Ennio Morricone – Quentin Tarantino's The Hateful Eight
Label: |
Third Man Records – TMR-364 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Stage & Screen |
Style: |
Score |
Tracklist
| A1 | Ennio Morricone– | L'ultima Diligenza Di Red Rock (Versione Integrale) | 7:30 |
| A2 | Ennio Morricone– | Overture | 3:11 |
| A3 | Jennifer Jason Leigh– | "Major Warren Meet Daisy Domergue" | 0:34 |
| A4 | Ennio Morricone– | Narratore Letterario | 1:59 |
| A5 | The White Stripes– | Apple Blossom | 2:13 |
| A6 | Kurt Russell– | "Frontier Justice" | 1:50 |
| A7 | Ennio Morricone– | L'ultima Diligenza Di Red Rock #2 | 2:37 |
| B8 | Ennio Morricone– | Neve (Versione Integrale) | 12:16 |
| B9 | Michael Madsen (4)– | "This Here Is Daisy Domergue" | 1:01 |
| B10 | Ennio Morricone– | Sei Cavalli | 1:21 |
| B11 | Ennio Morricone– | Raggi Di Sole Sulla Montagna | 1:41 |
| B12 | Samuel L. Jackson– | "Son Of The Bloody Nigger Killer Of Baton Rouge" | 2:43 |
| C13 | Kurt Russell– | Jim Jones At Botany Bay | 4:10 |
| C14 | Ennio Morricone– | Neve #2 | 2:05 |
| C15 | Walton Goggins– | "Uncle Charlie's Stew" | 1:41 |
| C16 | Ennio Morricone– | I Quattro eggeri | 1:49 |
| C17 | Ennio Morricone– | La Musica Prima Del Massacro | 2:00 |
| C18 | Ennio Morricone– | L'inferno Bianco (Synth) | 3:31 |
| C19 | Kurt Russell– | The Suggestive Oswaldo Mobray | 0:47 |
| D20 | David Hess– | Now You're All Alone | 1:30 |
| D21 | Ennio Morricone– | Sangue E Neve | 2:05 |
| D22 | Ennio Morricone– | L'inferno Bianco (Ottoni) | 3:31 |
| D23 | Ennio Morricone– | Neve #3 | 2:02 |
| D24 | Michael Madsen (4)– | Daisy's Speech | 1:32 |
| D25 | Ennio Morricone– | La Lettera Di Lincoln (Strumentale) | 1:41 |
| D26 | Walton Goggins– | La Lettera Di Lincoln (Con Dialogo) | 1:46 |
| D27 | Roy Orbison– | There Won't Be Many Coming Home | 2:44 |
| D28 | Ennio Morricone– | La Puntura Della Morte | 0:27 |
Companies, etc.
- Pressed By – United Record Pressing
- Published By – EMI Music Publishing Italia Srl
- Licensed To – Third Man Records, LLC
- Mastered At – Bernie Grundman Mastering
- Recorded At – CNSO Studios
- Recorded At – Forum Music Village
- Lacquer Cut At – Nashville Record Productions
- Phonographic Copyright ℗ – Cine-Manic Productions Limited
- Phonographic Copyright ℗ – Third Man Records, LLC
- Copyright © – Cauliflower Ear Music
- Copyright © – Musica E Oltre S.R.L.
- Copyright © – Cine-Manic Productions, Inc
- Published By – EMI Music Publishing Italia Srl
- Published By – Horny Guy Music
- Published By – Peppermint Stripe Music
- Published By – Bojesa Music
- Published By – Sony/ATV Acuff Rose Music
- Published By – R Key Darkus Publishing
- Published By – Orbi Lee Publishing
- Published By – Roy's Boys LLC
- Published By – Kobalt Music Publishing
Credits
- Art Direction [Package], Design [Package] – Nathanio Strimpopulos
- Composed By, Orchestrated By, Score – Ennio Morricone (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Coordinator [Orchestra Coordinator] – Dušan Mihely (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Edited By [Music Editor] – Bill Abbott (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Engineer [Assistant Engineer, CNSO Recording Studios] – Cenda Kotzmann
- Engineer [Assistant Engineer, Forum Music Village] – Jesse Germano
- Executive-Producer – Stacey Sher
- Lacquer Cut By – WG*
- Legal – Myman Abell Fineman Fox Rosenberg & Light
- Legal [Third Man Records Legal] – Stacy Fass
- Liner Notes – Quentin*
- Mastered By – Fred Kevorkian (tracks: A5)
- Mixed By – Jack White (2) (tracks: A5)
- Orchestra – Czech National Symphony Orchestra (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Producer – Jack White (2) (tracks: A5)
- Producer [Score] – Ennio Morricone (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Producer [Soundtrack] – Quentin Tarantino
- Recorded By, Mixed By [Sound Mix] – Fabio Venturi (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Supervised By [Music Supervisor] – Mary Ramos
- Supervised By [Third Man Records Production Supervisor] – Ben Blackwell
- Supervised By [Third Man Records Project Supervisor] – Ben Swank
- Trumpet – Jan Hasenöhrl (tracks: A1, A2, A4, A7, B8, B10, B11, C14, C16 to C18, D21 to D23, D25, D26, D28)
- Written-By – Roy Orbison (tracks: D27)
- Written-By [Letter] – Samuel L. Jackson (tracks: D26)
- Written-By, Script By – Quentin Tarantino (tracks: A3, A6, B9, B12, C13, C15, C19, D24)
Notes
Pressed on two 180-gram LP's housed in a tri-fold jacket with soft-touch finish containing a 60"x12" poster, a 36"x12" poster, and a 12-page booklet insert with stills from the film.
Tracks are listed sequentially regardless of side.
Tracks are listed sequentially regardless of side.
Barcode and Other Identifiers
- Barcode (Text on sticker on shrink): 8 13547 02251 6
- Matrix / Runout (Side-A. hand-etched.): TMR-364-A-RE-2 II // THERE IS ONLY ONE "U" IN OVERTURE // Ⓤ // WG/NRP
- Matrix / Runout (Side-B. hand-etched.): TMR-364-B II // WHERE'S CRYSTAL GALE? // Ⓤ // WG/NRP
- Matrix / Runout (Side-C. hand-etched.): TMR-364-C // WG/NRP // Ⓤ // SPOILER ALERT...
- Matrix / Runout (Side-D. hand-etched.): TMR-364-D // ...JUST KIDDING // Ⓤ // WG/NRP
Other Versions (5 of 22)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Quentin Tarantino's The H8ful Eight (CD, Album) | Decca | B0024434-02 | US | 2015 | ||
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Recently Edited
|
Quentin Tarantino's The H8ful Eight (CD, Album) | Decca | 00602547694898 | Europe | 2015 | ||
|
New Submission
|
Quentin Tarantino's The H8ful Eight (CD, Album) | Decca | 4769489 | Australia | 2015 | ||
|
New Submission
|
Quentin Tarantino's The H8ful Eight (CD, Album) | Decca | 4605026716377 | Russia | 2015 | ||
|
New Submission
|
The Hateful Eight (For Your Consideration - Best Music [Original Score]) (CDr, Promo, For Your Consideration) | The Weinstein Company | none | US | 2015 |
Recommendations
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2013 EuropeVinyl —LP, Album, Compilation -
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2009 USA & EuropeVinyl —LP, Compilation
Reviews
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Edited one year agoMy copy of this pressing has the center spindle hole drilled off-center on Side A but then when you flip it over to Side B it is fine. Also slightly warped. Definitely NOT audiophile quality and that is really a disgrace for the Maestro Morricone and his Academy Award Winning film score. This soundtrack release totally reminds me of the soundtrack album vinyl release of 1973's "Electra Glide In Blue". Sticker on the front cover declaring 2 Posters and a Booklet. Electra Glide In Blue is one of my most favorite soundtracks for sure. -
This sounds so incredible. Very happy with this pressing, flat and quiet. Well done TMR!
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I really don't understand this rule of crediting a director or compiler as artist for a compilation ??
Tarantino doesn't write music, he compiles this release with assistents, he is NOT a musician & should not be credited here.
just my 2 cents.. -
Edited 5 years agoSound is very great but sometimes pops, cracks...tested 3 copies from 3 shop in the world...so all copies have same problem..
this pressing is not a audiophil pressing, i think that is exactly the same than Decca (GZ MEdia)
Nice sleeve, cover but not a very good press....what a shame because great sound...great sound but bad press -
Morricone's music for this film is great but this album is unlistenable for me. The dialogue thrown throughout the record really ruins the mood and if I wanted to hear that I would just watch the movie. The White Stripes song does not fit at all. I watching the movie and being distracted and annoyed and I really hoped it was not going to be on the record. I'd love a version of this with only the Morricone music on it. -
i recently bought the award winning version (2016 i presume) and it did not come with a poster or the booklet, even though it states on the front that they are included! any thoughts? anyone get the same? -
From an audio perspective only - has anyone compared the European press with the US press? Is there any significant difference noticed in the sound quality? For aesthetic reasons alone I have already ordered this version -
Still no Decca limited edition added yet. I guess I'll have to fumble through myself. Y'all take it easy on me. -
That's odd. The deluxe, limited edition Decca put out with the extra live performance has had darn good SQ reviews. Hmmmmm....
Release
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