- Mould SID Code (Variant 2): IFPI 94A8
- Matrix / Runout (SACD layer, variant 3): A0103013154-A911 1000 1A00
- Mastering SID Code (SACD layer, variant 3): IFPI LY25
- Matrix / Runout (CD layer, variant 3): Sony DADC A0103013154-B911 18 A00
- Mastering SID Code (CD layer, variant 3): IFPI L558
- Mould SID Code (Variant 3): IFPI 94B1
- Rights Society: ASCAP
Other Versions (5 of 435)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Breakfast In America (LP, Album, Stereo) | A&M Records | AMLK 64747 | Europe | 1979 | |||
|
Recently Edited
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Breakfast In America (LP, Album, Terre Haute Pressing) | A&M Records | SP-3708 | US | 1979 | ||
|
Recently Edited
|
Breakfast In America (Cassette, Album, Dolby System) | A&M Records | CS 3708 | US | 1979 | ||
| Breakfast In America (LP, Album) | A&M Records | AMLK 63708 | 1979 | ||||
|
Recently Edited
|
Breakfast In America (LP, Album, Stereo) | A&M Records | 1PSP 3708 | Portugal | 1979 |
Recommendations
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2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
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2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2022 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
2013 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
-
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2021 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
Reviews
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I hate to say it, but this is a CD rip. The audio is weak with a gain of +6 dB, that is usually due to the audio source being a CD. 😕 -
Edited one year agoThis release comes down to a matter of flavour - I personally really like the improved bass response. It’s very warm, yet still retains enough detail in the mid-upper frequencies to avoid sounding boxed-in. The vinyl counterpart of this release sucks - the pressings are extremely noisy, so it’s worth having the SACD as a back-up. Not having listened to this album for the better part of 40 years, I had completely forgotten what a spectacular album this is. Well done MOFI. -
Found this for cheap so bought it to see what the CD layer sounds like as I don’t have a SACD player. Very pleased I can report - sounds great. Hopefully one day I will get a player to experience it properly.
I have the vinyl version which is amazing & obviously better than this CD layer - so at least I can appreciate the potential of this release through that format.
Great album that should be in anyones collection in any format they can acquire. -
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The nice way to state my opinion would be: im too used to the original master to be able to enjoy this disc.
The truth is: the disc is not trash, but the mastering is absolutely flawed. The bass is more prominent, high frequency detail is veiled and rythm and natural soundstage suffer as a result. It keeps this great album from rocking the way it should. Im curious if the shm-sacd is better. The original cd is notably better in almost every area. above all: its fun. If you find the original cd bright: take a look at your system, because the cd itself is mastered really well.
Release
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Recently Edited
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