Michael JacksonThriller

Label:

MJJ Productions – 88875143731

Format:

Vinyl , LP, Album, Reissue, Repress, Stereo

Country:

US

Released:

Genre:

Pop

Style:

Soft Rock

Tracklist

A1 Wanna Be Startin' Somethin'
Arranged By [Horn Arrangement]Michael Jackson
Arranged By [Rhythm Arrangement]Quincy Jones
Arranged By [Vocal Arrangement]Michael Jackson
Backing VocalsOren Waters
BassLouis Johnson
Co-producerMichael Jackson
Electric Piano [Rhodes], SynthesizerGreg Phillinganes
GuitarDavid Williams (4)
PercussionPaulinho da Costa
Percussion [Bathroom Stomp Board]Steven Ray (2)
Saxophone, FluteLarry Williams
SynthesizerMichael Boddicker
TromboneBill Reichenbach (2)
Trumpet, FlugelhornJerry Hey
Written-ByMichael Jackson
6:02
A2 Baby Be Mine
Arranged By [Horn Arrangement]Jerry Hey
Arranged By [Vocal, Rhythm And Synthesizer Arrangement]Rod Temperton
DrumsNdugu Chancler*
GuitarDavid Williams (4)
Keyboards, SynthesizerGreg Phillinganes
Programmed By [Synthesizer Programming]Steve Porcaro
Saxophone, FluteLarry Williams
SynthesizerMichael Boddicker
TromboneBill Reichenbach (2)
Trumpet, FlugelhornJerry Hey
Written-ByRod Temperton
4:20
A3 The Girl Is Mine
Arranged By [Rhythm Arrangement]Quincy Jones
Arranged By [Strings], Conductor [Strings]Jerry Hey
Arranged By [Synthesizer Arrangement]David Foster
Arranged By [Vocal Arrangement]Quincy Jones
BassLouis Johnson
ConcertmasterJerry Vinci*
DrumsJeff Porcaro
Electric Piano [Rhodes]Greg Phillinganes
GuitarSteve Lukather
PianoDavid Paich
Programmed By [Synthesizer Programming]Steve Porcaro
SynthesizerDavid Foster
Vocals [With]Paul McCartney
Written-ByMichael Jackson
3:42
A4 Thriller
Arranged By [Horn Arrangement]Jerry Hey
Arranged By [Vocal, Rhythm And Synthesizer Arrangement]Rod Temperton
EffectsBruce Swedien
Featuring, RapVincent Price (2)
GuitarDavid Williams (4)
Programmed By [Synthesizer Programming]Anthony Marinelli
Saxophone, FluteLarry Williams
SynthesizerRod Temperton
TromboneBill Reichenbach (2)
Trumpet, FlugelhornJerry Hey
Vocals [Lyrics Sung By]Michael Jackson
Written-ByRod Temperton
5:57
B1 Beat It
Arranged By [Rhythm Arrangement]Quincy Jones
Arranged By [Vocal Arrangement]Michael Jackson
Co-producerMichael Jackson
DrumsJeff Porcaro
Electric Piano [Rhodes], SynthesizerGreg Phillinganes
Featuring, Soloist, GuitarEddie Van Halen
GuitarPaul Jackson*
Guitar, Electric BassSteve Lukather
KeyboardsBill Wolfer
Percussion [Drum Case Beater]Michael Jackson
Recorded By [Guitar Solo]Don Landee*
Synthesizer [Synclavier]Tom Bahler
Synthesizer [Synergy]Greg Smith
Synthesizer, Programmed By [Synthesizer Programming]Steve Porcaro
Written-ByMichael Jackson
4:17
B2 Billie Jean
Arranged By [String Arrangement]Jerry Hey
Arranged By [Vocal, Rhythm And Synthesizer Arrangement]Michael Jackson
BassLouis Johnson
Co-producerMichael Jackson
Conductor [Strings]Jeremy Lubbock
DrumsNdugu Chancler*
Electric Piano [Rhodes], SynthesizerGreg Phillinganes
GuitarDean Parks
Sampler [Emulator]Michael Boddicker
SynthesizerGreg Smith
Synthesizer, Programmed By [Synthesizer Programming]Bill Wolfer
Written-ByMichael Jackson
4:57
B3 Human Nature
Arranged BySteve Porcaro
DrumsJeff Porcaro
GuitarSteve Lukather
PercussionPaulinho da Costa
Sampler [Emulator]Michael Boddicker
SynthesizerDavid Paich
Synthesizer, Programmed By [Synthesizer Programming]Steve Porcaro
Written-BySteve Porcaro
4:05
B4 P.Y.T. (Pretty Young Thing)
Arranged ByQuincy Jones
Backing Vocals [Additional]James Ingram
Backing Vocals [P.Y.T.'s]LaToya Jackson*
DrumsNdugu Chancler*
Electric BassLouis Johnson
GuitarPaul Jackson*
HandclapsSteven Ray (2)
Keyboards [Portasound Keyboard]James Ingram
Synthesizer, Programmed By [Synthesizer Programming]Greg Phillinganes
Vocoder, Sampler [Emulator]Michael Boddicker
Written-ByQuincy Jones
3:58
B5 The Lady In My Life
Arranged ByRod Temperton
BassLouis Johnson
DrumsJeff Porcaro
Electric Piano [Rhodes]Greg Phillinganes
GuitarPaul Jackson*
Sampler [Emulator]Michael Boddicker
SynthesizerSteve Porcaro
Written-ByRod Temperton
4:57

Companies, etc.

  • Record CompanySony Music Entertainment
  • Distributed ByEpic
  • Phonographic Copyright ℗MJJ Productions Inc.
  • Copyright ©MJJ Productions Inc.
  • Copyright ©Mijac Music
  • Copyright ©Sony/ATV Songs LLC
  • Copyright ©Rodsongs
  • Copyright ©Almo Music Corp.
  • Copyright ©Sony/ATV Tunes LLC
  • Copyright ©John Bettis Music
  • Copyright ©Sony/ATV Music Publishing LLC
  • Copyright ©Warner-Tamerlane Publishing Corp.
  • Produced ForQuincy Jones Productions
  • Recorded AtOcean Way Recording
  • Recorded AtWestlake Audio
  • Lacquer Cut AtSST Brüggemann GmbH
  • Manufactured ByNoiseland Industries – 16-0055
  • Pressed ByMPO

Credits

  • Art DirectionLane/Donald
  • Engineer [Assistant]Steve Bates
  • Engineer [Technical]Matt Forger
  • Illustration [Inner Sleeve Drawings]Michael Jackson
  • Lacquer Cut ByKr*
  • LetteringMac James
  • ManagementWeisner-DeMann Entertainment
  • Mastered ByBernie Grundman
  • Photography ByDick Zimmerman (3)
  • ProducerQuincy Jones
  • Recorded By [Additional Sound Sources]Matt Forger
  • Recorded By, Mixed ByBruce Swedien
  • Stylist [Styling]Valadé

Notes

2019 repress of Thriller.

Gatefold sleeve. Includes printed inner sleeve with lyrics and credits.

© 1982, 2015 MJJ Productions Inc. / ℗ 1982 MJJ Productions Inc.
Distributed by Epic, a division of Sony Music Entertainment
550 Madison Avenue, New York, NY 10022-3211
Made in the EU
This package consists of previously released material

On inner sleeve:
A1, A3, B1, B2 – ©1982 Mijac Music (istered by Sony/ATV Songs LLC) (BMI)
A2, A4, B5 – ©1982 Rodsongs, All rights for the U.S. and Canada istered by Almo Music Corp. (ASCAP)
B3 – ©1982 Sony/ATV Tunes LLC & John Bettis Music (ASCAP) All rights on behalf of Sony/ATV Tunes LLC istered by Sony/ATV Music Publishing LLC
B4 – ©1982 Warner-Tamerlane Publishing Corp. (BMI)

On labels:
A1, A3, B1, B2 – (BMI)
A2, A4, B5 – (PRS) (ASCAP)
B3, B4 – (ASCAP)

Michael Boddicker appears courtesy of Boddifications

Barcode and Other Identifiers

  • Barcode (Text): 8 88751 43731 9
  • Barcode (Scanned): 888751437319
  • Rights Society (Labels, tracks: A1, A3, B1, B2): BMI
  • Rights Society (Labels, tracks: A2, A4, B3 to B5): ASCAP
  • Rights Society (Labels, tracks: A2, A4, B5): PRS
  • Matrix / Runout (Label, side A): 88875143731A
  • Matrix / Runout (Label, side B): 88875143731B
  • Matrix / Runout (Runout, side A, etched, MPO® 19 142381 stamped): 16-0055 NL A 88875143731 Kr SST MPO® 19 142381 MPO
  • Matrix / Runout (Runout, side B, etched, MPO® 19 148360 stamped): 16-0055 NL B 88875143731 MPO Kr SST MPO® 19 148360

Other Versions (5 of 793)

View All
Title (Format) Label Cat# Country Year
Thriller (LP, Album, Stereo, Gatefold) Epic EPC 85930, 85930, QE 38112 Europe 1982
Recently Edited
Thriller (LP, Album, Stereo) Epic 144776, 144.776 Brazil 1982
Recently Edited
Thriller (LP, Album, Stereo, Gatefold) Epic ELPS 4328 Australia 1982
Recently Edited
Thriller (LP, Album, Stereo, Carrollton Pressing, With Co-Producer Credits) Epic QE 38112 US 1982
Recently Edited
Thriller = スリラー (LP, Album, Repress, Stereo, Gatefold) Epic 25・3P-399 Japan 1982

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Reviews

  • counselor5150's avatar
    counselor5150
    It sounds stellar. Bought it for my son, sorry to say it’s the only copy in the house.
    • Seand67's avatar
      Seand67
      This 180 gram pressing sounded amazing to me. Before playing, I cleaned the vinyl and moved it from the paper inner to a poly lined sleeve for protection against static and scratches. From an audio standpoint, it sounds awesome. Flat and quiet with no surface noise. The gatefold and liner note sleeve are true to the 1982 original release. To obtain the best audio results, calibrate your turntable’s tone arm. Avoid those cheap suitcase 🧳 players. Play on a real turntable!!
      • echauhan1's avatar
        echauhan1
        Edited 3 years ago
        March 2022, Just completed a 3 way comparo between an original 1982 pressing (no MJ co producer credit), this 2019 US pressing, and a 1982 Japanese reissue. The original US 1982 is my favorite, followed by an excellent and super close Japanese reissue 1982. Both of the 1982's offer super sound quality and would satisfy everybody. Especially on Beat It and Billie Jean, you can notice that the 2019 is more set back, less details, less energy. Comparatively this 2019 reissue sounds a little withdrawn, lacking detail and less spacious and doesn't jump out at you the way the 1982's did. The original 1982 US gets my vote for having a little bit more presence, upper end delicacy and detail that are slightly missing in the Japanese press. Japanese press gives off a tiny bit more bass energy, but not enough to compensate for the superior US 1982. There are no 'bad' pressings here, just splitting hairs for one of the all time greatest albums on the planet!!
        • DYLANIANO78's avatar
          DYLANIANO78
          Sonido bastante interesante. Copia sin ningún problema y prensado muy bueno.
          Por su precio de $20 de esta reedición yo lo recomiendo.
          • Weir_Doh's avatar
            Weir_Doh
            My MPO stamp is 21 199014 but there are no versions or releases showing up for 2021.
            Possibly a repress of the 2019 version? Anyone else have a MPO stamp 21?
            • Lalo94's avatar
              Lalo94
              Great sound, my copy has a very clear sound with no cracks.
              • Scrade's avatar
                Scrade
                (I no longer own this pressing.)
                Do I even have to say anything? It's fucking Thriller, one of the greatest albums ever made, of course they wouldn't skimp out on this release, which sounds very full and clean. Dead silent too.
                • vincent.a's avatar
                  vincent.a
                  Great sounding reissue I can't compare it to another release because this is the only one I have but it sounds great on my system

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