Eurythmics – Touch
Label: |
RCA Victor – AFL1-4917 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
New Wave |
Tracklist
| A1 | Here Comes The Rain Again | 4:54 | |
| A2 | Regrets | 4:43 | |
| A3 | Right By Your Side | 4:05 | |
| A4 | Cool Blue | 4:48 | |
| A5 | Who's That Girl? | 4:46 | |
| B1 | The First Cut | 4:44 | |
| B2 | Aqua | 4:36 | |
| B3 | No Fear, No Hate, No Pain (No Broken Hearts) | 5:24 | |
| B4 | Paint A Rumour | 7:30 |
Companies, etc.
- Record Company – RCA Corporation
- Manufactured By – RCA Records
- Distributed By – RCA Records
- Phonographic Copyright ℗ – RCA Ltd.
- Copyright © – RCA Ltd.
- Published By – Blue Network Music
- Pressed By – RCA Records Pressing Plant, Indianapolis
Credits
- Artwork [Art, With Thanks To], Design [With Thanks To] – Andrew Christian
- Artwork [Art], Design – Laurence Stevens
- Band [Eurythmics Live], Backing Vocals – The Croquettes
- Band [Eurythmics Live], Backing Vocals [The Croquettes] – Suzie O'List
- Band [Eurythmics Live], Bass – Dean Garcia
- Band [Eurythmics Live], Drums – Pete Phipps
- Band [Eurythmics Live], Horns – Martin Dobson
- Band [Eurythmics Live], Synth [Synths] – Vic Martin
- Engineer [Engineered By] – Jon Bavin
- Lacquer Cut By – Ja*
- Management – Kenny Smith (6)
- Management [Management (USA)] – Gary Kurfirst
- Management [Personal Assistant] – Karen Ciccone
- Musician, Arranged By [Strings Arranged], Conductor [Strings Conducted By] – Michael Kayman*
- Musician, Baritone Saxophone [Baritone Sax] – Martin Dobson (tracks: A3)
- Musician, Bass Guitar – Dean Garcia
- Musician, Guitar [Guitars], Keyboards, Dulcimer, Xylophone, Backing Vocals, Sequencer [Drum And Synthesizer Sequencers] – Dave Stewart*
- Musician, Horns, Trumpet, Flugelhorn [Flugel Horn], Cornet – Dick Cuthell
- Musician, Lead Vocals [All Lead Vocals], Backing Vocals, Keyboards, Flute – Ann Lennox*
- Musician, Strings [Strings Appear Courtesy Of] – The British Philharmonic Orchestra
- Photography By [Inner Sleeve] – Brian Aris
- Photography By [Outer Sleeve] – Peter Ashworth
- Producer [Produced By] – David A. Stewart
- Songwriter, Arranged By – Dave*
- Written-By – Stewart*
Notes
Issued with full-color custom-printed inner sleeve with credits and photos, catalog number AFL1-4917.
Another otherwise similar version with inner sleeve AFL1-4958 is at Touch.
Serifed "I" stamped in runouts denotes RCA Records Pressing Plant, Indianapolis, pressing. Remainder of runouts mostly etched, additional plating characters (e.g., "A 3") may be stamped.
RCA logo on back cover. RCA Victor logo on labels.
Recorded and Mixed on Soundcraft.
Made in U.S.A.
Special Thanks in the Past to;
Paul Jacobs, Tim Wheater, Robert Crash, Alan Harrison,
Eddy, Chris, Bob and John, Sandra, Andy, Eddie Reader,
Mickey Gallagher, Clem Burke.
Thanks To:
Adam Williams "for his past help"
Jack Steven
Steve Blackwell
Barbara and Jeff in USA
Strings [...] with special thanks to Sid Sax.
© 1983 RCA Ltd., Record Division
℗ 1983 RCA LTD.
Another otherwise similar version with inner sleeve AFL1-4958 is at Touch.
Serifed "I" stamped in runouts denotes RCA Records Pressing Plant, Indianapolis, pressing. Remainder of runouts mostly etched, additional plating characters (e.g., "A 3") may be stamped.
RCA logo on back cover. RCA Victor logo on labels.
Recorded and Mixed on Soundcraft.
Made in U.S.A.
Special Thanks in the Past to;
Paul Jacobs, Tim Wheater, Robert Crash, Alan Harrison,
Eddy, Chris, Bob and John, Sandra, Andy, Eddie Reader,
Mickey Gallagher, Clem Burke.
Thanks To:
Adam Williams "for his past help"
Jack Steven
Steve Blackwell
Barbara and Jeff in USA
Strings [...] with special thanks to Sid Sax.
© 1983 RCA Ltd., Record Division
℗ 1983 RCA LTD.
Barcode and Other Identifiers
- Barcode (Scanned): 078635491715
- Barcode (Text): 0 7863-54917-1
- Rights Society: ASCAP
- Matrix / Runout (Side A label): AFL1-4917-A
- Matrix / Runout (Side B label): AFL1-4917-B
- Matrix / Runout (Runout side A, variant 1): AFL1-4917A-1 K- Ja 1 A 3
- Matrix / Runout (Runout side B, variant 1): AFL1-4917B-1 Ja Q- 1 A 6
- Matrix / Runout (Runout side A, variant 2): AFL1-4917A-1 Ja E- 1 A1
- Matrix / Runout (Runout side B, variant 2): AFL1-4917B-1 Ja H- 1 A 2
- Matrix / Runout (Runout side A, variant 3): AFL1-4917A-1 I ʌ1 Ja
- Matrix / Runout (Runout side B, variant 3): AFL1-4917B-1 I Ja ʌ5
- Matrix / Runout (Runout side A, variant 4): AFL1-4917A-1 1 ^1HH Ja
- Matrix / Runout (Runout side B, variant 4): AFL1-4917B-1 Ja AC Q-
- Matrix / Runout (Runout side A, variant 5): AFL1-4917-A-1 I Ja A4 C
- Matrix / Runout (Runout side B, variant 5): AFL1-49178-B-1 o I Ja AC C
- Matrix / Runout (Runout side A, variant 6): AFL1-4917A-1 Ⅰ A1 R Ja
- Matrix / Runout (Runout side B, variant 6): AFL1-4917B-1 Ⅰ Ja A 2 Ⅰ~
- Matrix / Runout (Runout side A, variant 7): AFL1-4917A-1 I ^J I-Ja
- Matrix / Runout (Runout side B, variant 7): AFL1-4917B-1 I ^G Ja G
- Matrix / Runout (Runout side A, variant 8): AFL1-4917A-1 I Ja .A ̶4̶ ̶4̶ 4 Q -
- Matrix / Runout (Runout side B, variant 8): AFL1-4917B-1 I Ja A 2 M +
- Matrix / Runout (Runout side A, variant 9): AFL1-4917A-1 I Ja A ̶4̶ ̶4̶ 4 A
- Matrix / Runout (Runout side B, variant 9): AFL1-4917B-1 I Ja A 4 C
- Matrix / Runout (Runout side A, variant 10): AFL1-4917A-1 I ɅIy Ja
- Matrix / Runout (Runout side B, variant 10): AFL1-4917B-1 I Ja A7B._
- Matrix / Runout (Runout side A, variant 12): AFL1-4917A-1 I Ja A6U
- Matrix / Runout (Runout side B, variant 12): AFL1-4917B-1 I Ja A4U
- Matrix / Runout (Runout side A, variant 13): AFL1-4917A-1 I Ja A4̶4̶4EE
- Matrix / Runout (Runout side B, variant 13): AFL1-4917B-1 I Ja ACNN-
- Matrix / Runout (Runout side A, variant 14): AFL1-4917A-1 I A0H Ja
- Matrix / Runout (Runout side B, variant 14): AFL-1-4917B-1 Ja A0X
- Matrix / Runout (Runout side A, variant 15): AFL1-4917A-1 I A3L Ja
- Matrix / Runout (Runout side B, variant 15): AFL-1-4917B-1 I Ja A4L
- Matrix / Runout (Runout side A, variant 16): AFL-1-4917A-1 I Ja A ̶4̶ ̶4̶ 4T-
- Matrix / Runout (Runout side B, variant 16): AFL-1-4917B-1 I Ja A⁐R-
Other Versions (5 of 167)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Touch (LP, Album, Stereo) | RCA | AFL1-4917 | Canada | 1983 | |||
|
Recently Edited
|
Touch (LP, Album, Gatefold Sleeve) | RCA Victor | VPL1 7467 | Australia & New Zealand | 1983 | ||
|
Recently Edited
|
Touch (LP, Album) | RCA | NL 90369 | UK | 1983 | ||
| Touch (Cassette, Album, Black Cassette) | RCA | PK 70109 | Europe | 1983 | |||
|
New Submission
|
Touch (Cassette, Album) | RCA | AFK1-4917 | Canada | 1983 |
Recommendations
Reviews
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I do not have another pressing to compare this to, but my minty, flat, centered, and dead quiet copy presents a very "vocals forward" soundscape where you can pretty much hear the back of Annie's throat - super articulated (so gorgeous!). It took pushing my amp to bring out the rest of the synths and backbeat fully in focus...but when I did the mid and low end absolutely devoured our family room and drove through your chest.
Literal definition of New Wave cheap heat!
Pro-Ject X1B + Sumiko Wellfleet / Musical Fidelity M5si / Schiit Mani 2 / Dali Oberon 7s -
Album runouts and sleeve match on mine, however, my insert has "AFL1-4958" in upper left corner.
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Release
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Data Correct
Data Correct
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143 copies from $2.74