Carole KingTapestry

Label:

Sony Music Commercial Music Group – 88765408971

Series:

GAIN 2™ Ultra Analog LP 180g Series

Format:

Vinyl , LP, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo , 180g, Gatefold

Country:

US

Released:

Genre:

Pop

Style:

Soft Rock

Tracklist

A1 I Feel The Earth Move
DrumsJoel O'Brien
Electric BassCharles Larkey
Electric GuitarDanny Kootch*
Words By, Music By, Keyboards, VocalsCarole King
2:58
A2 So Far Away
Acoustic GuitarJames Taylor (2)
DrumsRuss Kunkel
Electric BassCharles Larkey
FluteCurtis Amy
Words By, Music By, Piano, VocalsCarole King
3:55
A3 It's Too Late
Congas [Conga], Electric GuitarDanny Kootch*
DrumsJoel O'Brien
Electric BassCharles Larkey
Electric PianoRalph Schuckett
Piano, VocalsCarole King
Soprano Saxophone [Soprano Sax]Curtis Amy
Words By, Music ByToni Stern
3:54
A4 Home Again
Acoustic Bass [String Bass]Charles Larkey
Acoustic GuitarJames Taylor (2)
DrumsRuss Kunkel
Words By, Music By, Piano, VocalsCarole King
2:30
A5 Beautiful
Bass GuitarCharles Larkey
DrumsJoel O'Brien
Electric GuitarDanny Kootch*
Words By, Music By, Keyboards, Vocals [Vocal]Carole King
3:07
A6 Way Over Yonder
Acoustic GuitarJames Taylor (2)
Backing Vocals [Background Vocals]Merry Clayton
DrumsJoel O'Brien
Electric BassCharles Larkey
Electric GuitarDanny Kootch*
Strings [String Quartet], Acoustic Bass [String Bass]Perry Steinberg
Strings [String Quartet], CelloTerry King (4)
Strings [String Quartet], ViolaDavid Campbell
Strings [String Quartet], ViolinBarry Socher
Tenor Saxophone [Tenor Sax]Curtis Amy
Words By, Music By, Piano, Vocals [Vocal]Carole King
4:50
B1 You've Got A Friend
Acoustic GuitarJames Taylor (2)
Congas [Conga]Danny Kootch*
Strings [String Quartet], Acoustic Bass [String Bass]Charles Larkey
Strings [String Quartet], CelloTerry King (4)
Strings [String Quartet], ViolaDavid Campbell
Strings [String Quartet], ViolinBarry Socher
Words By, Music By, Piano, VocalsCarole King
5:08
B2 Where You Lead
Backing Vocals [Background Vocals]Merry Clayton
DrumsRuss Kunkel
Electric BassCharles Larkey
Electric GuitarDanny Kootch*
Electric PianoRalph Schuckett
Piano, Vocals [Vocal], Backing Vocals [Background Vocals]Carole King
Words By, Music ByToni Stern
3:20
B3 Will You Love Me Tomorrow?
Acoustic Bass [String Bass]Charles Larkey
Acoustic GuitarDanny Kootch*
Acoustic Guitar, Other [Granfalloon]James Taylor (2)
Backing Vocals [Background Vocals]The Mitchell/Taylor Boy-And-Girl Choir*
DrumsRuss Kunkel
Piano, Vocals [Vocal]Carole King
Words By, Music ByGerry Goffin
4:14
B4 Smackwater Jack
Backing Vocals [Background Vocals]Merry Clayton
Baritone Saxophone [Baritone Sax]Curtis Amy
DrumsJoel O'Brien
Electric BassCharles Larkey
Electric GuitarDanny Kootch*
Electric PianoRalph Schuckett
Piano, Vocals [Vocal], Backing Vocals [Background Vocals]Carole King
Words By, Music ByGerry Goffin
3:42
B5 Tapestry
Words By, Music By, Keyboards, Vocals [Vocal]Carole King
3:12
B6 (You Make Me Feel Like) A Natural Woman
Acoustic Bass [String Bass]Charles Larkey
Keyboards, VocalsCarole King
Words By, Music ByJerry Wexler
3:50

Companies, etc.

  • Licensed FromSony Music Entertainment
  • Record CompanySony Music Entertainment
  • Recorded AtA&M Studios
  • Mastered AtMobile Fidelity Sound Lab
  • Manufactured BySony Music Entertainment
  • Manufactured ForMobile Fidelity Sound Lab
  • Distributed ByMobile Fidelity Sound Lab, Inc.
  • Copyright ©Screen Gems-Columbia Music, Inc.
  • Copyright ©Epic Records
  • Pressed ByRecord Technology Incorporated – 22358
  • Lacquer Cut AtMobile Fidelity Sound Lab

Credits

  • Art DirectionRoland Young (3)
  • Artwork [Tapestry Hand-Stitched By]Carole King
  • DesignChuck Beeson
  • Design [For MFSL]John A. Beck
  • EngineerHank Cicalo
  • Lacquer Cut By [Runout Etchings]KW*
  • Mastered ByKrieg Wunderlich
  • Mastered By [Assisted By]Rob LoVerde
  • Photography ByJim McCrary
  • Producer [Produced By]Lou Adler

Notes

© 1971, 2013 Epic Records, a division of Sony Music Entertainment/Originally released in 1971.
© 1971 Screen Gems-Columbia Music Inc.
© 1960-1961 Screen Gems-Columbia Music Inc.

Original Master Recording
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
Special Numbered Limited Edition

On back cover:
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl • Special Static Free - Dust Free Inner Sleeve • Special Heavy Duty Protective Packaging • Mastered from the Original Master Tapes

Mastered on the GAIN 2 ULTRA ANALOG SYSTEM™

A & B runouts are etched, last numbers upside down.

Reprise Records

Barcode and Other Identifiers

  • Barcode (Text ): 8 21797 14141 3
  • Barcode (Scanned): 821797141413
  • Matrix / Runout (Side A label): 88765408971A
  • Matrix / Runout (Side B label): 88765408971B
  • Matrix / Runout (Side A runout, variant 1): MFSL1-414A1 KW @ MoFi 22358.2(3)m
  • Matrix / Runout (Side B runout, variant 1): MFSL1-414B1 KW @ MoFi 22358.2(3)m
  • Matrix / Runout (Side A runout, variant 2): MFSL 1-414 A1 KW @ MoFi 22358.1(3)...
  • Matrix / Runout (Side B runout, variant 2): MFSL 1-414 B1 KW @ MoFi 22358.2(3)...

Other Versions (5 of 462)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Tapestry (LP, Album, Stereo, Gatefold) Ode Records (2) 85 337 IT 1971
Recently Edited
Tapestry (LP, Album) Ode Records (2) AMLS 2025 UK 1971
Recently Edited
Tapestry (LP, Album) Ode Records (2) SLAM 67009, SLAM 67.009, SP 77009 Italy 1971
Recently Edited
Tapestry (LP, Album, Stereo, Smooth Stock Gatefold) Ode Records (2) ODE SP 77009, SP-77009 US 1971
New Submission
Tapestry (8-Track Cartridge, Album, Stereo) Ode Records (2) 8T-77009 US 1971

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Reviews

  • tomwebb101's avatar
    tomwebb101
    This is a fine pressing and for pressing quality matches the so called Supervinyl of the one step. The truth is, as the 33's sides play out the performance advantage of the 1 Step simply grows and grows but this is the best 33 ive heard and it only gives away a little in bass and Caroles voice smoothness. This ones alot less expensive though! That being said the SACD cost me even less than both and i think its DSD layer beats the Mofi 33 and 45 vinyl editions anyway!
    • 33-13's avatar
      33-13
      Just want to say thanks to all those who reviewed this MoFi pressing. It's as you described - not muffled. It's obvious from the first track. My other pressing of this LP is/was a disappointment.
      • bizcart's avatar
        bizcart
        Edited 9 months ago
        The ONLY recording of this LP where the vocals don't sound like they're being sung under a wet blanket - which has been my primary gripe about this LP since forever. Really well mastered.
        • neil7474's avatar
          neil7474
          I am not getting the issues others are talking about on my (mid-range) system, I think it sounds wonderful, not perfect but wonderful nonetheless.
          • AJHartford's avatar
            AJHartford
            I’ve listened to several editions of this record (digitally, old Terra Haute Presses, and on CD) and this is definitely the best I have ever heard it sound. With that being said, I kind of see what others are saying. I wasn’t blown away by it per-say in the sense I was hoping it would be earth-shattering, but I think rather this is just how the record is supposed to sound to a general audience. I have midrange equipment (all pieces have been in the $200-$300 range) and the bass comes through clearly, Carole’s voice is very nice to listen to and has a slight echo I’ve never heard on other editions, and the instruments are clear to make out. However, there is slight surface noise (could totally be my setup and not the fault of the record), and as others have said sometimes her voice is a little bit behind the instruments. With that being said, I think for fifty dollars this is well worth it. I read a review on a different site that gave this pressing an 8.8 and I think that’s a perfectly valid and reflective score. The gave the super disc edition a 9.6 so you really have to ask yourself, “do I want to spend double to get a 10% upgrade?” For me, this is press is great and will be the way I listen to this album from now on, fifty well spent.
            • doctorwu's avatar
              doctorwu
              Edited one year ago
              Upon initially listening to the MFSL 33 a few years ago, I was left feeling underwhelmed. Perhaps I had set my expectations too high, given the recording's inherent simplicity and slight distortion. I figured it is what it is, the Sony legacy CD shared a similar sonic profile.

              Recently, I found my Classic Records pressing and decided to compare it to the MFSL. Not expecting too much difference, but I was pleasantly surprised. The Classic recording proved to be far superior. It possessed a vibrant, organic quality that flowed effortlessly, imbuing the music with depth and punch. In contrast, the MFSL 33 struck me as flat and uninspired. It exhibited a lack of sparkle and depth, failing to match the Classic's captivating sonic signature.

              For those seeking a clean, decent-sounding pressing of this timeless album, the MFSL 33 may suffice. However, audiophiles seeking the ultimate pressing should look elsewhere.

              I also own the MFSL one-step 45 pressing, which remains unopened. It was an impulse Fomo purchase, not sure if should open it.

              • RikardLund's avatar
                RikardLund
                This is one of my favorite pop/rock albums of all time. This is the kind of album that doesn't have any bad songs.

                Regarding the mastering. Am I the only one who noticed that the bass drum is very dominant? Especially at - so far away I noticed my living room start to shake!
                • mike.grigor's avatar
                  mike.grigor
                  A mostly excellent presentation of an absolute, albeit flawed, classic. MoFi really made the most of the source material. My only complaint would be the inner groove distortion on the B side. Other than that, incredible!
                  • JBH96's avatar
                    JBH96
                    Edited 3 months ago
                    I love the sound of this pressing. KW's mastering brings out every detail in the recording. The sound is beautifully present and dynamic. The vinyl itself is super quiet, and my copy is translucent. The gatefold is of suitably high-quality. If you can hear "Way Over Yonder" and not cry your eyes out, then you have no soul. My one tiny gripe is some intrusive vocal distortion on the last two tracks of side 2, but I'm not sure that's unique to this pressing. If anything, the MoFi presentation likely brings out some limitations of the recording equipment available at the time. Stellar version of one of my all-time favorite albums. 10/10
                    • Fasuloa's avatar
                      Fasuloa
                      I think MoFi did a fantastic job with a sub-optimal original recording to bring out the best, widen the soundstage, and improve the clarity. I got this for my wife who’s a fan, and we have an original pressing as well to A/B with and this is clearly superior. Also dead quiet wax. I was worried that I should have splurged for the 45rpm one step but I think for 1/3 of the cost you’re getting (I have to imagine) 95% of the goods.

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