Kamasi Washington – The Epic

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Label:	Brainfeeder – BFCD050
Format:	3 x CD , Album, Stereo
Country:	Europe
Released:	May 4, 2015
Genre:	Funk / Soul
Style:	Soul-Jazz

Tracklist

	Volume 1 - The Plan
1-1	Change Of The Guard Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	12:16
1-2	Askim Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	12:35
1-3	Isabelle Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Engineer – Brian Rosemeyer Organ – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Engineer – Brian Rosemeyer Organ – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter	12:13
1-4	Final Thought Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Engineer – Tony Austin Organ – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Engineer – Tony Austin Organ – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter	6:32
1-5	The Next Step Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	14:49
1-6	The Rhythm Changes Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Lead Vocals – Patrice Quinn Lyrics By – Patrice Quinn Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Lead Vocals – Patrice Quinn Lyrics By – Patrice Quinn Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	7:44
	Volume 2 - The Glorious Tale
2-1	Miss Understanding Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	8:46
2-2	Leroy And Lanisha Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Engineer – Tony Austin Organ – Cameron Graves Percussion – Leon Mobley Piano – Brandon Coleman Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Engineer – Tony Austin Organ – Cameron Graves Percussion – Leon Mobley Piano – Brandon Coleman Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter	9:24
2-3	Re Run Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	8:20
2-4	Seven Prayers Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas	7:36
2-5	Henrietta Our Hero Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Engineer – Tony Austin Lead Vocals – Patrice Quinn Lyrics By – Patrice Quinn Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Shaunte Palmer Trumpet – Todd Simon Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Ronald Bruner* Engineer – Tony Austin Lead Vocals – Patrice Quinn Lyrics By – Patrice Quinn Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Shaunte Palmer Trumpet – Todd Simon Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	7:14
2-6	The Magnificent 7 Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards, Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By, Arranged By, Producer – Kamasi Washington Drums – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards, Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	12:46
	Volume 3 - The Historic Repetition
3-1	Re Run Home Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas	14:06
3-2	Cherokee Arranged By, Producer – Kamasi Washington Composed By – Ray Noble Drums – Robert Miller (28) Electric Bass – Miles Mosley Engineer – Brian Rosemeyer Keyboards, Organ – Brandon Coleman Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Vocals – Patrice Quinn Arranged By, Producer – Kamasi Washington Composed By – Ray Noble Drums – Robert Miller (28) Electric Bass – Miles Mosley Engineer – Brian Rosemeyer Keyboards, Organ – Brandon Coleman Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Vocals – Patrice Quinn	8:14
3-3	Clair De Lune Acoustic Bass – Miles Mosley Arranged By, Producer – Kamasi Washington Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By – Claude Debussy Drums – Tony Austin Engineer – Tony Austin Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Viola – Molly Rodgers* Violin – Tylana Renga Enomoto Acoustic Bass – Miles Mosley Arranged By, Producer – Kamasi Washington Cello – Ginger Murphy Choir [Choir Vocal] – Tracy Carter Composed By – Claude Debussy Drums – Tony Austin Engineer – Tony Austin Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Viola – Molly Rodgers* Violin – Tylana Renga Enomoto	11:08
3-4	Malcolm's Theme Acoustic Bass – Miles Mosley Adapted By [Lyrics Set To Music By] – Patrice Quinn Arranged By, Producer – Kamasi Washington Composed By – Terence Blanchard Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Engineer – Tony Austin Lyrics By – Ossie Davis Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Vocals – Patrice Quinn Acoustic Bass – Miles Mosley Adapted By [Lyrics Set To Music By] – Patrice Quinn Arranged By, Producer – Kamasi Washington Composed By – Terence Blanchard Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Engineer – Tony Austin Lyrics By – Ossie Davis Organ – Brandon Coleman Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Vocals – Patrice Quinn	8:41
3-5	The Message Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas Acoustic Bass – Miles Mosley Composed By, Arranged By, Producer – Kamasi Washington Drums [Left Side] – Ronald Bruner* Drums [Right Side] – Tony Austin Electric Bass – Stephen Bruner Engineer – Tony Austin Keyboards – Brandon Coleman Percussion – Leon Mobley Piano – Cameron Graves Tenor Saxophone – Kamasi Washington Trombone – Ryan Porter Trumpet – Igmar Thomas	11:09

Companies, etc.

Phonographic Copyright ℗ – Brainfeeder
Copyright © – Brainfeeder
Published By – Copyright Control
Published By – Redwood Music Ltd.
Published By – Warner-Olive Music, LLC
Published By – Universal
Published By – MCA Music Ltd.
Recorded At – Kingsize Soundlabs
Mastered At – Marcussen Mastering
Pressed By – MPO

Credits

Acoustic Bass, Electric Bass – Miles Mosley
Artwork [Additional] – Patrice Quinn
Artwork [Cover Background Art "The Elixir"] – Patrick Henry Johnson
Cello – Ginger Murphy
Choir [Choir Vocal] – Tracy Carter
Drums – Tony Austin
Electric Bass – Thundercat
Keyboards, Organ, Piano – Brandon Coleman
Layout [Album Artwork Layout] – Sol Washington
Lead Vocals – Patrice Quinn
Management – Troy Carter (2)
Management [Agency] – Mitch Blackman
Mastered By [Mastering Engineer] – Stephen Marcussen
Mixed By [Mixing Engineer] – Benjamin Tierney
Percussion – Leon Mobley
Photography By [Cover & Back Photo] – Mike Park (5)
Piano, Organ – Cameron Graves
Tenor Saxophone – Kamasi Washington
Tracking By [Additional Tracking Engineer] – Chris Constable
Tracking By [Assistant Tracking Engineer] – Tyler Shields (2)
Tracking By [Lead Tracking Engineer] – Tony Austin
Trombone – Ryan Porter
Trumpet – Igmar Thomas
Viola – Molly Rodgers*
Violin – Tylana Renga Enomoto

Notes

Issued in a 8- Digipak, with 12-page booklet.

Thundercat global credit given as Stephen "Thundercat" Bruner on booklet.
Ronald Bruner Jr. global credit given as Ronald Bruner on booklet.

All tracks recorded at King Size Sound Labs

"Change Of The Guard" dedicated to Austin Peralta
"Isabelle" dedicated to Isabelle Diggs
"Seven Parayers" dedicated to Zane Musa
"Henrietta Our Hero" dedicated to Henrietta Curtis
"Clair De Lune" dedicated to Gerald Wilson

All songs Copyright Control, except:
"Cherokee" published by Redwood Music Limited
"Clair De Lune"
"Malcolm's Theme" published by Warner Olive Music LLC/Universal/MCA Music Limited

P & C Brainfeeder 2015
Made in the EU

All discs contain CD-Text.

Barcode and Other Identifiers

Barcode (Scanned - EAN_13): 5054429000191
Matrix / Runout (CD1 variant 1): CA BFCD050CD1 @ IFPI L039 04/15/15 05:06:18 PM
Mastering SID Code (CD1 variant 1): IFPI L039
Mould SID Code (CD1 variant 1): IFPI 1263
Matrix / Runout (CD2 variant 1): CA BFCD050CD2 @ IFPI L039 04/15/15 05:22:52 PM
Mastering SID Code (CD2 variant 1): IFPI L039
Mould SID Code (CD2 variant 1): IFPI 1263
Matrix / Runout (CD3 variant 1): CA BFCD050CD3 @ IFPI L039 04/15/15 05:45:10 PM
Mastering SID Code (CD3 variant 1): IFPI L039
Mould SID Code (CD3 variant 1): IFPI 1258
Matrix / Runout (CD1 variant 3): CA BFCD050CD1 @ IFPI L039 04/15/15 05:06:18 PM
Mastering SID Code (CD1 variant 3): IFPI L039
Mould SID Code (CD1 variant 3): IFPI 1258
Matrix / Runout (CD2 variant 3): CA BFCD050CD2 @ IFPI L039 04/15/15 05:22:52 PM
Mastering SID Code (CD2 variant 3): IFPI L039
Mould SID Code (CD2 variant 3): IFPI 1258
Matrix / Runout (CD3 variant 3): CA BFCD050CD3 @ IFPI L039 04/15/15 05:45:10 PM
Mastering SID Code (CD3 variant 3): IFPI L039
Mould SID Code (CD3 variant 3): IFPI 127E

Other Versions (5 of 16)

View All

	Title (Format)	Label	Cat#	Country	Year
New Submission	The Epic (17×File, FLAC, Album)	Brainfeeder	BFDNL050		2015
Recently Edited	The Epic (3×LP, 180g, Box Set, Album)	Brainfeeder	BF050	USA & Europe	2015
New Submission	The Epic (17×File, FLAC, Album, 24-bit 44.1 kHz)	Brainfeeder	BFDNL050	US	2015
	The Epic (3×LP, Album, Test Pressing)	Brainfeeder	BF050		2015
New Submission	The Epic (3×CD, Album)	Beat Records	BRFD50	Japan	2015

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Reviews

happycamper72 Jan 9, 2024
The quality of this album, the totality of what makes this a great connection with the listener is the endless jam sessions, touring and creating a final product everyone involved can be proud of.
This is not a case of ''great marketing'' from an ''overrated band''.
Just say you don't like it and move on. Kamasi and his huge entourage of elite musicians have been chopping wood like crazy for years; touring, finding rehearsal spots and polishing this epic album. 10 years ago!
I love this album because it's original, incorporating many different jazz styles and genres. Each song seems to meld to the next.
If he was but a plant, a marketing scheme with minimal talent, he would have evaporated a year or 2 after this came out in 2015. Instead he recorded 3 more equally fascinating albums, toured like a man and paid / fed a band of 12 and countless others.
This is all from the heart, mind and soul of K.W. and his co-horts.
Listen to Herbie and the other jazz greats speak of his music and approach.
Peace.
kapervisser Feb 6, 2019
I love jazz but i sold the lp box pretty fast. For me this feels way way overrated. I absolutly agree with drgn238's post below.
drgn238 Oct 10, 2018
I am busy for more then 40 years with music collecting, concerts and am open to different sorts of musical experiences.
Don't know exactly, bust probably tens of thousands of musical pieces came by.
I did really tried this one, but after several, definitely more then five times, I can not understand what should be that georgous about it.
Sounds like somebody technically very / highly skilled ( think of Marsallis brothers ) but with hardly anuthing of value to communicate / say.
Well, if someone is making his / her's aquaitance for the very first, or one of the first steps into realm of this kind of music, it's
quite easy to be impressed by all this.
I wish this guy a lot of money on his way ( to where ?), but music has not that much to do with it.
Don't mind people loving it or those hyping/pushing it,but... beat least honest and see it for what it is:
GREAT MARKETING !!!
greenartist Jul 12, 2018
Does anybody know why tracklists on CD's and on LP's differ ?
And what tracklist is correct ? Or both are correct ??
EdwinBohm Oct 2, 2017
I’ve heard the future of Jazz and his name is Kamasi Washington. One triple album and a mini album so far. Warm, Soulful, Diverse, Complex, Melodic! I’m impressed!
jordan-23 Jul 3, 2016
I guess I would feel cheated if the vinyl copy I bought didn't have some minor flaw. For me, that flaw was on volume 3. side A1 (The Magnificent 7). It came with a light scratch out of the box at the very start of the song. A slightly irritating tick on it's first 4 rotations, and then a few light intermittent ticks over the next several rotations, only noticeable because I know it's there. If this were any other record, I'd probably be running back to the store for a refund. Somehow with this work of art, I feel it makes the record uniquely mine and I wouldn't have it any other way. It's not like I'm looking to sell what I consider to be one of the best music purchases I've ever made (and I am 47 years of age as I write this). Like many of my most favorite records, I'll probably get a 2nd copy at some point anyway. This is not just among the best albums of 2015, it's going to go down as an all-time classic. Run, don't walk, to get your original pressing of this masterpiece now!
DustyCrate1973 Oct 16, 2015
Edited 9 years ago

Had a lot of problems with the pressing of the vinyl album too. I do play with a high-end set so I know I hear more than most others. It's true 30 min per side is too much too sound decent. Records where scuffed which sounded loud and audible, problems with warps, pressing bubbles, track 2 on Side A has some distortion which should not be there. Made a "decent" copy to keep from a few boxes and returned all others. Think I will play the CD a lot more, the LP should have been a 4 or 5 LP set.
turtle-records.be Aug 14, 2015
It will be available as a 3LP release. Due date 02/10/2015.
Boab313 Jun 14, 2015
What an epic album, nearly 3 hours of contemporary jazz which at no point get boring. I really do hope this gets a vinyl release, it deserves one.
Tudmoke Jun 3, 2015
Just wish they'd manufacture more of these; every place I've looked still has it on backorder.

Kamasi Washington – The Epic

Label:

Format:

Country:

Released:

Genre:

Style:

Tracklist

Companies, etc.

Credits

Notes

Barcode and Other Identifiers

Other Versions (5 of 16)

Recommendations

Reviews

Release

For sale on Discogs

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