Collin Walcott – Grazing Dreams
Label: |
ECM Records – ECM 1096 ST |
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Format: |
Vinyl
, LP, Album, Stereo
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Country: |
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Released: |
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Genre: |
Jazz |
Style: |
Free Improvisation |
Tracklist
Changeless Faith | |||
|
Song Of The Morrow | 9:15 | |
|
Gold Sun | 7:03 | |
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The Swarm | 6:07 | |
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Mountain Morning | 1:56 | |
B1 | Jewel Ornament | 5:01 | |
B2 | Grazing Dreams | 6:50 | |
B3 | Samba Tala | 1:30 | |
B4 | Moon Lake | 8:25 |
Companies, etc.
- Record Company – ECM
- Recorded At – Talent Studio
- Phonographic Copyright ℗ – ECM Records GmbH
- Published By – Grazing Dreams Music
- Lacquer Cut At – Tonstudio Bauer
- Pressed By – Schallplattenfabrik Pallas GmbH
Credits
- Bass – Palle Danielsson
- Electric Guitar, Acoustic Guitar, Mandolin [Electric] – John Abercrombie
- Engineer – Jan Erik Kongshaug
- Lacquer Cut By – HR*
- Layout – Dieter Bonhorst
- Percussion, Tambourine, Berimbau, Percussion [Chica] – Dom Um Romao
- Photography By [Cover Photo], Cover [Cover Photo] – Franco Fontana
- Producer [Produced By] – Manfred Eicher
- Sitar, Tabla – Collin Walcott
- Trumpet, Flute [Wood], Harp [Doussn' Gouni] – Don Cherry
Notes
Tracks A1d and B4: Group Improvisation
Recorded February 1977 at Talent Studio, Oslo
An ECM Production
℗ 1977 ECM Records GmbH
Printed in W.-
Made in W.
___________
Additional catalogue number 2301 096 appears on the cover rear and indicates distribution by Polygram companies in selected territories.
Doussn' Gouni is a six-stringed instrument from Mali also known as 'African Hunter's Guitar'.
The runouts are stamped, except 'HR' (combined) is etched.
Recorded February 1977 at Talent Studio, Oslo
An ECM Production
℗ 1977 ECM Records GmbH
Printed in W.-
Made in W.
___________
Additional catalogue number 2301 096 appears on the cover rear and indicates distribution by Polygram companies in selected territories.
Doussn' Gouni is a six-stringed instrument from Mali also known as 'African Hunter's Guitar'.
The runouts are stamped, except 'HR' (combined) is etched.
Barcode and Other Identifiers
- Rights Society (Boxed on labels): GEMA
- Label Code (On labels and rear cover): LC 2516
- Matrix / Runout (Side A, runout): ST ECM 1096-A HR
- Matrix / Runout (Side B, runout): ST ECM 1096-B1 HR
Other Versions (5 of 15)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Grazing Dreams (LP, Album) | Polydor | ECM-1-1096, 2310 559 | US | 1977 | |||
New Submission
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Grazing Dreams (Album, LP) | Trio Records | ECM 1096, PAP-9077 | Japan | 1977 | ||
Recently Edited
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Grazing Dreams (LP) | ECM Records | ECM-1-1096 | Canada | 1977 | ||
New Submission
|
Grazing Dreams (LP, Album, Stereo) | ECM Records | ECM-1-1096 | US | 1977 | ||
New Submission
|
Grazing Dreams (LP, Album, Promo) | ECM Records | ECM-1-1096 | US | 1977 |
Recommendations
Reviews
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Edited one year agoIf you are a fan of the three Codona albums Collin was involved in with Don Cherry and Nana Vasconcelos then this is the closest album to feature the same open airy ethnic infused atmosphere minus Vasconcelos of course as he did not partake in this venture unfortunately.
Don and Walcotts percussion/sitar/trumpet interplay is playful, intelligent and awe inspiring as very musicians where able to traverse these boundaries with such fluidity. Now add John Abercrombie, Palle Danielson and Brazilian drummer/percussionist Dom Um Romao into the ingredients and voila. the ECM cd has a refined production and spacious.
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Edited 2 years agoI have two copies of this specific release, with the exact same record and matrix. But one sleeve is laminated and the other is not.
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I think this is a great album, and it's so rare to have sitar work itself out genuinely in a jazz album. Of course, leave it to ECM to produce this album by Walcott, whose career was cut sadly too short by tragedy. Don Cherry is simply fantastic here as well, and rounding out the supreme talent here is John Abercrombie on guitar. It's a beautiful album that could have easily slipped into a sappy new-age sound, that thankfully it never does. It doesn't exactly create any memorable tracks, but sometimes that's for the best as you find yourself listening again and again, discovering the album one more time anew.
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