Wu-Tang Clan – Enter The Wu-Tang (36 Chambers)
Label: |
Wu-Tang Records – 07863-66336-1 |
---|---|
Format: |
Vinyl
, LP, Album, Reissue
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Boom Bap |
Tracklist
Shaolin Sword | |||
A1 | Bring Da Ruckus | 4:10 | |
A2 | Shame On A Nigga | 2:57 | |
A3 | Clan In Da Front | 4:33 | |
A4 | Wu-Tang: 7th Chamber | 6:05 | |
A5 | Can It Be All So Simple | 4:46 | |
A6 | Protect Ya Neck (Intermission) | 6:48 | |
Wu-Tang Sword | |||
B1 | Da Mystery Of Chessboxin' | 4:48 | |
B2 | Wu-Tang Clan Ain't Nuthing Ta F' Wit | 3:36 | |
B3 | C.R.E.A.M. | 4:12 | |
B4 | Method Man | 5:50 | |
B5 | Tearz | 4:17 | |
B6 | Wu-Tang: 7th Chamber - Part II (Conclusion) | 6:10 |
Companies, etc.
- Record Company – BMG
- Pressed By – United Record Pressing
Credits
- A&R [Direction] – Trevor Williams (5)
- Arranged By – Prince Rakeem "The RZA"*
- Art Direction – Jacqueline Murphy*
- Design – Amy Wenzer*
- Edited By – GLC (2)
- Engineer – Ethan Ryman (tracks: A1 to A6, B2 to B6)
- Executive-Producer – Robert Diggs
- Mastered By – Chris Gehringer
- Mixed By – Prince Rakeem "The RZA"*
- Photography By – Daniel Hastings
- Producer – Prince Rakeem "The RZA"*
- Programmed By – Prince Rakeem
- Scratches – The 4th Disciple*
- Set Designer – Richard Bravo (2)
- Written-By – The Wu-Tang Clan*
Notes
Recorded & mixed at Firehouse Studio, NY, NY.
Edited at NYC.
Mastered at the Hit Factory, NYC.
Contains samples from the movie "Shaolin & Wu Tang" (English version, 1981).
Edited at NYC.
Mastered at the Hit Factory, NYC.
Contains samples from the movie "Shaolin & Wu Tang" (English version, 1981).
Barcode and Other Identifiers
- Barcode (Text): 0 7863-66336-1 9
- Pressing Plant ID (Runouts): ⓤ
- Matrix / Runout (Side A, variant 1): 0786 3 66 336-1-A-RE-④ ⓤ
- Matrix / Runout (Side A, variant 2): 0786 3 66 336-1-A-RE-③ ⓤ
- Matrix / Runout (Side A, variant 3): 0786 3 66 336-1-A-RE-⑤ ⓤ
- Matrix / Runout (Side B, variant 1): 0786 3 66 336-1-B-RE-④ ⓤ
- Matrix / Runout (Side B, variant 2): 0786 3 66 336-1-B-RE-③ ⓤ
Other Versions (5 of 105)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Enter The Wu-Tang (36 Chambers) (LP, Album, Stereo, SRC Pressing) | Wu-Tang Records | 07863 66336-1 | US | 1993 | ||
Recently Edited
|
Enter The Wu-Tang (36 Chambers) (Cassette, Album, Club Edition) | BMG Music | BG4 66336 | Canada | 1993 | ||
Recently Edited
|
Enter The Wu-Tang (36 Chambers) (Cassette, Album, Club Edition) | RCA | 07863-66336-4, 07863 66336-4 | US | 1993 | ||
Recently Edited
|
Enter The Wu-Tang (36 Chambers) (Cassette, Album) | RCA | 07863-66336-4 | US | 1993 | ||
New Submission
|
Enter The Wu-Tang (36 Chambers) (CD, Album, Club Edition) | BMG | BG2-66336, BG2 66336 | US | 1993 |
Recommendations
Reviews
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The sound is crap, extremely low, I tried to use it in a DJ Set and it was impossible, not even setting the maximum volume could balance with other discs for mixing.
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Rawwww, I'mma give it to ya
No Trivia
RAW like cocaine straight from Bolivia
This is easily one of the greatest hip hop albums of the century. What other crew had a multi-platinum album only to separate and go on to all individually go gold/platinum, come together MULTIPLE TIMES to drop even more multi-platinum group albums? No matter who your GOAT is, Wu-Tang is statistically the one true GOAT. -
Edited 6 years agoI just did an A/B comparison with my OG DMM copy and this 2000 reissue. They sound identical. Both are quiet, have very little low-end and no 'punch'. Both feature the censored version of 'Protect Your Neck'.
This album needs a MOFI or half-speed reissue. Don't waste your dough on an expensive OG. -
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Great record. Definitely not a lovable pressing. Doesn't take away from the album *too* much, considering the raw, rough-around-the-edges style of Wu-Tang. That being said, even beginners to vinyl will probably notice the subpar bass and general noise on many parts of the album. Mine has the last variant of the cat# (ending in RE-5 on side A) and is not censored unlike a few of the other reviews here say.
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How can you tell the difference between this and the 93 original as they have indentical cat numbers and artwork ? I'm trying to buy the original but a lot of people are selling this version.
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Very average pressing. Bought at London Drugs department store in Vancouver, Canada. Very weak bass response, quiet pressing and no punch. I do not know if anyone else has this problem with this pressing but the track listing differs from what is printed on the label and back cover (it follows the CD tracklist rather than the Vinyl tracklist) and the version of Protect Ya Neck is a censored version (oddly enough censoring the f-bombs but not the "N-words"), even though the other tracks are the standard versions. Cover art is also low-quality. Feels like a bootleg quality album even though it is official.
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all the vocals sound good, all the instrumentals are pretty quiet, also came warped. bought new from Amoeba.
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Edited 9 years agoJust got this last week form amazon. I had read all the reviews about the record and I still took the risk.
Regarding skips, pop and stuff like that my record is completely clean and plays perfect.
The vocals sounds good but the music and beats sounds kind of low. As a no audiophile the record sounds decent with the volume raised. Anyway, a nice experience to enjoy this classic record on vinyl.
My only complaint would be the quality of the artwork, looks like a bad scan of the original art, very pixeleated. But the label looks like if it was printed in 1993 it "feels" the same as the orignial and as al the RCA records of the time.
Release
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Recently Edited
Recently Edited
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