フリートウッド・マック*Rumours = 噂

Label:

Warner Bros. Records – WPCR-14171

Series:

Warner Sound

Format:

SACD , Hybrid, Multichannel, Stereo, Album, Reissue, Remastered

Country:

Japan

Released:

Genre:

Rock

Style:

Classic Rock

Tracklist

1 Second Hand News = セカンド・ハンド・ニュース
Written-ByLindsey Buckingham
2:47
2 Dreams = ドリームス
Written-ByStevie Nicks
4:19
3 Never Going Back Again = もう帰らない
Written-ByLindsey Buckingham
2:05
4 Don't Stop = ドント・ストップ
Written-ByChristine McVie
3:14
5 Go Your Own Way = オウン・ウェイ
Written-ByLindsey Buckingham
3:43
6 Silver Springs = シルヴァー・スプリングス
Written-ByStevie Nicks
4:34
7 The Chain = ザ・チェイン
Written-ByS. Nicks*
4:29
8 You Make Loving Fun = ユー・メイク・ラヴィング・ファン
Written-ByChristine McVie
3:34
9 I Don't Want To Know = アイ・ドント・ウォント・トゥ・ノウ
Written-ByStevie Nicks
3:14
10 Oh Daddy = オー・ダディ
Written-ByChristine McVie
3:56
11 Gold Dust Woman = ゴールド・ダスト・ウーマン
Written-ByStevie Nicks
5:09
12 Songbird = ソングバード
Written-ByChristine McVie
3:22

Companies, etc.

  • Phonographic Copyright ℗Warner Bros. Records Inc.
  • Phonographic Copyright ℗WEA International Inc.
  • Copyright ©Warner Bros. Records Inc.
  • Copyright ©WEA International Inc.
  • Manufactured ByWarner Music Japan Inc.
  • Distributed ByWarner Music Japan Inc.
  • Published ByGentoo Music, Inc.
  • Recorded AtRecord Plant, Sausalito
  • Recorded AtRecord Plant, Los Angeles
  • Recorded AtWally Heider Recording Studio, Los Angeles
  • Recorded AtCriteria Recording Studios
  • Recorded AtDavlen Sound Studios
  • Recorded AtZellerbach Auditorium
  • Mixed AtProducers Workshop
  • Mastered AtCapitol Records
  • Mastered AtK Disc Mastering
  • Published ByScreen Gems-EMI Music Inc.
  • Produced For5.1 Entertainment Group
  • Mastered AtGateway Mastering
  • Copyright ©Gentoo Music, Inc.
  • Copyright ©Now Sounds Music
  • Copyright ©Welsh Witch Music
  • Copyright ©Barbara Nicks Music
  • Glass Mastered AtSony DADC Japan

Credits

  • BassJohn McVie
  • Crew [Fleetwood Mac Studio Crew]Rhyno
  • Design Concept [Concept]Herbert Worthington*
  • Design [Album Design]Desmond Strobel
  • Drums, PercussionMick Fleetwood
  • EngineerRichard Dashut
  • Engineer [5.1 Surround Mixes Assistant Engineer]Rich Fowler
  • Engineer [Assisted By]Cris Morris*
  • Guitar [Guitars], VocalsLindsey Buckingham
  • Keyboards, Synthesizer [Synthesizers]Christine McVie
  • Liner Notes [対訳]浅見もなみ (tracks: 6)
  • Liner Notes [解説]小林慎一郎
  • Management [Christine McVie]John Courage
  • Management [John McVie]Steve Wax
  • Management [Lindsey Buckingham]Tony Dimitriades
  • Management [Mick Fleetwood]Carl Stubner
  • Management [Stevie Nicks]Sheryl Louis
  • Mastered ByKen Perry
  • Mastered By [CD Mastering]Ken Perry
  • Mastered By [Surround Mixes And Original Stereo Mixes]Bob Ludwig
  • Mixed By [5.1 Surround Mixes]Ken Caillat
  • Photography ByHerbert Worthington*
  • ProducerFleetwood Mac
  • Producer [5.1 Surround Mixes]Ken Caillat
  • Producer [With]Richard Dashut
  • Technician [5.1 Surround Mixes: Production Assistant]James Stone
  • Typography [Hand Lettering]Vigon Nahas Vigon
  • VocalsStevie Nicks

Notes

Similar to Warner Records logo on disc, OBI, and back inlay.

Issued in a standard jewel case with a clear tray, including an 8 page English booklet, a 12 page Japanese booklet, and an obi.
The barcode is only printed on the obi.
Track 6 is indicated as Bonus Track on the obi.

On the back cover:
DSD Mastering

©2001, 1977 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S. ℗2001, 1977, 1976 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S. […] Manufactured and distributed by Warner Music Japan, Inc., a Warner Music Group Company. Made in Japan.

In the 1st booklet:
All selections published and controlled by Gentoo Music, Inc. BMI

Recorded at :
The Record Plant, Sausalito and Los Angeles, California
Wally Heider Recording Studios, Los Angeles, California
Criteria Studios, Miami, Florida
Davlen Recording Studio, North Hollywood, California
"Songbird" recorded at Zellerback Auditorium, U.C. Berkeley, March 3rd, 1976
Mixed at:
Producer's Workshop, Hollywood, California
Mastered By:
Ken Perry at Capitol Records
CD Mastering By:
Ken Perry and Ken Caillat at K-Disc

[…]

All musical compositions istered by Screen Gems-EMI Music Inc. for U.S. and Canada

Produced by Ken Caillat for 5.1 Entertainment Group
[…]

5.1 Surround Mixes and Original Stereo Mixes Mastered @ 96k by Bob Ludwig, Gateway Mastering, Portland, Me.

[…]

Second Hand News
© 1977 Gentoo Music, Inc./Now Sounds Music

Dreams
© 1977 Gentoo Music, Inc./Welsh Witch Music

Never Going Back Again
© 1977 Gentoo Music, Inc./Now Sounds Music

Don't Stop
© 1976 Gentoo Music, Inc.

Go Your Own Way
© 1976 Gentoo Music, Inc./Now Sounds Music

Silver Springs
© 1997 Barbara Nicks Music BMI

The Chain
© 1977 Gentoo Music, Inc.//Now Sounds Music/Welsh Witch Music.

You Make Loving Fun
© 1976 Gentoo Music, Inc.

I Don't Want To Know
© 1977 Gentoo Music, Inc./Welsh Witch Music.

Oh Daddy
© 1976 Gentoo Music, Inc.

Gold Dust Woman
© 1976 Gentoo Music, Inc./Welsh Witch Music.

Songbird
© 1977 Gentoo Music, Inc.

Barcode and Other Identifiers

  • Barcode (On obi): 4 943674 108947
  • Barcode (Scanned, EAN-13): 4943674108947
  • Price Code: 定価¥3,200
  • Rights Society: JASRAC
  • Rights Society: BMI
  • Matrix / Runout (Outer mirror band, variant 1): WPCR-14171 HD 1
  • Matrix / Runout (Inner mirror band, variant 1): WPCR-14171 CD 1
  • Mastering SID Code (Outer mirror band, variant 1): IFPI L271
  • Mastering SID Code (Inner mirror band, variant 1): IFPI L275
  • Mould SID Code (Variant 1): 45TA
  • Matrix / Runout (Outer mirror band, variant 2): WPCR-14171 HD 2
  • Matrix / Runout (Inner mirror band, variant 2): WPCR-14171 CD 1
  • Mastering SID Code (Outer mirror band, variant 2): IFPI L271
  • Mastering SID Code (Inner mirror band, variant 2): IFPI L275
  • Mould SID Code (Variant 2): 45T2
  • ISRC (Track 1): USWB10101367
  • ISRC (Track 2): USWB10101368
  • ISRC (Track 3): USWB10101369
  • ISRC (Track 4): USWB10101370
  • ISRC (Track 5): USWB10101371
  • ISRC (Track 6): USWB10101372
  • ISRC (Track 7): USWB10101373
  • ISRC (Track 8): USWB10101374
  • ISRC (Track 9): USWB10101375
  • ISRC (Track 10): USWB10101376
  • ISRC (Track 11): USWB10101377
  • ISRC (Track 12): USWB10101378
  • Matrix / Runout (Outer mirror band, variant 3): WPCR-14171 HD 2
  • Matrix / Runout (Inner mirror band, variant 3): WPCR-14171 CD 1
  • Mould SID Code (Outer mirror band, variant 3): IFPI L271
  • Mastering SID Code (Inner mirror band, variant 3): IFPI L275
  • Mould SID Code (Variant 3): 45T7

Other Versions (5 of 772)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Rumours (LP, Album, Stereo, Textured Sleeve) Warner Bros. Records WB 56 344 1977
Rumours (LP, Album, Stereo) Warner Bros. Records K56344, K 56344 UK 1977
Recently Edited
Rumours (LP, Album, Los Angeles Pressing) Warner Bros. Records BSK 3010 US 1977
Recently Edited
Rumours (LP, Album, Stereo) Warner Bros. Records WB 56344 Netherlands 1977
Recently Edited
Rumours (LP, Album) Warner Bros. Records 56.344, 56 344-A, BSK 3010, 56344 1977

Recommendations

  • Hotel California
    2011 Japan
    SACD —
    Hybrid, Multichannel, Album, Reissue
    Shop
  • Wish You Were Here
    2011 USA & Europe
    SACD —
    Hybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered
    Shop
  • Brothers In Arms
    2005 Europe
    SACD —
    Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
    Shop
  • Man Across The Water
    2004 US
    SACD —
    Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
    Shop
  • Elton John
    2004 US
    SACD —
    Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
    Shop
  • Slowhand
    2004 US
    SACD —
    Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
    Shop
  • The Nightfly
    2011 Japan
    SACD —
    Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
    Shop
  • Thriller
    2022 US
    SACD —
    Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
    Shop
  • Honky Château
    2004 US
    SACD —
    Album, Hybrid, Multichannel, Reissue, Remastered
    Shop
  • The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
    2003 Europe
    SACD —
    Album, Hybrid, Multichannel, Stereo
    Shop

Reviews

  • thexfile's avatar
    thexfile
    2001 Master used. It's the same thing as the DVD-A version.
    • DePenning's avatar
      DePenning
      The target CD sounds more pleasant and smoother, that’s probably the best digital version available. This is too loud and harsh in my opinion, sold mine after getting the target.
      • whocares73's avatar
        whocares73
        I agree with comment below, sound quality is good, not great. And yes, way too loud. Not using any of the dynamic range that SACDs offer. I would not buy.
        • andreaboi's avatar
          andreaboi
          The sound of the DSD is good but too loud, it's compressed. That's not the " sound". Skip this version and just buy the vinyl, will sound better.
          • FlatWaxAU's avatar
            FlatWaxAU
            Edited 2 years ago
            I own the 45rpm Hoffman/Gray vinyl, and this pressing is by far the definitive version of this iconic album. So how does it compare to the SACD? The SACD & CD layer are both very good, though they can only match 80% of the 45rpm vinyl cut. I don’t have 5.1 surround sound, so I can’t comment on that layer. Nice try Warner, but no cigar.
            • bvanpelt's avatar
              bvanpelt
              Edited 2 years ago
              My review is only for the stereo layer.

              I think this SACD sounds identical to the 45 rpm LP that is almost universally praised. Both that album and this SACD came out in the same year, so they may use almost identical masterings. The only difference I could tell was in "Gold Dust Woman": At the beginning of that song, there is some hollering from an audience or from the band; on the SACD, that hollering has been removed. Other than that one difference, the 45 rpm LP and this SACD sound identical to me.

              I praised the 45 rpm LP and I praise this SACD. The music explodes from the speakers. There is no distortion of any kind. The drums are propulsive, the guitar is sharp, and all the other instruments are easy to hear. Vocals are all clear and well-focused in the center of the soundstage. It's a very clean recording.

              It's excellent.
              • Texasbear's avatar
                Texasbear
                This entire series is quite exceptional and the few copies of this series that I own sound better than other SACD versions of the same album. They are dual layer disc as I have software that can pull the DSD layer from the disc before it converts it to PCM and it creates a lossless DSD High Resolution that I play on our Networked music server. The player tells you what format it’s playing and after striping the DSD layer from the CD, they show up as DSD on the screen of the player as a DSD file. That’s why I like these disc, but they only made a few of them.

                SACD is a format that I always have to tinker with when I play it through our 7.2 surround sound system that we generally watch movies through. So, it is generally setup to playback DTS Surround Sound. I have noticed that when I play a SACD on our main entertainment system which is 7.2, I have to tinker with the sound as well as the speaker levels in order to get them to sound the best and to get the clarity to come through like SACD should sound. I think that’s why it’s not as popular as the stereo releases. It’s a format that appeals to a niche crowd who doesn’t mind fiddling with their system and then returning the settings back to a different setting that’s more suited for watching TV or Movies. I have to do this with all of my SACD’s which are mostly either Japanese or Mobile Fidelity Sound Labs. Even single layer SACDs require this tinkering with the equipment.

                The best sounding Surround Sound format that I own are the Dolby DTS DVD 5.1 audio disc. I don’t have to make a bunch of adjustments to my equipment to get it to sound like it should. It’s really a shame that the format didn’t take off as it’s an extremely good sounding format. Unfortunately there’s not that many releases on this format and the ones you find are extremely expensive now.

                I haven’t been very impressed with the Pure Audio brand of 5.1 Blu-ray Disc either. I own a few other Blu-ray Disc and the best sounding one I have ever heard is Tom Petty - “Damn The Torpedoes” which sounds phenomenal and they give you a High Resolution of the album as well. It’s in a card sleeve that I placed the disc into a Japanese style CD sleeve for Japanese Mini LP CD’s to keep from scratching it up.

                https://discogs.sitiosdesbloqueados.info/release/2585886-Tom-Petty-And-The-Heartbreakers-Damn-The-Torpedoes

                This is the best sounding Blu-ray album I’ve ever owned. It’s crazy how many different versions of a single release some people own. I have five versions of this Tom Petty & The Heartbreakers release.

                I was going to buy every release in this series, but I just haven’t gotten around to it yet and everything is getting more expensive by the day. With the Japanese Yen way down, now’s the time to try and buy Japanese releases, but on Discogs they haven’t dropped the prices on any of the Japanese releases, they have actually gone up.
                • lagoskid's avatar
                  lagoskid
                  I don't have a multichannel setup; so this review is only for the stereo layer. The DSD stereo layer is absolutely fantastic; I have heard many versions of this album and this stereo version is the best. I have the Bernie Grundman cut 45rpm and did a shoot out with the stereo DSD and the SACD was clearly better, which was a nice change because my experience is that DSD layers generally sound flatter and less dynamic than vinyl equivalent.
                  • chrislaskew's avatar
                    chrislaskew
                    Having acquired the Elton John five or so studio albums in multichannel SACD format, I was expecting something approaching that quality of multichannel sound. Unfortunately, this disc sounds like someone put the stereo layer through a 2-->5.1 channel synthesizer instead of having the original multitrack mixing table tracks and putting separate tracks into the surround channels. More evidence of this is the deep bass levels still sound rolled-off like the mass released vinyl versions from late 1970s. The sound quality is also suppressed and thin sounding relative to a newly re-mixed multichannel release. If you're looking for good multichannel sound, I can't recommend this release.

                    Release

                    See all versions
                    Data Correct

                    For sale on Discogs

                    Sell a copy

                    16 copies from €26.39

                    Statistics

                    • Have:1333
                    • Want:966
                    • Avg Rating:4.75 / 5
                    • Ratings:145
                    • Last Sold:
                    • Low:€8.87
                    • Median:€34.32
                    • High:€74.90

                    Videos (11)

                    Edit

                    Contributors