Arcade FireThe Suburbs

Label:

Sonovox Records – MRG385

Format:

2 x Vinyl , LP, Album

Country:

US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1 The Suburbs 5:15
A2 Ready To Start 4:16
A3 Modern Man 4:40
A4 Rococo 3:57
B1 Empty Room 2:52
B2 City With No Children 3:12
B3 Half Light I 4:14
B4 Half Light II (No Celebration) 4:27
C1 Month Of May 3:51
C2 Wasted Hours 3:21
C3 Deep Blue 4:28
C4 We Used To Wait
French HornPietro Amato
SaxophoneColin Stetson
5:01
D1 Sprawl I (Flatland) 2:54
D2 Sprawl II (Mountains Beyond Mountains)
French HornPietro Amato
SaxophoneColin Stetson
5:26
D3 Suburban War
SaxophoneColin Stetson
4:45
D4 The Suburbs (Continued) 1:28

Companies, etc.

  • Copyright ©Arcade Fire Music Inc.
  • Pressed ByRIP-V
  • Published ByCopyright Control
  • Recorded AtThe Magic Shop
  • Recorded AtPetite Église, Farnham
  • Recorded AtStudio Frisson
  • Recorded AtPublic Hi-Fi
  • Mixed AtStudio Frisson
  • Lacquer Cut AtSterling Sound

Credits

  • Arranged ByThe Arcade Fire*
  • Arranged By [String Arrangements]Owen Pallett
  • Art DirectionVincent Morisset
  • Artwork, DesignCaroline Robert
  • Co-producerMarkus Dravs
  • French HornPietro Amato (tracks: C4, D2)
  • Lacquer Cut ByRJ*
  • Mixed ByCraig Silvey
  • Mixed By [Additional Mixing]Nick Launay (tracks: A2, A4, D2)
  • PerformerWin Butler
  • Photography ByGabriel Jones
  • Photography By [Assistant]Stéphane Fiore (3)
  • ProducerThe Arcade Fire*
  • Recorded ByMark Lawson (2)
  • Recorded By [Additional]Noah Goldstein
  • Recorded By [Assistant Magic Shop]Brian Thorn
  • Recorded By [Assistant Public Hi-Fi]Brad Bell
  • Recorded By [Assistant]Adam Greenspan
  • SaxophoneColin Stetson (tracks: C4, D2, D3)
  • StringsSarah Neufeld
  • Strings [Additional]Yuki Numata
  • Written-ByThe Arcade Fire*

Notes

Additional recording took place in various bedrooms, living rooms and basements in Montreal.
Thanks to Mark Lawson, Markus Dravs, Cha Cha, Tyler, Scott (and everyone at Quest) and our patient spouses.

Album comes in a gloss finish gatefold sleeve and contains a unique voucher.
Inner sleeves with lyrics and credits.

Locked groove end of Side C.

Spine: ARCADE FIRE - "THE SUBURBS" - MRG385

Made in Canada

Barcode and Other Identifiers

  • Barcode (Text): 6 73855 03851 3
  • Barcode (Scanned): 673855038513
  • Matrix / Runout (Side A, etched, 'STERLING' stamped): MRG-385-A RJ STERLING
  • Matrix / Runout (Side B, etched, 'STERLING' stamped): MRG-385-B RJ STERLING
  • Matrix / Runout (Side C, etched, 'STERLING' stamped): MRG-385-C RJ STERLING
  • Matrix / Runout (Side D, etched, 'STERLING' stamped): MRG-385-D RJ STERLING

Other Versions (5 of 50)

View All
Title (Format) Label Cat# Country Year
The Suburbs (2×LP, Album) City Slang 2743427 Europe 2010
Recently Edited
The Suburbs (CD, Album) Sonovox Records 2742629/C, 2742629 Europe 2010
Recently Edited
The Suburbs (CD, Album, Beige) Merge Records MRG385 US 2010
Recently Edited
The Suburbs (CD, Album) Sonovox Records 2742629/A, 2742629 Europe 2010
Recently Edited
The Suburbs (CD, Album) Sonovox Records 2742629/F, 2742629 Europe 2010

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Reviews

  • adamant2's avatar
    adamant2
    i'm pretty sure i got an indie exclusive 7" with my mine when i bought the vinyl back on week of release but doesn't seem to be listed here. Anyone else know about this or am i imagining it!?
    • 4goldners's avatar
      4goldners
      Everyone raves about their debut but this is my favorite Arcade Fire LP. Sounds great on vinyl.
      • SirBrad's avatar
        SirBrad
        I have the CD and even though the dynamic range numbers may not be impressive, it sounds really good and full of life on my system. I am an even 50/50 CD/Vinyl collector but feel like I keep reading iffy reviews on vinyl releases that cost 2x or sometimes 3x more than the CD release which actually do not sound bad at all. I know CDs aren’t fun or cool but don’t sleep on them if your goal is to find a nice sound.
        • brklyn_'s avatar
          brklyn_
          Christmas gift, never heard of them. My brother-in-law has an ear for bands of this genre and I'm glad he thought of me when getting an extra copy. I've come to accept the variants in the way vinyls play versus their digital counterpart, and I'm happy with the sound quality of this record. It's not muffled, the vocals are clear and the physical appearance has evenly cut grooves. This is just great. I may have modern man on repeat for the next few days lol
          • gregboyd's avatar
            gregboyd
            I was checking out these reviews because I am revisiting this album 10 years on now after listening to Digital or CD primarily over the years in the car or at work etc. The LP has been on my shelf at home most of the time since its release. Anyway, this vinyl version seemed to lack bass and I was somewhat weirded out. After checking others' reviews here, I've revisited the album for a more critical listen. It seems to be true, this version is indeed mixed differently vs. digital formats and I guess that's what I'm detecting. It's more forward in some ways, but also has this airiness that digital doesn't. The bass does not 'kick' either but to the benefit of everything else sonically. This Merge copy is dead silent and a nice physical product.
            • bullcitytarheel's avatar
              bullcitytarheel
              One of the best sounding vinyls I own. Record is absolutely silent, sound is full and nuanced. Packaging is gorgeous and the album is damn near flawless. Highly recommended.
              • WaitsUp's avatar
                WaitsUp
                Quality control on this release is terrible. Took three copies to get one without surface noise and with only a moderate warp. Awful.
                • jfwoodman's avatar
                  jfwoodman
                  Excellent pressing of a great album. Rich, clean, full sound compared to CD/digital format. Highly recommended.
                  • norexit's avatar
                    norexit
                    Edited 9 years ago
                    I thought that this album sounded kind of flat, but then I compared it with a digital version, and the vinyl is actually better. Maybe it's just designed to sound better on headphones or something.
                    • PBenderRecords's avatar
                      PBenderRecords
                      I was extremely surprised at how much I liked the vinyl over the cd. It is rare for my aged ears to hear a strong difference between formats, but this is one of the few were I felt it was a different record altogether. I owned the CD since it came out, but was disappointed at the monotonous chugging along sound that plodded through the whole piece. I found the LP at a used shop that didn't normally have vinyl and bought it to resell. After listening to it for grading purposes, I started noticing the unique aspects of each of the songs. It appears that they had an engineer who knew how to mix for vinyl. I have completely changed my thoughts on a disappointing album and would highly recommend a replay on a good LP setup.

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