The National – Trouble Will Find Me
Label: |
4AD – CAD3315 |
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Format: |
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Country: |
USA & Canada |
Released: |
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Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | I Should Live In Salt | |
| A2 | Demons | |
| A3 | Don't Swallow The Cap | |
| A4 | Fireproof | |
| B1 | Sea Of Love | |
| B2 | Heavenfaced | |
| B3 | This Is The Last Time | |
| C1 | Graceless | |
| C2 | Slipped | |
| C3 | I Need My Girl | |
| D1 | Humiliation | |
| D2 | Pink Rabbits | |
| D3 | Hard To Find |
Companies, etc.
- Phonographic Copyright ℗ – 4AD
- Copyright © – 4AD
- Licensed From – The National
- Published By – BMG
- Published By – Chrysalis Music
- Recorded At – Clubhouse Recording Studios
- Recorded At – Aaron's Garage
- Recorded At – Dreamland Recording Studios
- Recorded At – Kickstand
- Recorded At – Michelberger Hotel, Berlin
- Mixed At – Electric Lady Studios
- Mixed At – Toast (4)
- Mixed At – Mixart Studios
- Mixed At – Tarquin Studios
- Mastered At – Sterling Sound
- Lacquer Cut At – Sterling Sound
- Lacquer Cut At – Nashville Record Productions
- Pressed By – United Record Pressing
Credits
- Arranged By [Brass Arrangements] – Rob Moose (tracks: C2)
- Artwork – Jeff Salem (2)
- Artwork [Booklet Covers] – Scott Devendorf
- Artwork [Interior ] – Dale Frank (2)
- Artwork [Interior Spread] – Casey Reas
- Bass Clarinet – Alicia Lee
- Celesta [Celeste] – Nico Muhly
- Cello – Jeremy Turner
- Clarinet, Bass Clarinet – Hideaki Aomori
- Cover – Bohyun Yoon
- Design – Lafont London
- Double Bass – Logan Coale
- Double Bass, Electric Guitar, Piano, Vocals – Richard Reed Parry
- Flute – Alex Sopp
- French Horn – Mike Atkinson (5)
- Lacquer Cut By – WG* (tracks: D1 to D3)
- Legal – Gillian Bar
- Legal [For] – Carroll, Guido & Groffman*
- Lyrics By – Matt Berninger
- Lyrics By [With] – Carin Besser
- Management – Post Hoc Management
- Management [Tour Management] – Brandon Reid
- Mastered By – Greg Calbi
- Mixed By – Peter Katis (tracks: B1)
- Mixed By [Craig Silvey Assisted By] – John Horne (2) (tracks: A1 to A4, B2 to D3)
- Mixed By [Peter Katis Assisted By] – Greg Giorgio (tracks: B1)
- Musician [Touring Musician] – Kyle Resnick
- Orchestrated By [Orchestration By] – Richard Reed Parry (tracks: D3)
- Performer [The National] – Scott Devendorf
- Piano, Keyboards – Thomas Bartlett
- Piano, Synth, Drum Machine – Sufjan Stevens
- Producer [Associate Producer] – Marcus Paquin
- Producer [Produced By] – Bryce Dessner
- Programmed By [Programming], Electronics – Erwan Castex (Rone)*
- Recorded By – Marcus Paquin
- Recorded By [Additional Recording] – Nick Lloyd
- Recorded By [Assistant At Clubhouse] – Bella Blasko
- Songwriter [All Songs Written By] – The National
- Strings – Pa Newsome (tracks: A4)
- Trombone – Tim Albright
- Trumpet, Vocals – Kyle Resnick
- Viola – Nadia Sirota
- Violin – Yuki Numata
- Violin, Viola – Pa Newsome
- Vocals – Sharon Van Etten
Notes
Recorded by Marcus Paquin at Clubhouse, Rhinebeck, NY, September 2012-November 2012 (assistant: Bella Blasko) & Jonathan Low in Aaron's garage, Brooklyn, NY January-February 2013. Additional recording by Aaron & Bryce Dessner, Nick Lloyd, and Marcus Paquin in Aaron's garage, Brooklyn, NY; Dreamland Studios, West Hurley, NY; Kickstand, Los Angeles, CA and the Michelberger Hotel, Berlin. Additional recording by Martyn Heyne, Berlin.
All tracks mixed by Craig Silvey at Electric Lady Studios, New York, NY & Toast, London, UK with the exception of 'This Is The Last Time' mixed by Marcus Paquin at MixArt, Montreal, QC and Craig Silvey and 'Sea of Love' mixed by Peter katis at Tarquin Studios, Bridgeport CT.
Mastered by Greg Calbi at Sterling Sound, New York, NY
℗ & © 2013 4AD
Under exclusive license from The National
Pressed onto 180 g vinyl, packaged in a gatefold sleeve with printed inner sleeves, and included a code for MP3 and FLAC files.
Sides A, B and C were cut at Sterling Sound, side D at Nashville Record Productions.
All tracks mixed by Craig Silvey at Electric Lady Studios, New York, NY & Toast, London, UK with the exception of 'This Is The Last Time' mixed by Marcus Paquin at MixArt, Montreal, QC and Craig Silvey and 'Sea of Love' mixed by Peter katis at Tarquin Studios, Bridgeport CT.
Mastered by Greg Calbi at Sterling Sound, New York, NY
℗ & © 2013 4AD
Under exclusive license from The National
Pressed onto 180 g vinyl, packaged in a gatefold sleeve with printed inner sleeves, and included a code for MP3 and FLAC files.
Sides A, B and C were cut at Sterling Sound, side D at Nashville Record Productions.
Barcode and Other Identifiers
- Barcode (Printed): 6 52637 33151 6
- Barcode (Scanned): 652637331516
- Pressing Plant ID (Runouts): Ⓤ
- Matrix / Runout (Side A): CAD3315-A Ⓤ RJ STERLING
- Matrix / Runout (Side B): CAD3315-B Ⓤ RJ STERLING
- Matrix / Runout (Side C): CAD3315-C Ⓤ RJ STERLING
- Matrix / Runout (Side D): CAD-3315-D-RE Ⓤ WG/NRP Ⓤ
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Trouble Will Find Me (CD, Album) | 4AD | CAD3315CD | Europe | 2013 | |||
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Recently Edited
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Trouble Will Find Me (CD, Album) | 4AD | CAD3315CD | US | 2013 | ||
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Recently Edited
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Trouble Will Find Me (CD, Album, Paper Sleeve) | 4AD | CAD3315CDJ, GBJ-10173 | Japan | 2013 | ||
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Recently Edited
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Trouble Will Find Me (2×LP, Album, Clear, 180g, Box Set, Limited Edition) | 4AD | CAD3315 | USA, Canada & UK | 2013 | ||
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New Submission
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Trouble Will Find Me (CD, Album) | High Note Records | HN1083CD | Taiwan | 2013 |
Recommendations
Reviews
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This pressing has great dynamic range and clarity. My copy has some clicks near the end of "I Should Live In Salt," but the quality is high across the length of the album. It's a pleasure to listen to each time. -
My copy sounds really good, some clicks and pops here and there, but otherwise it is a great listen.
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I am apparently lucky to get a good quality pressing - both discs are flat, disc 1 has some crackly noise between tracks that is barely noticeable during the songs, disc 2 is better.
Musically, this is a dark and murky mix that belies the complexity and virtuosity of the music. One of my favorite albums. -
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I've had my copy for several years now but wanted to chime in on how mine sounds. From the time I bought it there's quite a bit of staticky noise on all sides and each side suffers from inner groove distortion. Both discs are cleaned each time I listen to it. Other than that, it sounds fantastic. Discs are completely flat. -
I bought this album about two years ago from a local shop. I Should Live in Salt skips but progressively less throughout the song and the rest of the record was fine. After looking at reviews here I decided not to exchange. One of my absolute favorite albums!
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Beautiful album both aesthetically and, without a doubt, sonically. Super impressed.
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I just received this album and it is indeed brilliant, and it sounds wonderful, but for some crazy reason the same songs are on sides 3 and 4. I'm missing Graceless, Slipped, and I Need My Girl entirely. Anybody else have this issue?
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A true masterpiece. The material, the recording, the vinyl itself, the packaging - its a beauty.
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Brilliant album of course. I have nothing to add to that but my copy is pressed my MPO and sounds brilliant. Maybe a new listing should be made for this pressing?
Release
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