David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Tracklist
1 | Five Years | 4:43 | |
2 | Soul Love | 3:34 | |
3 | Moonage Daydream | 4:40 | |
4 | Starman | 4:14 | |
5 | It Ain't Easy | 2:57 | |
6 | Lady Stardust | 3:21 | |
7 | Star | 2:47 | |
8 | Hang On To Yourself | 2:38 | |
9 | Ziggy Stardust | 3:13 | |
10 | Suffragette City | 3:25 | |
11 | Rock 'N' Roll Suicide | 2:59 |
Companies, etc.
- Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Co., LLC
- Licensed From – EMI Records Ltd.
- Copyright © – Jones/Tintoretto Entertainment Co., LLC
- Published By – Tintoretto Music
- Published By – Screen Gems-EMI Music Inc.
- Published By – Chrysalis Songs
- Published By – RZO Music Ltd.
- Published By – EMI Music Publishing Ltd.
- Published By – Chrysalis Music Ltd.
- Published By – Irving Music, Inc.
- Published By – Rondor Music Ltd.
- Distributed By – EMI
- Recorded At – Trident Studios
- Remixed At – Abbey Road Studios
- Mastered At – Abbey Road Studios
- Remastered At – Abbey Road Studios
- Glass Mastered At – Sonopress – 50782606
- Glass Mastered At – Sonopress – 50782647
Credits
- Arranged By – Mick Ronson
- Artwork [Original Front And Back Cover] – Terry Pastor
- Artwork [Re-Package], Layout [Re-Package] – The Design League
- Bass – Trevor Bolder
- Coordinator [Reissue Project] – Nigel Reeve
- Design [Re-Package] – Kevin Cann
- Drums – Mick Woodmansey
- Guitar, Piano, Vocals – Mick Ronson
- Mastered By [Multi Channel] – Peter Mew
- Photography By [Booklet Pages 7, 11] – Mick Rock
- Photography By [Original Front And Back Cover, Inside Back Tray, Booklet] – Brian Ward (5)
- Producer – Ken Scott
- Remastered By [PCM And DSD Stereo Digital Remaster] – Peter Mew
- Remix [Multi Channel] – Paul Hicks
- Vocals, Guitar, Saxophone – David Bowie
- Written-By – Bowie* (tracks: 1 to 4, 6 to 11)
Notes
This Stereo Hybrid SACD can be played on any standard compact disc player.
The recording has been remastered using DSD
Multi channel layer re-mixed for 5.1 surround at Abbey Road Studios, London, January 2003.
PCM and DSD stereo layers digitally remastered at Abbey Road Studios, London, 2002.
Multi channel layer mastered at Abbey Road Studios, London, 2003.
Publishers:
1 to 4, 6 to 11.
North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd., Chrysalis Songs (BMI)
Rest of World - Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd.
3.
North America - Irving Music, Inc. (BMI)
Rest of World - Rondor Music Ltd.
PCM and DSD stereo layers digital remasters ℗ 2002 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC. under exclusive license to EMI Records Ltd.
Multi channel layer ℗ 2003 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC. under exclusive license to EMI Records Ltd.
© 2003 Jones/Tintoretto Entertainment Co., LLC.
Printed in EU
The recording has been remastered using DSD
Multi channel layer re-mixed for 5.1 surround at Abbey Road Studios, London, January 2003.
PCM and DSD stereo layers digitally remastered at Abbey Road Studios, London, 2002.
Multi channel layer mastered at Abbey Road Studios, London, 2003.
Publishers:
1 to 4, 6 to 11.
North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd., Chrysalis Songs (BMI)
Rest of World - Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd.
3.
North America - Irving Music, Inc. (BMI)
Rest of World - Rondor Music Ltd.
PCM and DSD stereo layers digital remasters ℗ 2002 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC. under exclusive license to EMI Records Ltd.
Multi channel layer ℗ 2003 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC. under exclusive license to EMI Records Ltd.
© 2003 Jones/Tintoretto Entertainment Co., LLC.
Printed in EU
Barcode and Other Identifiers
- Barcode (Text): 7 24352 19002 7
- Barcode (Scanned): 724352190027
- Rights Society: bel / BIEM
- Price Code (F:): PM 520
- Distribution Code (UK): 521 9002
- Matrix / Runout (Variant 1 - CD layer): 50782606/5219002 01
- Mastering SID Code (Variant 1 - CD layer): IFPI LP71
- Matrix / Runout (Variant 1 - SACD layer): 50782647/5219002 D 01
- Mastering SID Code (Variant 1 - SACD layer): IFPI LP73
- Mould SID Code (Variant 1): IFPI 0703
- Matrix / Runout (Variant 2 - CD layer): 50782606/5219002 01
- Mastering SID Code (Variant 2 - CD layer): IFPI LP73
- Matrix / Runout (Variant 2 - SACD layer): 50782647/5219002 D 29
- Mastering SID Code (Variant 2 - SACD layer): IFPI LP73
- Mould SID Code (Variant 2): IFPI 07M4
- Matrix / Runout (Variant 3 - CD layer): 50782606/5219002 01
- Mastering SID Code (Variant 3 - CD layer): IFPI LP 73
- Matrix / Runout (Variant 3 - SACD layer): 50782647/5219002 D 01
- Mastering SID Code (Variant 3 - SACD layer): IFPI LP 73
- Mould SID Code (Variant 3): IFPI 07C3
Other Versions (5 of 453)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (LP, Album, Stereo, Rockaway Pressing) | RCA Victor | LSP-4702 | US | 1972 | |||
Recently Edited
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The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (LP, Album, Stereo) | RCA Victor | SF 8287, LSP 4702, LSP-4702 | UK | 1972 | ||
Recently Edited
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The Rise and Fall of Ziggy Stardust and the Spiders From Mars (LP, Album, Stereo) | RCA Victor | LSP-4702 | Canada | 1972 | ||
Recently Edited
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The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (LP, Album) | RCA Victor | LSP 4702 | Italy | 1972 | ||
Recently Edited
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La Ascendencia Y Caida De Ziggy Stardust Y Las Arañas De Marte (LP, Album) | RCA Victor | LSP-4702 | Spain | 1972 |
Recommendations
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2011 USA & EuropeHybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered
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2004 USHybrid, Multichannel, Stereo, Album, Reissue, Remastered
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2005 EuropeHybrid, Multichannel, Stereo, Album, Reissue, Remastered
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2004 USHybrid, Multichannel, Stereo, Album, Reissue, Remastered
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2017 WorldwideAlbum, Reissue, Remastered, Stereo
Reviews
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This is one of the best SACD mixes of any classic rock album. It's not quite as good as Roxy's Avalon- the mix is a bit too sharp and harsh in places.
The sound stage is wide deep and tall creating an immense space for the instrumentation and Bowies voice to inhabit with so much clarity and definition. The bass is thick and phatt without distortion at volume and it doesn't drown out the production.
I wish Bowies entire back catalogue had been given the SACD treatment- along with so many more classic albums old and new.
I still have my fingers crossed that with the revival of CD someone will spot the potential of investing in SACD special editions of more classic albums in a niche audiophile series similar to what happened with the vinyl revival.
I think that might still become a reality as people seem to want more physical product. -
Playing this from a Marantz SA-11s2 player and it sounds amazing, just a touch too bright from being perfect tonally but this is the most amazing sounding version. And I've had various versions on LP from the Mobile Fidelity to Japanese pressings, UK pressings, half speed remaster, etc.
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Simply excellent stereo mix & mastering. This might just be my favorite version across formats. They really should have done his entire catalog like this.
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The Stereo layer of this is the Ziggy Stardust you want to hear. People expect impossible things out of the sound of this album, and you will realise it listening to this. This is how it's meant to sound. This does it justice, to every single track. The one you crank and "PLAY AT MAXIMUM VOLUME" no problemo.
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Edited one month agoIf you have the means to listen to sacd layer proper then it's awesome.
One of my best/cherished sacd. -
Edited 8 months agoIn reference to a 4th variant, IFPI 07M6, and specifically the 2 channel elements. A worthy entry in the myriad list of Ziggy remasters. Both layers have unique to this release mastering, and both sound amazing. Any issues with the sound is with the source. I think the notion of a definitive edition of this recording is now an absurdity. Whichever version sounds best to you... that is the definitive edition.
Release
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Recently Edited
Recently Edited
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