AmorphisElegy

Label:

Relapse Records – RR6635

Format:

2 x Vinyl , LP, Album, Limited Edition, Reissue, Remastered , Silver

Country:

US

Released:

Genre:

Rock

Style:

Heavy Metal

Tracklist

A1 Better Unborn
Written-ByHolopainen*
A2 Against Widows
Written-ByLaine*
A3 The Orphan
Written-ByLaine*
A4 On Rich And Poor
Written-ByRantala*
B1 My Kantele
Written-ByHolopainen*
B2 Cares
Written-ByKoivusaari*
B3 Song Of The Troubled One
Written-ByLaine*
B4 Weeper On The Shore
Written-ByLaine*
C1 Elegy
Written-ByRantala*
C2 Relief
Written-ByLaine*
C3 My Kantele (Acoustic Reprise)
Written-ByHolopainen*
D1 Better Unborn (Live)
D2 Against Widows (Live)
D3 The Castaway (Live)
D4 Black Winter's Day (Live)

Companies, etc.

  • Phonographic Copyright ℗Relapse Records, Inc.
  • Copyright ©Relapse Records, Inc.
  • Recorded AtSunlight Studios
  • Recorded AtMD Studio
  • Recorded AtFinnvox
  • Mixed AtParr Street Studios
  • Mastered AtSAE Mastering
  • Remastered AtVisceral Sound
  • Published ByRelease Relapse Music
  • Pressed ByGZ Media – 121410E

Credits

  • Art DirectionEric Horst
  • BassOlli-Pekka Laine
  • CoverKristian Wahlin*
  • DrumsPekka Kasari
  • EngineerTomas Skogsberg
  • Engineer [Assistant]Dave Buchanan
  • Executive-ProducerMatthew F. Jacobson
  • Keyboards, AccordionKim Rantala
  • Lead Guitar, Acoustic Guitar, Sitar [Electric]Esa Holopainen
  • Lead VocalsPasi Koskinen
  • ManagementJouni Markkanen
  • Mastered By [Originaly Mastered By]Dave Shirk
  • Photography ByJouko Lehtola
  • ProducerAmorphis
  • Remastered ByScott Hull
  • Vocals, Rhythm Guitar, Acoustic Guitar, TambourineTomi Koivusaari

Notes

Relapse 25th Anniversary Mailorder Exclusive limited to 250 copies on silver vinyl housed in a gatefold sleeve. Includes digital code of the entire album.

Recorded at:
Sunlight Studio, Stockholm, Sweden (Engineer: Tomas Skogsberg)
MD Studio, Helsinki, Finland (Engineer: Kai Hiilesmaa)
Finnvox Studios, Helsinki, Finland (Engineer: Mikko Karmila)

Mixed at Parr Street Studios, Liverpool, England.
Engineer: Pete "Pee Wee" Coleman, Assistant Engineer: Dave Buchanan

Originally Mastered at SAE Mastering.
Remastered at Visceral Sound

Track D1 - taken from the Metalliliitto Compilation, 1997
Track D2 and D3 - recorded live at Isolaarirock on 12/7/1997

Pressing plant uncredited, identified by matrix number.

Barcode and Other Identifiers

  • Barcode: 7 81676 66351 4
  • Matrix / Runout (A side): RELAPSE RECORDS - RR6635 - 1A 121410E1/A
  • Matrix / Runout (B side): RELAPSE RECORDS - RR6635 - 1B 121410E2/A
  • Matrix / Runout (C side): RELAPSE RECORDS - RR6635 - 1C 121410E3/A
  • Matrix / Runout (D side): RELAPSE RECORDS - RR6635 - 1D 121410E4/A

Other Versions (5 of 55)

View All
Title (Format) Label Cat# Country Year
Elegy (CD, Album) Nuclear Blast NB 6141-2 1996
Recently Edited
Elegy (CD, Album) Spinefarm Records SPI 35CD Finland 1996
Recently Edited
Elegy = エレジー (CD, Album, Remastered) Victor VI- 5718 Japan 1996
Recently Edited
Elegy (CD, Album) Shock (2) RR 6935-2, R 6935-2 Australia 1996
Recently Edited
Elegy (LP, Album) Nuclear Blast NB 141-1 1996

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Reviews

  • mkesse's avatar
    mkesse
    Nice packaging: gatefold, double disc, silver/gray vinyl, classy black labels, lyrics printed elegantly inside jacket, front and rear artwork is nicely reproduced with no hint of distortion.

    The sound quality: decent separation, moderately wide soundstage, good bass response, fairly loud mix with plenty of sonic boost and dirt, unlike some of the quiet and neutered remasters coming out by some o the biggest metal bands of yore (such as the 2014 Maiden Parlophone remasters). The vinyl’s floor noise is pretty absent, with minor static in the quietest ages and in between tracks (mostly audible on headphones, not really on cabinets/monitors)— if you have a better cartridge than my AT3600, which you probably do, this minor noise will most likely drop off the map.

    For the money I paid for this 250 copy limited release, which is a keystone album for me, (helped dive me deep into 90’s death and melodeath and black metal back when I picked this up on tape in ‘96), I could not be happier.

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