The Beatles – Live At The Hollywood Bowl
Label: |
Universal Music Group International – 00602557054972 |
|---|---|
Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Rock & Roll |
Tracklist
| 1 | Twist And Shout | 1:34 | |
| 2 | She's A Woman | 3:12 | |
| 3 | Dizzy Miss Lizzy | 3:40 | |
| 4 | Ticket To Ride | 2:26 | |
| 5 | Can't Buy Me Love | 2:15 | |
| 6 | Things We Said Today | 2:19 | |
| 7 | Roll Over Beethoven | 2:14 | |
| 8 | Boys | 2:09 | |
| 9 | A Hard Day's Night | 3:14 | |
| 10 | Help! | 2:53 | |
| 11 | All My Loving | 2:15 | |
| 12 | She Loves You | 3:11 | |
| 13 | Long Tall Sally | 2:05 | |
| Bonus Tracks | |||
| 14 | You Can't Do That | 2:34 | |
| 15 | I Want To Hold Your Hand | 2:29 | |
| 16 | Everybody's Trying To Be My Baby | 2:21 | |
| 17 | Baby's In Black | 2:45 |
Companies, etc.
- Phonographic Copyright ℗ – Calderstone Productions Limited
- Phonographic Copyright ℗ – Apple Corps Ltd.
- Copyright © – Calderstone Productions Limited
- Copyright © – Apple Corps Ltd.
- Copyright © – Bob Bonis Archive
- Recorded At – Hollywood Bowl
- Remixed At – Air Studios
- Mixed At – Abbey Road Studios
- Mastered At – Abbey Road Studios
- Published By – Sony/ATV Music Publishing (UK) Ltd.
- Published By – Sony/ATV Music Publishing LLC
- Published By – Jewel Music Publishing Co. Ltd.
- Published By – Ardmore & Beechwood Music Ltd.
- Published By – peermusic (UK) Ltd
- Published By – MPL Communications Ltd.
- Manufactured For – Universal
- Manufactured By – Optimal Media GmbH – AG45142
Credits
- Cover [Cover Design Adapted For This Release By], Design [Cover Design Adapted For This Release By] – Darren Evans (2)
- Cover [Cover Design By], Design [Cover Design By] – Gravillis Inc.
- Engineer [197 Mixdown And Sequencing Re-Mix Engineer] – Geoff Emerick
- Engineer [2016 Remix From The Original Multi-Tracks Tapes Assistant Engineer] – Matt Mysko
- Engineer [Recording Engineer 1964 Concert] – Hugh Davies (2)
- Engineer [Recording Engineer 1965 Concert] – Pete Abbott
- Liner Notes – George Martin
- Mastered By [1977 Mixdown & Sequencing Mastered By] – Wally Traugott
- Mastered By [2016 Remix From The Original Multi-Tracks Tapes Mastered By] – Alex Wharton
- Mixed By [2016 Remix From The Original Multi-Tracks Tapes Mixed By] – Sam OKell
- Performer [Performers] – Ringo Starr
- Photography By [Cover Image Photographs By] – Bob Bonis
- Producer [1977 Mixdown And Sequencing Produced By] – George Martin
- Producer [2016 Remix From The Original Multi-Track Tapes Produced By] – Giles Martin
- Producer [Original Remote Recording Produced By] – Voyle Gilmore
- Restoration [2016 Remix From The Original Multi-Tracks Tapes Audio Restoration] – James Clarke (4)
Notes
Issued in a 4- digisleeve and a 24-page booklet.
Some copies include an insert advertising the Ron Howard film Eight Days A Week - The Touring Years.
Track durations are not printed on the release.
℗ 2016 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group / Apple Corps Limited.
© 2016 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group / Apple Corps Limited.
Publishers:
Tracks 1, 3 by Sony/ATV Music Publishing Ltd.
Tracks 2, 4 to 6, 9 to 12, 14, 15, 17 by Sony/ATV Music Publishing LLC.
Track 7 by Jewel Music Publishing Co. Ltd.
Track 8 by Ardmore & Beechwood Music Ltd.
Track 13 by Peermusic (UK) Ltd.
Track 16 by MPL Communications Ltd.
Some copies include an insert advertising the Ron Howard film Eight Days A Week - The Touring Years.
Track durations are not printed on the release.
℗ 2016 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group / Apple Corps Limited.
© 2016 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group / Apple Corps Limited.
Publishers:
Tracks 1, 3 by Sony/ATV Music Publishing Ltd.
Tracks 2, 4 to 6, 9 to 12, 14, 15, 17 by Sony/ATV Music Publishing LLC.
Track 7 by Jewel Music Publishing Co. Ltd.
Track 8 by Ardmore & Beechwood Music Ltd.
Track 13 by Peermusic (UK) Ltd.
Track 16 by MPL Communications Ltd.
Barcode and Other Identifiers
- Barcode (Text): 6 02557 05497 2
- Barcode (Scanned, UPC-A): 602557054972
- Label Code: LC01846
- Rights Society: SDRM/BIEM
- Matrix / Runout (Variant 1): [Universal logo] 5706497 [Universal logo] AG45142-01 manufactured by optimal media GmbH
- Mastering SID Code (Variants 1): ifpi L575
- Matrix / Runout (Variant 2): [Universal logo] 5705497 [Universal logo] AG45142-01 manufactured by optimal media GmbH
- Mastering SID Code (Variant 2): ifpi L575
- Mould SID Code (Variant 2): IFPI 9701 / ifpi C129
- Matrix / Runout (Variant 3): [Universal logo] 5705497 [Universal logo] AG45142-01 manufactured by optimal media GmbH
- Mastering SID Code (Variant 3): ifpi L575
- Mould SID Code (Variant 3): IFPI 9742
- Matrix / Runout (Variant 4): [Universal logo] 5705497 [Universal logo] AG45142-01 manufactured by optimal media GmbH
- Mastering SID Code (Variant 4): ifpi L575
- Mould SID Code (Variant 4): IFPI 9701
Other Versions (5 of 22)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Live At The Hollywood Bowl (CD, Album, Limited Edition, Remastered, SHM-CD) | Apple Records | UICY-15566 | Japan | 2016 | ||
| Live At The Hollywood Bowl (17×File, AAC, Album, Reissue, Remastered, 256 kbps) | Apple Records | none | 2016 | ||||
| Live At The Hollywood Bowl (CD, Album, Reissue, Remastered) | UMe | B0025451-02 | US | 2016 | |||
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New Submission
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Live At The Hollywood Bowl (CD, Reissue, Stereo) | Universal | 5705497 | Argentina | 2016 | ||
|
Recently Edited
|
Live At The Hollywood Bowl (CD, Album, Reissue, Remastered, Cardboard Sleeve) | Universal Music Group International | 5705497 | Australia & New Zealand | 2016 |
Recommendations
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2017 WorldwideCD —Album, Reissue, Remastered, Stereo -
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Reviews
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How sounded Beatlemania? Long time did you only Live At Hollywood Bowl. This live album was released in 1977, but contained recordings of The Beatles ' tour of the United States from 1964 and 1965. Collectors bought the plate, but listen to it was just a joy. The screams from the many American teenage girls drowned out the modest versterkertjes of the Quartet. Beatlemania so. The inability to hear each other on stage, prompted The Beatles to no longer to act and to retreat in the studio (and there the pop music to durably change). New techniques meant that it was possible the instruments to make it sound louder and the screams to find mixes. So we hear now The Beatles better than the ones in 1964/65 were present at those legendary concerts in Los Angeles. Funny detail: This cd was again mixed by Giles Martin, indeed the son of the firm Beatles-producer
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