Nirvana – MTV Unplugged In New York
Tracklist
1 | About A Girl | 3:38 | |
2 | Come As You Are | 4:14 | |
3 | Jesus Doesn't Want Me For A Sunbeam | 4:37 | |
4 | The Man Who Sold The World | 4:21 | |
5 | Pennyroyal Tea | 3:41 | |
6 | Dumb | 2:53 | |
7 | Polly | 3:16 | |
8 | On A Plain | 3:45 | |
9 | Something In The Way | 4:01 | |
10 | Plateau | 3:39 | |
11 | Oh Me | 3:26 | |
12 | Lake Of Fire | 2:56 | |
13 | All Apologies | 4:23 | |
14 | Where Did You Sleep Last Night | 5:06 |
Companies, etc.
- Copyright © – Geffen Records, Inc.
- Phonographic Copyright ℗ – Geffen Records, Inc.
- Manufactured By – Uni Distribution Corp.
- Distributed By – Uni Distribution Corp.
- Published By – EMI Virgin Songs, Inc.
- Published By – The End Of Music
- Published By – EMI Blackwood Music Inc.
- Published By – EMI Music Publishing Ltd.
- Published By – Complete Music Ltd.
- Published By – Incomplete Music Inc.
- Published By – Tintoretto Music
- Published By – Screen Gems-EMI
- Published By – Chrysalis Songs
- Published By – Meat Puppets Music
- Published By – Folkways Music Publishers, Inc.
- Recorded At – Sony Music Studios, New York City
- Mixed At – Louie's Clubhouse
- Mastered At – Precision Mastering
- Manufactured By – JVC
Credits
- A&R – Mark Kates
- Accordion – Krist Novoselic (tracks: 3)
- Art Direction, Design – Robert Fisher (4)
- Backing Vocals – Dave Grohl
- Bass – Krist Novoselic (tracks: 1, 2, 4 to 11, 13, 14)
- Cello – Lori Goldston (tracks: 3, 4, 6 to 9, 13, 14)
- Created By [MTV Unplugged Series] – Bob Small*
- Directed By – Beth McCarthy
- Drums, Vocals – Dave Grohl
- Executive-Producer – Joel Stillerman
- Guitar – Pat Smear
- Management – Gold Mountain Entertainment
- Mastered By – Stephen Marcussen
- Photography By – Jennifer Youngblood-Grohl*
- Producer [MTV] – Alex Coletti
- Producer [Sound] – Scott Litt
- Vocals – Kurt Cobain
Notes
Recorded for MTV's "Unplugged" at Sony Studios, New York, NY on November 18, 1993.
Mixed at Louie's Clubhouse (NYC, USA).
Mastered at Precision Mastering Los Angeles, CA.
Track 3 is a cover of a song by The Vaselines.
Track 4 is a cover of a David Bowie song.
Tracks 10 to 12 are covers of Meat Puppets II album.
Track 14 is a cover of a Leadbelly song.
"Where Did You Sleep Last Night" is incorrectly credited to Leadbelly as it is a traditional song that was arranged by Leadbelly.
Credits here are as shown on the release.
Publishers:
All songs published by EMI-Virgin Songs, Inc. / The End Of Music BMI except:
Track 3: EMI-Blackwood Music Inc. on behalf of EMI Music Publishing Ltd. / Complete Music Ltd. istered by Incomplete Music Inc. BMI
Track 4: Tintoretto Music / Screen Gems-EMI / Chrysalis Songs BMI
Tracks 10 to 12: Meat Puppets Music BMI
Track 14: Folkways Music Publishers, Inc. BMI
Curt Kirkwood and Cris Kirkwood Appear Courtesy of London Records.
© ℗ 1994 Geffen Records, Inc.
Mixed at Louie's Clubhouse (NYC, USA).
Mastered at Precision Mastering Los Angeles, CA.
Track 3 is a cover of a song by The Vaselines.
Track 4 is a cover of a David Bowie song.
Tracks 10 to 12 are covers of Meat Puppets II album.
Track 14 is a cover of a Leadbelly song.
"Where Did You Sleep Last Night" is incorrectly credited to Leadbelly as it is a traditional song that was arranged by Leadbelly.
Credits here are as shown on the release.
Publishers:
All songs published by EMI-Virgin Songs, Inc. / The End Of Music BMI except:
Track 3: EMI-Blackwood Music Inc. on behalf of EMI Music Publishing Ltd. / Complete Music Ltd. istered by Incomplete Music Inc. BMI
Track 4: Tintoretto Music / Screen Gems-EMI / Chrysalis Songs BMI
Tracks 10 to 12: Meat Puppets Music BMI
Track 14: Folkways Music Publishers, Inc. BMI
Curt Kirkwood and Cris Kirkwood Appear Courtesy of London Records.
© ℗ 1994 Geffen Records, Inc.
Barcode and Other Identifiers
- Barcode (Text): 7 20642 47272 9
- Barcode (Scanned): 720642472729
- Rights Society: BMI
- SPARS Code: AAD
- Matrix / Runout (Variant 1): DGCD24727 2F 115 MFD BY JVC
- Matrix / Runout (Variant 2, mirrored): DGCD24727 2F 17 MFD BY JVC
- Matrix / Runout (Variant 3, mirrored): DGCD24727 2F 13 MFD BY JVC
- Matrix / Runout (Variant 4, mirrored): DGCD24727 2F 16 MFD BY JVC
- Matrix / Runout (Variant 5, mirrored): DGCD24727 2F 23 MFD BY JVC
- Matrix / Runout (Variant 6, mirrored): DGCD24727 2F 111 MFD BY JVC
- Matrix / Runout (Variant 7, mirrored): DGCD24727 2F 15 MFD BY JVC
Other Versions (5 of 481)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
MTV Unplugged In New York (CD, Album, Sonopress Pressing) | Geffen Records | GED 24727 | Europe | 1994 | |||
Recently Edited
|
MTV Unplugged In New York (Cassette, Album) | Geffen Records | GEC 24727 | Europe | 1994 | ||
Recently Edited
|
American Acoustic Tour 1993 (CD, Unofficial Release) | Unknown (P) | P 910077 | 1994 | |||
MTV Unplugged In New York (LP, Album) | MTV Unplugged | GEF 24727 | Europe | 1994 | |||
Recently Edited
|
MTV Unplugged In New York (CD, Album, Club Edition) | MTV Unplugged | DGCD-24727 | US | 1994 |
Recommendations
Reviews
-
-
Edited 10 years agoThis is my personal WORST ALBUM OF ALL TIME !
Punkrock and acoustic is NOT a good match.
Kurt Cobain was a self-destructed junkie in the last year of his life.
Geffen made him famous by releasing their product all over the world,
from Saudi Arabia to Thailand. Easy money!
His voice sounds afwul, worse than before.
Whining like a beaten homeless dog. Arrghh.
I was young, foolish and believed much of the hype.
Soon it was all over. Foo Fighters? Hell no !!! -
One of the best live albums I've ever heard. I thought they were an excellent group before I heard heard their Unplugged set, but it was this live album that really elevated them to my list of favorite artists. Their cover version of The Man Who Sold The World is one of the great cover versions I think, and I prefer their versions of Plateau and Lake Of Fire to the originals too. Of the band's own original material I think All Apologies is the most improved track and far superior to the original version. I also think the unplugged style gives Come As You Are an extra emotional punch that makes me prefer it to the single version too. It was a very wise move on the band's part to not just fill the set up with their biggest hits as it allowed for lesser known tracks (just as good as the big hits, if not better) to be showcased. A fantastic and deeply emotional performance that I'd say is pretty much essential listening.
-
Edited 18 years agoIn all honesty, i don't anything that's even half gut-wrenching as this album. I can listen to separate songs from this one, but its extremely hard to sit through it in all of its entirety. Whatever adds emotional weight to all of this is the fact that it was one of the last efforts by Nirvana. But even leaving that aside, most of the songs are incredibly sad, whether its covers (Jesus Doesn't Me For A Sunbeam, Man Who Sold The World, Oh Me, Lake Of Fire, Where Did You Sleep Last Night) or original songs performed in acoustic versions (About A Girl, On A Plain and the fact that quiet wisely, Smells Like Teen Spirit was nowhere to be found). Probably one of those albums that stays with you for years.
-
Edited 19 years agoThis is a great chillout CD, one of my favourites. I've heard people doubt the validity of Kurt Cobain's talent. This album should silence any sceptics. Technically and emotionally, this is a brilliant live performance and I feel priveledged to own this CD.
The whole album is a satisfying listen. My favourite is "Jesus Don't Want Me For A Sunbeam". It's another cover of a Vaselines song, Kurt's much loved band. It's a testament to Kurt Cobain that he makes this sound better than the original as he does on the brilliant Vaselines covers on "Incesticide". That's my opinion of course.
The two songs taken from "Nevermind", "Come As You Are" and "Polly" are also superior to the original studio versions in my opinion. Less polished and more genuine in emotion, they just have more resonance in acoustic form.
For all the sadness and melancholy contained in the music here, Kurt is also an engaging host between songs. We get a glimpse at his reknowned sense of humour although this has always been evident in his songwriting to me. Kurt was not all about angst but also full of self-deprecating humour.
Overall a revelatory listen and proof that Nirvana were a highly talented group of musicians and Kurt was and is a true icon of our generation. R.I.P. Dude
-
Edited one year agoA lot of hype was built around the unplugged event, not that anyone would expect that Nirvana would bang out special acoustic versions of their big hits (mainly speaking about "Smells Like Teen Spirit") as it would have been slightly impossible. "Come as you are" was the only of Nirvana's commercial hits that were played and it was a wise move, I think Kurt & Nirvana never intended this to be yet another unplugged show, it would be something to and it was.
The big standout for me is the David Bowie cover "The Man Who Sold The World", this is to date one of my favourite covers ever recorded and the sadness & emotion encapsulated in the track is overwhelming.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
28 copies from $2.00