Queens Of The Stone Age – Lullabies To Paralyze
Label: |
Interscope Records – MOVLP250 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | This Lullaby | 1:23 | |
| A2 | Medication | 1:54 | |
| A3 | Everybody Knows That You Are Insane | 4:14 | |
| A4 | Tangled Up In Plaid | 4:13 | |
| A5 | Burn The Witch | 3:35 | |
| A6 | In My Head | 4:01 | |
| B1 | Little Sister | 2:54 | |
| B2 | I Never Came | 4:48 | |
| B3 | Someone's In The Wolf | 7:16 | |
| B4 | The Blood Is Love | 6:38 | |
| C1 | Skin On Skin | 3:42 | |
| C2 | Broken Box | 3:02 | |
| C3 | "You Got A Killer Scene There, Man..." | 4:57 | |
| C4 | Long Slow Goodbye | 6:50 | |
| C5 | Like A Drug | 3:16 |
Companies, etc.
- Phonographic Copyright ℗ – Interscope Records
- Phonographic Copyright ℗ – Universal Music B.V.
- Copyright © – Universal Music B.V.
- Manufactured By – Music On Vinyl B.V.
- Distributed By – Music On Vinyl B.V.
- Published By – Board Stiff Music
- Published By – Magic Bullet Music
- Published By – More Kick And Snare Music
- Published By – Ripplestick Music
- Published By – Channel This Music
- Mastered At – Bernie Grundman Mastering
- Recorded At – Sound City Studios
- Mixed At – Bay 7 Studios
- Pressed By – Record Industry – 90630
Credits
- A&R – Mark Williams (19)
- A&R [For] – Interscope Records
- Booking [Booking For ROW - For] – Helter Skelter (8)
- Booking [Booking For ROW] – Steve Strange (2)
- Booking [Booking In N. America - For] – William Morris*
- Booking [Booking In N. America] – Robby Fraser
- Design [Art Design], Layout, Other [Documentation] – Hutch (4)
- Engineer [Additional Engineering] – Alain Johannes
- Engineer, Mixed By – Joe Barresi
- Illustration – Keith Richards (4)
- Legal – Rebel Steiner*
- Legal [For] – M.A.F.G.& L.*
- Lyrics By [Additional Lyrics] – Mark Lanegan (tracks: A2, A4, C4)
- Management – Stu Sobol
- Management [Financials - For] – P.N.F.W & Co.*
- Management [Financials] – Shannon Traynor
- Management [For] – The Firm (8)
- Mastered By – Brian Gardner
- Mixed By [Assisted] – Jun Marakawa
- Photography By – Chapman Baehler
- Photography By [Studio Photography] – Nigel Copp
- Producer – Joshua Homme*
- Recorded By [Assisted] – Pete Martinez
- Technician – Mike Fasano
- Technician [Additional Drum Tech For Drum Fetish] – Gersch*
- Technician [Drum Tech] – Mike Fasano
- Written-By – Troy Van Leeuwen
Notes
This is the standard black vinyl edition which followed the "Limited Edition Red Vinyl" version.
Gatefold sleeve.
Original release ℗ 2005 Interscope Records. This release ℗ & © 2011 Universal Music B.V.
Manufactured & distributed by Music On Vinyl B.V. for Universal Music B.V.
Made in the E.U.
Publishers:
Joshua Homme (Board Stiff Music/BMI)
Troy Van Leeuwen (Magic Bullet Music/ASCAP)
Joey Castillo (More Kick and Snare Music/BMI)
Mark Lanegan (Ripplestick Music/BMI)
Josh Freese (BMI)
Alain Johannes (Channel This Music/ASCAP)
Mastered [...] for Bernie Grundman Mastering Hollywood, CA
Recorded at Sound City Studios Van Nuys, Ca.
Mixed at Bay 7 Studios Valley Village, Ca.
Track durations not listed on the release.
Gatefold sleeve.
Original release ℗ 2005 Interscope Records. This release ℗ & © 2011 Universal Music B.V.
Manufactured & distributed by Music On Vinyl B.V. for Universal Music B.V.
Made in the E.U.
Publishers:
Joshua Homme (Board Stiff Music/BMI)
Troy Van Leeuwen (Magic Bullet Music/ASCAP)
Joey Castillo (More Kick and Snare Music/BMI)
Mark Lanegan (Ripplestick Music/BMI)
Josh Freese (BMI)
Alain Johannes (Channel This Music/ASCAP)
Mastered [...] for Bernie Grundman Mastering Hollywood, CA
Recorded at Sound City Studios Van Nuys, Ca.
Mixed at Bay 7 Studios Valley Village, Ca.
Track durations not listed on the release.
Barcode and Other Identifiers
- Barcode (As printed): 0 600753 357972
- Barcode (Scanned): 600753357972
- Matrix / Runout (Side A runout, etched): 90630 1A MOVLP 250 60075335797
- Matrix / Runout (Side B runout, etched): 90630 1B MOVLP 250 60075335797
- Matrix / Runout (Side C runout, etched): 90630 1C MOVLP 250 60075335797
- Rights Society: BIEM/SDRM
- Rights Society: ASCAP
- Rights Society: BMI
Other Versions (5 of 65)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Lullabies To Paralyze (CDr, Album, Copy Protected, Promo, Numbered) | Interscope Records | none | US | 2004 | ||
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Recently Edited
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Lullabies To Paralyze (CD, Album, Special Edition) | Rekords Rekords | 988 029-7 | UK | 2005 | ||
| Lullabies To Paralyze (CD, Album) | Rekords Rekords | 0602498802960 | Europe | 2005 | |||
|
Recently Edited
|
Lullabies To Paralyze (CD, Album, DVD, DVD-Video, NTSC, All Media, Deluxe Edition, Limited Edition) | Rekords Rekords | 0602498803127 | Europe | 2005 | ||
|
Recently Edited
|
Lullabies To Paralyze (CD, Album, DVD, , All Media, Deluxe Edition) | Interscope Records | B0004186-00 | US | 2005 |
Recommendations
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2013 UK, Europe & USVinyl —12", 45 RPM, Album, Deluxe Edition, Limited Edition -
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Reviews
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Not the best separation to be honest. Maybe it could be seen as muddy? Lovely clean vinyl and poly sleeves though. -
Great sounding record. Disagree with it sounding muddy or flat. I found it to be very dynamic and definitely better than the CD.
Recommend buying this record -
I've had this for a few years now, and it's still one of the cleanest really good sounding records I've gotten in the last 5 years. Always an enjoyable listening experience.
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The original pressing has the best sound, but it still sounds compressed and is only slightly better than the CD.
The MOV sounds as compressed as the CD, and muddy. Stick with the CD. -
This pressing is awesome, crisp and powerful and flat as a pancake like all my MOV pressings, got nothing else to compare it to though . -
I own all three pressing of this: the 2005 original pressing, the MOV pressing and the 2019 reissue. The sound of the MOV pressing is quite close to the original pressing. At least a lot closer than the 2019 reissue which is noticable compressed in comparison. The MOV was cut nearly as hot as the 2005 one. The 2019 reissue was not cut that hot. The original pressing has a tiny bit of surface noise between the tracks or in very quiet ages due to the mixed coloured vinyl, I assume. Noticable when listening with headphones mainly.
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This record is sick, sounds fantastic. The vocals are where they should be and crisp. Very good pressing. -
Does not sound as good as the original 2005 pressing. This has lower dynamic range and muddier sound. Buy the that one instead. -
Edited 5 years agoThis pressing sounds crisp and quiet even with my very basic setup. By far the best sounding Queens vinyl that I own.
To be honest LtP wasn't my favorite Queens album but after listening to it on this vinyl, it made me appreciate the album a lot more. -
I note the reissue is being (wisely) stretched out to 4 sides instead of 3, and has an extra track (Infinity) into the bargain. Why couldn't they have taken this kind of care with the Era Vulgaris reissue? It makes zero sense.
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