Helloween – Walls Of Jericho

Ya de por sí no es un álbum bien grabado, se nota el bajo presupuesto .
Lo tuve en cd en algún momento y nunca sono bien.
Este vinilo cumple con lo que esperaba, que no era mucho 🤣

I bought the Noise cassette of this album and their ep Judas one afternoon back in the late 80's. I was hooked. Having only heard the Kiske-era Helloween before, this was a great addition with Kai Hansen on vocals. Don't get me wrong, Kiske brought a great dynamic to the band, but the original songs are amazing..

How can you not love a song about a pinball machine? The packaging is not old-school, but I see why they did that method (so we could see all the old inserts.) If you have the 2000's era remaster, this won't change the sound much, but the extras are nice. If you are only familiar with the Deris/Kiske Helloween, this is a treat for your ears. A must-buy for even casual fans of German Power Meta

How many Tears and how many Vvvvveeeerssssioonssss of this album are there!!??

Anyway bands best song and bands best record to date.

Sadly, this pressing does not sound good at all. Very muddy sounding, wouldn't recommend.

There are some classic metal bands who were still searching their own ways with their first albums, like Judas Priest, Accept or Saxon. And there are those whose first albums are stone cold classics, like Black Sabbath, Iron Maiden or Manowar. Well, Helloween is somewhere between the two. It's quite difficult to evaluate Walls of Jericho, because the comparison is inevitable with the follow up albums: the two perfect and genre defining parts of Keeper of the Seven Keys.

However, if we place ourselves back to 1985, Walls of Jericho is a groundbreaking album with stunning instrumental and vocal performances. The awesome painting on the cover and the logo - one of the elite designs in metal - already hint at serious business.

It worth emphasizing not only the super melodic and super fast twin solo guitar playing, but the mastery of the rhythm section of Markus Grosskopf and Ingo Schwichtenberg. All of this creates a strong base for the further development of this band.

Kai Hansen's vocals are also phenomenal - although it has to be remarked that it suffers from a comparison to Michael Kiske - which is a compliment of Kiske, one of the very best metal singers ever, and not a downgrade of Hansen, of course.

What really prevents this album to be hailed as equal to the Keeper records is the uneven level of songwriting. The intro of the album already betrays it, since it's an excerpt from a Halloween movie soundtrack, while both Keeper albums start with an own composition which instantly lets you guess that something special is on its way.

There are a few songs which shows that strong identity and uniqueness which is a staple of each and every song on the two Keepers. Ride the Sky is of course a true classic - an ars poetica of Kai and an ever present live staple of Helloween and Gamma Ray, too. How Many Tears is also a top epic song - you should check out how the current 7 line up play it! Starlight from the EP preceding the Walls of Jericho album is also something special, just like Judas (also not on the original album). Murderer from the EP just makes your pulse run - oh how it starts! Heavy Metal is the Law is also a classic, in large part due to its awesome title and its crowd moving energy. Victim of Fate is also a great and versatile song, though it is worth noting how better its later Kiske version sounds.

The other songs mostly lack these features, which doesn't mean they are not thoroughly enjoyable. It means that although they were counted as top level awesome songs in the speed metal scene of 1984-86, they sound as also rans in the light of the stratospheric development of Helloween and the power metal genre in general.

The lyrics sometimes seem naive or generic, going with - and not above - the current flow of that era. Even though the influence of Judas Priest has usually come up in the music Helloween (to this very day), on Walls of Jericho sometimes this seems stronger than the identity of this young band (like Phantoms of Death which is like a Judas Priest leftover). While using classical pieces was already a specific thing of Accept then, Grieg's Hall of the Mountain King theme is inserted in Gorgar: great fun, though not original. I risk to say that a couple of tracks seem childish, like Reptile, Gorgar or Warrior.

The content and the realization of this double CD is excellent. It serves justice to this band and to the music, and we have everything on these 2 discs what we should know from the pre-Keeper era of Helloween, including their demo and compilation tracks. It's an essential part of your Helloween collection. It makes the quantum leap to the height of the Keeper era just even more astounding.

this repress is not totally bad. seems they tried something to make it cleaner than this pressing https://discogs.sitiosdesbloqueados.info/de/release/581933-Helloween-Walls-Of-Jericho and i think they did a nice job on the sound but the ruined the vocals. maybe the recording/production in 1985 really wasn't that good.

what should i say.....sounds definitely different than https://discogs.sitiosdesbloqueados.info/de/release/7765282-Helloween-Walls-Of-Jericho but it is also not perfect. guitars, bass, drums - everything sounds fat and with more dynamic but the vocals seem a bit muddy.

The pressing does not sound very good sadly.. At some point I thought something was wrong with my system.

I've seen a few bad reviews for this one, but can't agree with all of them. Mine sounds pretty good all around actually. Yes the original album wasn't the greatest recording production ever, but my copy sounds tight and punchy. Not thin at all. I'm running Kef Q-350s through a Onkyo TX-8220 and I'm using my Project Essential 3 turntable.

I had the cd and i that production was no good at all... So don't expect miracles