Tracklist
| High (Outa Space Mix) | |||
| High (Inna Space Mix) | |||
| Bonus Beeps |
Credits (3)
Paul SolomonsMastered By-
Dylan "Earl" Barnes*Producer, Written-By
Jem PanufnikProducer, Written-By
Versions
Filter by
14 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory |
|
Version Details | Data Quality | |||
|---|---|---|---|---|---|---|---|---|---|
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High
12"
|
Distinct'ive Records – DISNT 47 | UK | 1998 | UK — 1998 | ||||
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High E.P
12", EP
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Sunflower Records (2) – SUNI 010e.p. | UK | 1998 | UK — 1998 |
Recently Edited
|
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High
12"
|
3345 Recordings – 334504 | Netherlands | 1998 | Netherlands — 1998 |
Recently Edited
|
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High
CD, Single
|
Distinct'ive Records – DISNCD 47 | UK | 1998 | UK — 1998 | ||||
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High
CD, Maxi-Single
|
Vendetta Records – VENCD 188 CM | Spain | 1998 | Spain — 1998 |
Recently Edited
|
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High
12", 45 RPM, Promo
|
Distinct'ive Records – DP 47/2 | UK | 1998 | UK — 1998 | ||||
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High
12", 33 ⅓ RPM, Promo
|
Distinct'ive Records – DP 47/1 | UK | 1998 | UK — 1998 |
Recently Edited
|
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High
12"
|
Vendetta Records – VENMX 188 | Spain | 1998 | Spain — 1998 | ||||
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High
CD, Maxi-Single
|
United Recordings – 334504-9 | Netherlands | 1998 | Netherlands — 1998 | ||||
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High
CD, Single
|
Avex Trax – AVTCDS-150 | Thailand | 1998 | Thailand — 1998 |
New Submission
|
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High
CD, Single
|
MDS – DNET130-SPD | Australia & New Zealand | 1999 | Australia & New Zealand — 1999 |
Recently Edited
|
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High
12", 33 ⅓ RPM
|
New Music International – NMX 1850 | Italy | 1999 | Italy — 1999 |
Recently Edited
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High
CD, Maxi-Single
|
New Music International – NSCD94 | Italy | 1999 | Italy — 1999 |
Needs Changes
|
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High
2×12", 33 ⅓ RPM, 45 RPM, Single
|
Distinct'ive Records – DP 47 | UK | UK |
New Submission
|
Recommendations
Reviews
-
Edited 3 years agoreferencing High (12") 334504
A house record with a lot of soul, which I would categorize as groove, with uplifting energy, good vocalist and funny sample and some rap on the label side -
Edited 18 years ago
referencing High (12") DISNT 47
The Dillon and Dickens mix of High stands out as the best mix on this twelve. Their reworking makes this record work on any funkyhouse dancefloor. The added professional vocals take the track well into commercial club territory. A great example of a remix making a fairly limp tune into a wicked masterpiece.
Master Release
Edit Master Release
Recently Edited
Recently Edited
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