Dave Matthews Band – Crash
Tracklist
| A1 | So Much To Say | 4:07 | |
| A2 | Two Step | 6:27 | |
| A3 | Crash Into Me | 5:16 | |
| B1 | Too Much | 4:21 | |
| B2 | #41 | 6:39 | |
| B3 | Say Goodbye | 6:11 | |
| C1 | Drive In Drive Out | 5:54 | |
| C2 | Let You Down | 4:07 | |
| C3 | Lie In Our Graves | 5:42 | |
| D1 | Cry Freedom | 5:53 | |
| D2 | Tripping Billies | 5:00 | |
| D3 | Proudest Monkey | 9:11 |
Companies, etc.
- Phonographic Copyright ℗ – Bama Rags Recordings, LLC
- Copyright © – Bama Rags Recordings, LLC
- Manufactured By – RCA Records
- Distributed By – RCA Records
- Recorded At – Bearsville Studios
- Recorded At – Greene St. Recording
- Mixed At – Greene St. Recording
- Mixed At – Room With A View, New York
- Mastered At – Sterling Sound
- Copyright © – Colden Grey, Ltd.
- Published By – Colden Grey, Ltd.
- Copyright © – David J. Matthews
- Published By – David J. Matthews
- Copyright © – Carter Beauford
- Published By – Carter Beauford
- Copyright © – Stefan Lessard
- Published By – Stefan Lessard
- Copyright © – The LeRoi Moore Family Trust
- Published By – The LeRoi Moore Family Trust
- Copyright © – Boyd Tinsley
- Published By – Boyd Tinsley
- Remastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Designed At – 1021 Creative
- Pressed By – MPO
Credits
- A&R – Darren Salmieri
- A&R [Direction] – Peter Robinson (5)
- Acoustic Guitar, Electric Guitar – Tim Reynolds
- Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Baritone Saxophone, Flute, Whistle – Leroi Moore
- Art Direction [Assisted By], Design [Assisted By] – Jane Matthews
- Art Direction, Design – Thane Kerner
- Band [Dave Matthews Band] – Stefan Lessard
- Bass, Piano [Tac] – Stefan Lessard
- Design [Package] – Kassondra Monroe
- Drums, Percussion, Backing Vocals – Carter Beauford
- Engineer – John Siket
- Engineer [1st Assistant] – Scott Gormley
- Engineer [2nd Assistant] – Paul Higgins
- Engineer [Assisted By] – Phil Painson
- Illustration [Cover] – Thane Kerner
- Lacquer Cut By – cB*
- Lyrics By – Peter Griesar* (tracks: A1)
- Management – Coran Capshaw
- Mastered By – Ted Jensen
- Mixed By – Tom Lord-Alge (tracks: A1, A2, B1, C1, C3, D2)
- Mixed By [Assisted By] – Alex Case (tracks: A1, A2, B1, C1, C3, D2)
- Photography By – Sam Erickson
- Photography By [Band] – C. Taylor Crothers
- Producer – Steve Lillywhite
- Producer [Additional Preproduction] – John Alagia
- Product Manager – Patrick Jordan
- Product Manager [Product Direction] – Gretchen Brennison
- Remastered By [Vinyl], Lacquer Cut By [From Original Analog Sources] – Chris Bellman
- Research [Archivist] – Tucker Rogers
- Violin [Acoustic], Violin [Electric] – Boyd Tinsley
- Vocals, Acoustic Guitar – Dave Matthews
- Written-By – Stefan Lessard (tracks: B1, B2, C2, D3)
Notes
First Time Ever on Vinyl.
20th Anniversary 2LP 180 Gram Audiophile Virgin Black Vinyl
Remastered and Cut from Original Analog Sources by Chris Bellman
Made in the EU
Includes 8-page booklet
Includes a free of the entire album
20th Anniversary 2LP 180 Gram Audiophile Virgin Black Vinyl
Remastered and Cut from Original Analog Sources by Chris Bellman
Made in the EU
Includes 8-page booklet
Includes a free of the entire album
Barcode and Other Identifiers
- Barcode (Text): 8 88751 89401 3
- Barcode (Scanned): 888751894013
- Other (On hype sticker): 88875189401S1
- Rights Society: ASCAP
- Matrix / Runout (Side A, Etched, variant 1): MPO 16-0156 A2 88985314591-A RE-1 cB
- Matrix / Runout (Side B, Etched, variant 1): MPO 16-0156 B3 88985314591-B Re-1 cB
- Matrix / Runout (Side C, Etched, variant 1): MPO 16-0156 / 888751189401 C 88985314591-C cB
- Matrix / Runout (Side D, Etched, variant 1): MPO 16-0156 D3 88985314591-D Re-1 cB
- Matrix / Runout (Side A, etched, variant 2): MPO 16-0156 A2 88985314591-A RE-1 CB [MPO logo] 23 303120
- Matrix / Runout (Side B, etched, variant 2): MPO 16-0156 B3 88985314591-B Re-1 CB [MPO logo] 23 302559
- Matrix / Runout (Side C, etched, variant 2): MPO 16-0156 / 888751189401 C 88985314591-C CB
- Matrix / Runout (Side D, etched, variant 2): MPO 16-0156 D3 88985314591-D Re-1 CB [MPO logo] 23 302853
Other Versions (5 of 39)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Crash (CD, Album) | RCA | 07863 66904 2 | Europe | 1996 | ||
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New Submission
|
Crash (CD, Album, Club Edition, Springfield Pressing, CRC) | RCA | BG2 66904 | US | 1996 | ||
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Recently Edited
|
Crash (CD, Album) | RCA | 07863 66904-2 | Canada | 1996 | ||
|
Recently Edited
|
Crash (Cassette, Album, Club Edition) | RCA | BG4-66904 | US | 1996 | ||
|
New Submission
|
Crash (CD, Album, Club Edition) | RCA | 07863 66904-2 | US | 1996 |
Recommendations
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2018 USVinyl —LP, Album, Remastered, Repress, Stereo -
2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo -
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Reviews
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Bought brand new sealed from Amazon. First record is mostly flat and well centered, while second record is slightly warped but well centered. Pressing quality is pretty good, both records are almost dead silent. Mixing is not bad too, there is some “zing” to the cymbal hits, bass is deep enough to be engaging and mids are sounding pretty clean (vocals are just a bit thin to my ears on some ages). Great separation and air too. Sound is on the punchy and lively side of neutral. Apart the fact that my copy has a slight scratch affecting A3, there is not much to complaint about. Recommended. 4.8 / 5 -
Edited 22 days agoYes, amazing record obvs, but pressing is spectacular. A highlight of my collection. If you can swing it, get it!
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Fuck yeah! This sounds perfect. I wish more records sounded this good. I have no complaints. If you want it, go get it and see for yourself. -
Sides A and B play wonderfully, but my C and D have some issues. Vocals sound off on these and D3 had a pretty significant scuff mark out of the packaging which did affect playback for the fadeout. -
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IMO probably DMB’s best record. Their confidence and musicality just pours out freely in each song. So many great songs that have stood the test of time. I’m so glad this pressing is audiophile grade and sparkles. Highly recommended! -
Sounds amazing. The bass is really clear and thr drums are present without overpowering any of thr vocals. And anything with a clear sax metls my heart. The mix is fantastic. -
Agree with all the positive comments here, it sounds really good. I was a little disappointed that my copy was missing the code it’s supposed to include. Anyone else had the same experience?
Release
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Recently Edited
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