Funkadelic – Hardcore Jollies
Label: |
Warner Bros. Records – BS 2973 |
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Format: |
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
P.Funk |
Tracklist
Osmosis Phase One | |||
A1 | Comin' Round The Mountain | 5:56 | |
A2 | Smokey | 6:08 | |
A3 | If You Got Funk, You Got Style | 3:07 | |
A4 | Hardcore Jollies | 5:01 | |
Terribitus Phase Two | |||
B1 | Soul Mate | 2:48 | |
B2 | Cosmic Slop | 6:30 | |
B3 | You Scared The Lovin' Outta Me | 6:28 | |
B4 | Adolescent Funk | 4:18 |
Companies, etc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – Pedro Bell
- Recorded At – Hollywood Sound Recorders
- Recorded At – United Sound Systems
- Recorded At – Stewart Airfield
- Mixed At – Bearsville Studios
- Published By – Malbiz Music, Inc.
- Produced For – Thang, Inc.
- Lacquer Cut At – Allen Zentz Mastering
- Pressed By – Capitol Records Pressing Plant, Winchester
Credits
- Art Direction [Atomic Lurch Art/Flam Directorship] – Bob Krasnow
- Artwork [Entwined Magnetic & Artigraphical Juxtapositions] – Pedro "Blastoid Blaster" Bell*
- Artwork [Hardcorphobian Art Designatives Of Hemoslumic Vibrationary Reefer-Wave Optics] – Sir Lleb
- Bass Vocals [Sub-Octave Grand Bass Crushermatical Vocals] – 'Sting' Ray Davis*
- Bass [Godzillous Bass Thumperator Deluxe] – Cordell 'Boogie' Mosson*
- Coordinator [Art/Flam Mobile Co-Ordinator Force] – Judy Words
- Crew [Holymoly Bermuda's Triangle Mystery Roadie Rats] – Tim Ryan (6)
- Drums [Acute Thumpology Maxmoid Of Drumnastics] – Jerome 'Bigfoot' Brailey*
- Engineer [Mixer Mopod, Hollywood Sound] – Jim Callon
- Engineer [Mixer Mopod, United Sound] – Jim Vitti
- Engineer [Remix] – Jim Callon
- Guitar [Insane Boomerangic Guitar], Vocals [Yokelvocals] – Gary 'Dowop' Shider*
- Guitar [Superhyperbolic Definite Guitar Spastics] – 'Magic' Mike Hampton*
- Liner Notes [Manic Slumnotic Liner Note Rapology] – Sir Lleb Of Funkadelia, The Fatal & Complete Literary Slushtrasher And Bringer Of Bubonic Monster Adjective Composition*
- Mixed By [Mixing Assistance] – Tom Mark (tracks: B2)
- Mixed By [The Mad Mix-Gician] – Bob Bishop
- Other [Bermuda's Triangle Mystery Mover Street Pilot] – Charles Bishop
- Other [Frenzied Funkadelic Heavy Biz & Propa Ganda Force] – Archie Ivy, Cholly Basoline, Gary Baker, Ina Meibach, Robert Mittleman, Ron Strasner, Sir Lleb Of Funkadelia, Tom Vickers
- Other [Monstermanian Roaster] – L.B.
- Percussion [Percussional Funkatives] – Buddy 'Sugah Bear' Miles* (tracks: A1)
- Producer – George Clinton
- Synthesizer [Synthesaucer Keyboardactory Dillydactics] – Bernard 'DaVinci' Worrell*
- Vocals [Heliogrobbic Genie Vocal Transposer] – 'Shady' Grady Thomas*
- Vocals [Phobic Vocals & Nuclear Photon Yakler] – Overlord George Clinton*
- Vocals [Plastoid Repeller Of Vocal Truths] – 'Coolman' Calvin Simon*
- Vocals [Stallion Thrasher Vocals], Guitar [Zambezi Axe] – Glen 'Gone Gouster' Goins*
- Vocals [Wolflurk Metabolisms Of Vocalitivity] – Clarence 'Fuzzy' Haskins*
Notes
Produced By George Clinton For Thang, Inc.
A Parliafunkadelicment Thang
"Cosmic Slop" recorded live 9/26/76 at Stewart Airfield, Hanger E, Newburg, New York
Mixing assistance on "Cosmic Slop",
Bearsville Studios, Woodstock, N.Y.
© 1976 Warner Bros. Records Inc.
℗ 1976 Warner Bros. Records Inc.
Made in U.S.A.
Funkadelic Bambezi Sounds' complexes and respective knobbing & mixer mopods:
Complex Alpha: Hollywood Sound, Hollywood, California
Complex Omega: United Sound, 'Dee-Twat', Michigan
Artwork and Liner Notes © 1976 Pedro Bell
Released in a gatefold jacket.
This version is the Winchester pressing plant variation and can be differentiated by the label typesetting and by the runout groove etchings.
A Parliafunkadelicment Thang
"Cosmic Slop" recorded live 9/26/76 at Stewart Airfield, Hanger E, Newburg, New York
Mixing assistance on "Cosmic Slop",
Bearsville Studios, Woodstock, N.Y.
© 1976 Warner Bros. Records Inc.
℗ 1976 Warner Bros. Records Inc.
Made in U.S.A.
Funkadelic Bambezi Sounds' complexes and respective knobbing & mixer mopods:
Complex Alpha: Hollywood Sound, Hollywood, California
Complex Omega: United Sound, 'Dee-Twat', Michigan
Artwork and Liner Notes © 1976 Pedro Bell
Released in a gatefold jacket.
This version is the Winchester pressing plant variation and can be differentiated by the label typesetting and by the runout groove etchings.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (A-side runout, variant 1): BS-1-2973-WW1 #3 Az
- Matrix / Runout (B-side runout, variant 1): BS-2-2973-WW1 Az
- Matrix / Runout (A-side runout, variant 2): BS-1-2973-WW2 #2 AZ
- Matrix / Runout (B-side runout, variant 2): BS-2-2973-WW1 #2 AZ
- Matrix / Runout (A-side runout, variant 3): BS-1-2973-WW1 Az -------◄
- Matrix / Runout (B-side runout, variant 3): BS-2-2973-WW1 #3 Az -------◄
- Matrix / Runout (A-side runout, variant 4): BS-1-2973-WW1 Az -------◄
- Matrix / Runout (B-side runout, variant 4): BS-2-2973-WW1 Az -------◄
Other Versions (5 of 38)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Hardcore Jollies (LP, Album, Stereo, Gatefold) | Warner Bros. Records | K 56299 | UK | 1976 | ||
Recently Edited
|
Hardcore Jollies (8-Track Cartridge, Album, Stereo) | Warner Bros. Records | WB M8 2973 | US | 1976 | ||
New Submission
|
Hardcore Jollies (LP, Album, Gatefold) | Warner Bros. Records | WB 56 299, BS 2973 | 1976 | |||
Recently Edited
|
Hardcore Jollies (LP, Album, Gatefold, Los Angeles Pressing) | Warner Bros. Records | BS 2973 | US | 1976 | ||
Hardcore Jollies (LP, Album, Misprint, Jacksonville Pressing, Gatefold) | Warner Bros. Records | BS 2973 | US | 1976 |
Recommendations
Reviews
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Concur that the PVC sleeve should be chucked. Material is harmful to the vinyl. This aside -this is a great package. The jacket is sturdy and wonderfully recreates the Pedro Bell art in bright crisp colors (not a scan). The colored vinyl is flat and heavy, a little noisy but the mastering is spot on - very dynamic and engaging. Musically many highlights - it’s overall a transitional record for Funkadelic which was at that point (1976) moving from the pysche-rock into more r-n-b stylings. The track "If You got funk - You got style" really embodies that transition. The extras are also fun to read. I purchased two others titles from this series - Electric Spanking and One Nation Under a Groove and they are both equally as good. Kudos to Charly records for a great reissue.
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