A Perfect Circle – Eat The Elephant
Label: |
BMG – 4050538374315 |
|---|---|
Format: |
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Country: |
USA & Europe |
Released: |
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Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | Eat The Elephant | |
| A2 | Disillusioned | |
| A3 | The Contrarian | |
| B1 | The Doomed | |
| B2 | So Long, And Thanks For All The Fish | |
| B3 | Talktalk | |
| C1 | By And Down The River | |
| C2 | Delicious | |
| C3 | DLB | |
| D1 | Hourglass | |
| D2 | Feathers | |
| D3 | Get The Lead Out |
Companies, etc.
- Mastered At – GZ Media – 170616E
- Pressed By – Precision Record Pressing – 10-84450
- Phonographic Copyright ℗ – A Perfect Circle
- Copyright © – A Perfect Circle
- Licensed To – BMG Rights Management (US) LLC
- Mixed At – Hillside Manor
- Mastered At – Marcussen Mastering
- Recorded At – Sunset Sound
- Recorded At – Hillside Manor
- Recorded At – Lankershim Ranch Studios
- Recorded At – Puscifer Entertainment
- Recorded At – The Bunker, Malibu
- Recorded At – Ollywood Studios
- Recorded At – Backstage Studios
Credits
- Bass [A Perfect Circle Live], Keyboards [A Perfect Circle Live] – Matt McJunkins
- Booking [For WME] – Rob Markus
- Design [Octoheart Design] – Meats Meier
- Design [Package Design], Layout – Randall Leddy
- Drums [A Perfect Circle Live], Percussion [A Perfect Circle Live] – Jeff Friedl
- Drums [The APC Drum Orchestra] – Matt Chamberlain
- Drums [The APC Drum Orchestra], Producer, Mixed By – D. Sardy*
- Engineer – Jim Monti*
- Engineer [2nd Engineer], Engineer [Additional Engineering] – Cameron Barton
- Engineer [Additional Engineering] – Smiley Sean
- Engineer [Assistant Engineer] – Zack Zajdel*
- Engineer [Vocals Engineer] – Mat Mitchell
- Guitar [A Perfect Circle Live], Keyboards [A Perfect Circle Live] – James Iha
- Lacquer Cut By – CB*
- Legal [For King, Holmes, Paterno, and Soriano LLP] – Peter Paterno
- Management [Business Management For Provident Financial] – Martha Liermann
- Management [For Suretone Entertainment] – Dino Paredes
- Management [Marketing For BMG] – Jason Hradil
- Mastered By – Stephen Marcussen
- Photography By [Cover And Gatefold Photos] – Steven Sebring
- Photography By [Interior Photo] – J Whitaker
- Producer, Design [Octoheart Design] – MJ Keenan*
- Producer, Engineer [Additional Engineering], Guitar [A Perfect Circle Live], Bass [A Perfect Circle Live], Vocals [A Perfect Circle Live], Keyboards [A Perfect Circle Live], Sounds [A Perfect Circle Live], Performer [All Instruments Performed By, Except As Noted] – Billy Howerdel
- Public Relations [Publicity For Speakeasy PR] – Monica Seide-Evenson*
- Vocals [A Perfect Circle Live] – Maynard James Keenan
Notes
Track C3, DLB, is listed on hype sticker and as track 9 both side C and D labels. It does actually play on both sides, but on side D, it is more of an intro into "Hourglass" and has no banding separating it from the next track.
The final track on Side D (“Get The Lead Out”) is 40 seconds shorter than the version on CD and digital, however it ends on a locked groove which repeats its last few seconds.
Gatefold cover, each 160g black vinyl being housed in a classic black paper inner sleeve with rounded corners
Includes card and insert containing credits and photograph.
On labels A, C, front and back covers:
℗© 2018 A Perfect Circle under exclusive license to BMG Rights Management (US) LLC
Made in Canada. 4050538374315
First catalog number on spine, second on covers + labels A & C
The final track on Side D (“Get The Lead Out”) is 40 seconds shorter than the version on CD and digital, however it ends on a locked groove which repeats its last few seconds.
Gatefold cover, each 160g black vinyl being housed in a classic black paper inner sleeve with rounded corners
Includes card and insert containing credits and photograph.
On labels A, C, front and back covers:
℗© 2018 A Perfect Circle under exclusive license to BMG Rights Management (US) LLC
Made in Canada. 4050538374315
First catalog number on spine, second on covers + labels A & C
Barcode and Other Identifiers
- Barcode (Text, on front & back cover): 4 050538 374315
- Barcode (Scanned, on front & back cover): 4050538374315
- Rights Society: none
- Matrix / Runout (Side A runout, stamped, [538374310-A CB] etched, variant 1): 10-84450/538374310-A 170616E1/A 538374310-A 538374310-A CB
- Matrix / Runout (Side B runout, stamped, [538374310-B CB] etched, variant 1): 10-84450/538374310-B 170616E2/A1 538374310-B 538374310-B CB
- Matrix / Runout (Side C runout, stamped, [538374310-C CB] etched, variant 1): 10-84450/538374310-C 170616E3/A 538374310-C CB
- Matrix / Runout (Side D runout, stamped, [538374310-D CB] etched, variant 1): 10-84450/538374310-D 170616E4/A1 538374310-D CB
- Matrix / Runout (Side A runout, stamped, [538374310-A CB] etched, variant 2): 10-84450/538374310-A 170616E1/A 538374310-A 538374310-A CB
- Matrix / Runout (Side B runout, stamped, [538374310-B CB] etched, variant 2): 10-84450/538374310-B 170616E2/A1 538374310-B 538374310-B CB
- Matrix / Runout (Side C runout, stamped, [538374310-C CB] etched, variant 2): 10-84450/538374310-C 170616E3/A 538374310-C CB
- Matrix / Runout (Side D runout, stamped, [538374310-D CB] etched, variant 2): 10-84450/538374310-D 170616E4/A 538374310 - D CB
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Eat The Elephant (12×File, MP3, Album, 320 kbps) | BMG | none | 2018 | |||
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Recently Edited
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Eat The Elephant (CD, Album) | BMG | 538374252, 4050538374254 | USA & Europe | 2018 | ||
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Recently Edited
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Eat The Elephant (2×LP, Album, Limited Edition, Special Cut, White ) | BMG | 538374370, 4050538374377 | USA & Europe | 2018 | ||
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Recently Edited
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Eat The Elephant (Box Set, Album, Deluxe Edition, Limited Edition, 2×LP, Album, 180 Gram, CD, Album) | BMG | 6767676767 | USA & Canada | 2018 | ||
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New Submission
|
Eat The Elephant (CD, Album) | BMG | WPCR-18002 | Japan | 2018 |
Recommendations
Reviews
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Back in circulation finally. Got a copy today.
Pressing is perfect. Surprisingly considering the crap being made these days.
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Edited one year agoI've tried quite a few copies of this album now. They all have a pretty serious noise issue. Especially in the left channel. I've tried several black copies and one white. All the same. Luckily I have one copy that is less bad but even that has identical noise patterns in exactly the same places.
It's a crying shame as the mastering is good but it seems something went badly wrong in the production of these records. -
I believe this is the copy I have (rounded corners on inner sleeves). Had the following printed on the shrink: 'MADE IN CANADA 101109182'. My copy sounds excellent. -
Sounds incredible. Really low noise floor and very punchy. Way better than the streaming version. -
The pressing of this album is amazing. Sonic bliss and quiet as hell.
I know some people complain that this album doesn't rock but it's my favorite APC album, hands down. -
A numbing dissertation of the general philosophical lens in a pre covid world. APC encapsulates a tight wound anxiety "doomed" at the precipice of a time line that shaped where we are now. Where this album departs from traditional APC sound it lays several layers of unlabored harmony's paired with bountiful guitar and Trible drum lines. While this album may take a few spins to understand and start to form worm like hooks in your brain, I can assure you it is worth being in your collection. -
Good quality quiet pressing. I love the way the songs just flows from one to the next.
As for the music I love it, lots a of emotion in the majority of the songs, I don’t think I will get tired of this album any time soon. -
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Edited 4 years agoHonestly a very Boring APC album. A couple really good songs but for the most part feels really overproduced and emotionless. But I'm giving it 5 stars cause I'm reviewing the pressing and not the album itself, which is fantastic. No sound quality issues at all. lots of quiet sections and no surface noise during them.
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A fantastic A Perfect Circle album. My LPs have no sound quality issues in the quiet sections.
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