Tracklist
A1 | La Habanera | 5:10 | |
A2 | Moon On Ice | 4:12 | |
A3 | Call It Love | 5:05 | |
A4 | Le Secret Farida | 3:17 | |
A5 | Hawaiian Chance | 4:18 | |
B1 | The Rhythm Divine | 4:10 | |
B2 | Santiago | 5:48 | |
B3 | Goldrush | 4:20 | |
B4 | Oh Yeah | 3:05 | |
B5 | Dr Van Steiner | 4:18 | |
B6 | Si Senor The Hairy Grill | 4:48 |
Companies, etc.
- Phonographic Copyright ℗ – Phonogram GmbH
- Lacquer Cut At – Masterdisk
- Pressed By – Specialty Records Corporation
- Manufactured By – PolyGram Records, Inc.
- Marketed By – PolyGram Records, Inc.
- Published By – Neue Welt Musikverlag GmbH
- Published By – WB Music Corp.
- Published By – APB Music Ltd.
Credits
- Backing Vocals – Billy MacKenzie
- Bass Trombone – Don Randolph
- Bass [Uncredited] – Mick Karn (tracks: B1)
- Co-producer [Vocals Of Shirley Bassey] – Hubertus Von Hohenlohe
- Co-producer, Engineer – Ian Tregoning
- Composed By, Arranged By – Boris Blank
- Cover – Ernst Gamper
- Drums – Beat Ash
- Guitar – Chico Hablas
- Lyrics By, Vocals – Dieter Meier
- Piano, Accordion – Philip Kienholz*
- Producer – Yello
- Producer [With The Occasional Presence Of] – Dieter Meier
- Producer, Engineer – Boris Blank
- Trombone – Steve Trop
Notes
The catalog number is printed as 832 675-1 Q-1 on the spine, and as 422 832 675-1 Q-1 on the centre labels.
[sleeve]
℗ 1987 Phonogram GmbH, Hamburg / 1987 Warner Bros.
Printed in the U.S.A.
Manufactured and Marketed by PolyGram Records
[labels]
Stereo
Side A / Side B
49
Manufactured and Marketed by PolyGram Records, Inc.
Similar US release exists One Second which has Stereo Side1 33 1/3 RPM on label.
Runout details are etched except for SRC (logo) and MASTERDISK stamps.
[sleeve]
℗ 1987 Phonogram GmbH, Hamburg / 1987 Warner Bros.
Printed in the U.S.A.
Manufactured and Marketed by PolyGram Records
[labels]
Stereo
Side A / Side B
49
Manufactured and Marketed by PolyGram Records, Inc.
Similar US release exists One Second which has Stereo Side1 33 1/3 RPM on label.
Runout details are etched except for SRC (logo) and MASTERDISK stamps.
Barcode and Other Identifiers
- Barcode (Text): 0 422-832675-1 0
- Barcode (Scanned, UPC_A): 042283267510
- Other (Code on sleeve reverse, bottom right corner): 0704
- Pressing Plant ID: 49
- Pressing Plant ID (Embossed on side B label): E A S T
- Matrix / Runout (Runout side A): SRC 422-832-675- 1-A-S - SP MASTERDISK 1-1
- Matrix / Runout (Runout side B): SRC 422-832-675- 1- BS- SP MASTERDISK1-1
Other Versions (5 of 114)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
One Second (CD, Album, Stereo) | Mercury | 830 956-2 | 1987 | ||||
One Second (LP, Album, Stereo, PDO Pressing) | Mercury | 830 956-1 | 1987 | ||||
One Second (CD, Album) | Mercury | 832 675-2 | US | 1987 | |||
One Second (Cassette, Album) | Vertigo | 830 956-4 | Canada | 1987 | |||
One Second (LP, Album) | Mercury | MERH 100 | UK | 1987 |
Recommendations
Reviews
-
So damn good, and the pressing is great. Clear, punchy, all frequencies represented. Why this album is so cheap is beyond me. Was expecting to see it fetching high prices for the OG pressings, but no. A creative batch of 80's goodness. highly recommended
-
In this day of "pretend" innovations like adding a kick drum to an existing '80s track like "I Can't Go For That (No Can Do)" by Hall and Oates or grafting a bunch of noise together and calling yourself a "producer", one may wonder how innovative an '80s band could possibly be - but rest you assured, friends, Yello is a thousand times more innovative than any of today's "pretenducers"! I say it all the time, but hey - truth is truth - innovation is DEAD in today's electronic landscape. There may a handful of well-produced tracks coming out every few months or so, but none match the level of sheer invention that Yello was coming up with in the 1980s. You simply must check out this album if you want to hear sounds (and/or "songs") that are as fresh now as they were in 1987! These tracks could just as well have been just released. This album is timeless in many ways, and the musicianship of these guys never goes out of style. This rates a fifty on a scale of one to ten, and that's conservative. Did I mention the element of variety? Several styles ranging from light and airy to hard and pounding are explored, and all done remarkably well. If you want a taste of something larger than life and completely timeless and well, perfect(?) - give this album a listen! One of the best of all time for many many reasons. Do check it out!
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