Jack Skinner (2) – Confederation
Label: |
Sheffield Lab – LAB-9 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Bluegrass |
Tracklist
| A1 | Liza Jane | |
| A2 | Swallow | |
| A3 | Paradise | |
| A4 | Old Joe Clark | |
| A5 | Big Fat Mama | |
| A6 | Simpson's Holler | |
| B1 | Saturn | |
| B2 | Roll In My Sweet Baby's Arms | |
| B3 | Paddle Wheel | |
| B4 | Slow Train | |
| B5 | Honeysuckle | |
| B6 | Train No. 2 | |
| B7 | Sweet Evening |
Companies, etc.
- Phonographic Copyright ℗ – Sheffield Lab Inc.
- Copyright © – Sheffield Lab Inc.
- Published By – Beethoven Music
- Published By – Callisto Music
- Published By – Miss Leah Music
- Published By – Lathe Music
- Published By – Cotillion Music, Inc.
- Published By – Sour Grapes Music
- Published By – Nova Levin Music
- Published By – Peer International
- Published By – Skyhill Publishing Co.
- Recorded At – Producers Workshop
- Recorded At – The Mastering Lab
Credits
- 5-String Banjo, Dobro, Acoustic Guitar, Harmonica, Vocals – Larry McNeely
- Acoustic Guitar – Jack Skinner (2)
- Acoustic Guitar, Dulcimer, Mandolin, Backing Vocals, Other [Charts] – Geoff Levin
- Bass [String Bass, Assisting Artist], Backing Vocals [Additional Background Vocals Harmonies] – Gary Walters
- Engineer [Design, Sheffield Lab] – Bud Wyatt
- Engineer [Design, The Mastering Lab] – Sherwood Sax
- Engineer [Recording] – Bud Wyatt
- Fiddle [Assisting Artist], Backing Vocals [Additional Background Vocals Harmonies] – Byron Berline
- Lacquer Cut By [Lathe Operator] – Mike Reese
- Other [Many Invaluable Services] – Sandi Johnson
- Other [Set Construction] – "Chance" Lake*, Clive Johnson (5)
- Percussion [Assisting Artist] – John King
- Photography By [Front And Back s] – Stew Hopkins
- Photography By [Inside Left ] – Christina Farley
- Photography By [Inside Right ], Art Direction, Design – Michael Manoogian
- Plated By [Disc Processing] – Richard Doss
- Producer – Doug Sax
- Producer [Production Assistant] – Jeff Weber*
- Producer, Sleeve Notes – Lincoln Mayorga
- Technician [Engineering] – Tom Pessagno
Notes
On Label: Pressed and Printed in U.S.A.
with lyrics insert
Publishing :
A1, A4, B1, B4 Beethoven Music / Callisto Music
A2, A6, B5, B7 Miss Leah Music
A2, A5, A6, B3, B5, B7 Lathe Music
A3 Cotillion Music, Inc. / Sour Grapes Music
A5, B3 Nova Levin Music
B2 Peer International / Skyhill Publishing Co.
with lyrics insert
Publishing :
A1, A4, B1, B4 Beethoven Music / Callisto Music
A2, A6, B5, B7 Miss Leah Music
A2, A5, A6, B3, B5, B7 Lathe Music
A3 Cotillion Music, Inc. / Sour Grapes Music
A5, B3 Nova Levin Music
B2 Peer International / Skyhill Publishing Co.
Barcode and Other Identifiers
- Rights Society (A1, A4, B1, B4, B6): ASCAP
- Rights Society (A2, A3, A4, B2, B3, B5, B7): BMI
- Matrix / Runout (Side A label): SL-29
- Matrix / Runout (Side B label): SL-30
- Matrix / Runout (Side A runout, variant 1): SL 29-8- S T (3) ┼ 2
- Matrix / Runout (Side A runout, variant 1): SL30 M (3) T ⁜
- Matrix / Runout (Side B runout, variant 2): SL 29-8- S (1) T 2
- Matrix / Runout (Side B runout, variant 2): SL 30-3 S (1) P 5
Other Versions (5)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Confederation (LP, Album, Limited Edition, Direct To Disc, Gatefold) | Sheffield Lab | LAB-9 | 1978 | |||
|
New Submission
|
Confederation (LP, Album) | Sheffield Lab | LAB-9 | US | 1978 | ||
|
New Submission
|
Confederation (CD, Album, Reissue) | Sheffield Lab | SL1008 | Unknown | |||
|
New Submission
|
Confederation (CD, Album, Reissue) | Sheffield Lab | SL10085 | US | Unknown | ||
|
New Submission
|
Confederation (LP, Album, Limited Edition, Reissue, Direct To Disc, 180 gram) | Sheffield Lab | LAB-9 | US | Unknown |
Recommendations
-
-
-
1978 USVinyl —LP, Album, Limited Edition, Stereo -
-
-
1981 USVinyl —LP, Limited Edition, Repress, Stereo -
1977 USVinyl —LP, Album, Limited Edition, Stereo -
1978 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
-
1974 USVinyl —LP, Limited Edition, Album
Reviews
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It's been about 30 years since I last listened to this record. Strong performances, but, as is the case with many direct-to-disc albums, just a little too controlled and lacking that live spark, The engineering and production is beautiful. There's a real strong stereo image with depth and dimensionality. You hear the sound of real instruments. Close your eyes for a bit and you can envision the players out in front of you. Performances, B+. Engineering and production, a solid A.
Release
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