Tom WaitsHeartattack And Vine

Label:

Anti- – 87571-1

Format:

Vinyl , LP, Album, Reissue, Remastered

Country:

US

Released:

Genre:

Blues

Style:

Tracklist

A1 Heartattack And Vine
BassLarry Taylor
Tenor Saxophone, Baritone SaxophonePlas Johnson
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar]Tom Waits
4:42
A2 In Shades
BassLarry Taylor
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar]Roland Bautista
Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar]Tom Waits
Organ [Hammond Organ]Ronnie Barron
4:04
A3 Saving All My Love For You
Arranged By [Strings Arranged By], Conductor [Strings Conducted By]Bob Alcivar
BassJim Hughart
Chimes, PercussionVictor Feldman
Vocals, PianoTom Waits
3:39
A4 Downtown
BassLarry Taylor
Electric GuitarRoland Bautista
Organ [Hammond Organ]Ronnie Barron
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar]Tom Waits
4:43
A5 Jersey Girl
Arranged By [Orchestra Arranged By], Conductor [Orchestra Conducted By]Jerry Yester
BassGreg Cohen
Keyboards [Keyboard Glock], PercussionVictor Feldman
Twelve-String GuitarRoland Bautista
Vocals, Electric GuitarTom Waits
5:09
B1 ‘Til The Money Runs Out
BassLarry Taylor
Electric GuitarRoland Bautista
Organ [Hammond Organ]Ronnie Baron*
VocalsTom Waits
4:20
B2 On The Nickel
Arranged By [Orchestra Arranged By], Conductor [Orchestra Conducted By]Bob Alcivar
PianoMichael Lang*
VocalsTom Waits
6:17
B3 Mr. Siegal
BassLarry Taylor
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar]Roland Bautista
PianoRonny Barron*
Vocals, Electric GuitarTom Waits
5:13
B4 Ruby’s Arms
Arranged By [Orchestra Arranged By], Conductor [Orchestra Conducted By]Jerry Yester
BassGreg Cohen
Twelve-String GuitarRoland Bautista
Vocals, PianoTom Waits
5:35

Companies, etc.

  • Copyright ©Lost Henry
  • Phonographic Copyright ℗Lost Henry
  • Manufactured ByAnti-
  • Distributed ByAnti-
  • Record CompanyEpitaph
  • Published ByJalma Music
  • Recorded AtFilmways/Heider Recording
  • Mastered AtElektra Sound Recorders
  • Mastered AtInfrasonic Sound
  • Pressed ByIndependent Record Pressing

Credits

  • Art Direction, DesignRon Coro
  • Engineer [2nd Engineer]Geoff Howe
  • Lacquer Cut ByLP*
  • Mastered ByPeter Lyman*
  • Mastered By [Disc Mastering]Terry Dunavan
  • Music By, Lyrics ByTom Waits
  • Photography By [Front Cover Photography]Greg Gorman
  • Producer, EngineerBones Howe
  • Remastered By [Remastering Supervised By]Waits*

Notes

Includes a printed inner sleeve.

© & ℗ 1980, 2018 Lost Henry. Manufactured and distributed by Anti, a division of Epitaph, 2798 W. Sunset Blvd. Los Angeles, CA 90026

B2 Written for the motion picture "On The Nickel," a film by Ralph Waite

Recorded at Filmways/Heider Studio B, Hollywood, California June 16th through July 15th, 1980
Disc Mastering: [...] Elektra Sound Recorders, Hollywood

(Reissue credit)
Mastered [...] at Infrasonic Mastering

Barcode and Other Identifiers

  • Barcode (Spaces removed): 045778757114
  • Matrix / Runout (A-side runout, etched): 87571-1 A IRP LP
  • Matrix / Runout (B-side runout, etched): 87571-1 B IRP LP
  • Rights Society: ASCAP

Other Versions (5 of 109)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Heartattack And Vine (LP, Album) Asylum Records X6E-295 Canada 1980
Heartattack And Vine (LP, Album, Stereo, SP - Specialty Pressing) Asylum Records 6E-295 US 1980
Recently Edited
Heartattack And Vine (LP, Album, Promo, Allied) Asylum Records 6E-295 US 1980
New Submission
Heartattack And Vine (LP, Album, Stereo) Asylum Records 52252 Greece 1980
Recently Edited
Heartattack And Vine (Cassette, Album, Stereo) Asylum Records M5E 6E 295 Australia 1980

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Reviews

  • travelingmood's avatar
    travelingmood
    The info on my runout is the same as what is listed here except instead of 'IRP' there is a 'QRP' instead.
    • StartAlpine's avatar
      StartAlpine
      I had a VG- Island pressing of this album to compare and I have to give it to the remaster. It's cleaned up nicely with an even mix that doesn't let Tom fade out like the early master. Nothing too dramatic, but I feel like the vocals are pulled out and his echo mic gets more of a spotlight. The instruments sit in a solid placement and songs like Til' the Money Runs Out feels like it was recorded with a bass in the lower right pocket and Tom in a glass closet next to you. It's dead quiet but that's would I expect from a modern album. Anti- has never done me wrong. I'm a happy customer!
      • davidwantsataco's avatar
        I don’t have an original to compare this to, but this pressing sounds great! Huge fan of this reissue

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