Andrew HillBlack Fire

Label:

Blue Note – 84151

Series:

Blue Note Tone Poet Series

Format:

Vinyl , LP, Album, Reissue, Stereo , 180g, Gatefold

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Post Bop

Tracklist

A1 Pumpkin
Written-ByAndrew Hill
A2 Subterfuge
Written-ByHill*
A3 Black Fire
Written-ByHill*
B1 Cantarnos
Written-ByAndrew Hill
B2 Tired Trade
Written-ByHill*
B3 McNeil Island
Written-ByHill*
B4 Land Of Nod
Written-ByHill*

Companies, etc.

  • Record CompanyBlue Note Records
  • Record CompanyBlue Note Records Inc.
  • Record CompanyCapitol Records, LLC
  • Copyright ©UMG Recordings, Inc.
  • Recorded AtVan Gelder Studio, Englewood Cliffs, New Jersey
  • Printed ByStoughton Printing Co.
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByRecord Technology Incorporated – 33037

Credits

  • BassRichard Davis (2)
  • Design [Cover Design], Cover [Design]Reid Miles
  • DrumsRoy Haynes
  • Lacquer Cut ByKPG*
  • Mastered By [LP Mastering]Kevin Gray
  • Photography ByFrancis Wolff
  • PianoAndrew Hill
  • Producer [Original Session Produced By]Alfred Lion
  • Recorded By [Recording]Rudy Van Gelder
  • Sleeve NotesA. B. Spellman*
  • Supervised By [LP Reissue Supervision]Joe Harley
  • Tenor SaxophoneJoe Henderson

Notes

Recorded on November 8, 1963.

A Blue Note Records release; originally released in 1964 by Blue Note Records © 2019 UMG Recordings, Inc.
Blue Note Records® is a ed trademark of Capitol Records, LLC.

Catalog number B0029975-01 on spine and back cover, ST-84151 on back cover, BST 84151 on labels, and 84151 on front cover and spine.

Etched runouts.

Barcode and Other Identifiers

  • Barcode (Text): 6 02577 52021 1
  • Barcode (Scanned, UPC-A): 602577520211
  • Matrix / Runout (A-side label): B0029975-01A
  • Matrix / Runout (B-side label): B0029975-01B
  • Matrix / Runout (A-side runout): B0029975-01-A KPG&JH@CA 33037.1(3)...
  • Matrix / Runout (B-side runout): B0029975-01-B KPG@CA W/JH 33037.2(3)...

Other Versions (5 of 35)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Black Fire (LP, Album, Stereo) Blue Note BST 84151 US 1964
Recently Edited
Black Fire (LP, Album, Mono, Plastylite Pressing) Blue Note BLP 4151 US 1964
New Submission
Black Fire (LP, Album, Reissue, Repress, Stereo, Research Craft Pressing, Liberty) Blue Note BST 84151 US 1966
Recently Edited
Black Fire (LP, Album, Reissue, Stereo) Blue Note BST 84151 US 1966
New Submission
Black Fire (LP, Album, Repress, Stereo, New York USA Labels) Blue Note BST 84151 US 1966

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Reviews

  • HectorSuzuki's avatar
    HectorSuzuki
    Piano on my copy has wonky pitch throughout. Real bummer on a piano-centric record.
    • William.Rae.Wilson's avatar
      My copy has a non-fill and some tics on side B. That’s a pity and shouldn’t happen in a Tone Poet.
      • Vinylguro's avatar
        Vinylguro
        Sounds amazing, absolutely fantastic pressing.
        I have no issues with the piano.
        • burningairlines's avatar
          burningairlines
          Superb sound! Roy Haynes' drums sound incredible on this. Some of the best recorded drums I've heard on a Blue Note recording. Everything is very balanced and immediate sounding. And, of course, the music is top tier. A must have.
          • jgknick's avatar
            jgknick
            Flat record. Lots of ticks on B3, will try another run through the ultrasonic cleaner.

            I realize this is a minority view, but I don't think this record sounds very good. The piano, bass, and drums all come from the right side of the soundstage and there is very little separation between them. This has the effect of muddling the piano and bass, which is made worse by the fact that the bass is recorded at a low level. It is difficult to hear what the bassist is doing much of the time, and his constant plucking sometimes makes it difficult to hear Hill distinctly. On one song, the bass is played arco and it's such a relief. Henderson is fantastic, but the album really needs a lot more of him and his horn. Henderson comes out of the left speaker, clear as a bell. I really wish the entire band had been spread evenly across the entire soundstage. I don't hear the piano wobbling like others have said, but the piano is certainly not recorded in high-fidelity, although I have heard much worse piano tone on other Blue Notes.

            Overall, I find this interesting but disappointing, a lot like Smokestack, which also had muddled bass. For me, it is not one of Hill's best. I will spin this regularly and try to learn a lot from it. Maybe over time it will grow on me.
            • hey.mr.spaceman.'s avatar
              Another slam dunk by Tone Poet. Particularly love the way Joe’s sax really pops in the solos as he’s in great form. Sonic Nirvana.
              • Ys_nls's avatar
                Ys_nls
                My favourite Andrew Hill record. Fantastic album and the musicians really shine in this one. I read other comments concerning mainly the sound of the piano but I have zero issues with this record. Definitely not wobbly piano. Anyway this is highly recommended of course.
                • RufusTF's avatar
                  RufusTF
                  I purchased this recently expecting that it might be a repress. Nope, it still has the same problem - on A3 and most of side B it sounds like someone is wobbling the piano while Hill is playing. No issue with sax, bass or drums - they sound great. But as soon as the piano comes in, it feels like the music is coming from a creased tape. I sent it back, got another copy, send the second one back again. I'm giving up. Streaming this one is the only option (no issues with piano there, by the way).
                  • Bartholomew's avatar
                    Bartholomew
                    Absolutely fantastic pressing of sublime jazz, nothing more to say apart from it's a great record to own and enjoy, time and time again!
                    • Dillpc's avatar
                      Dillpc
                      On acoustic sounds website right now. Grab while you can. This shit is awesome

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