Johnny CashAmerican Recordings

Label:

American Recordings – 9 45520-2

Series:

The American Recordings

Format:

CD , Album

Country:

US

Released:

Genre:

Folk, World, & Country

Style:

Folk

Tracklist

1 Delia's Gone
Lyrics ByJohnny Cash
Music ByK. Silbersdorf*
2:17
2 Let The Train Blow The Whistle 2:15
3 The Beast In Me
Written-ByNick Lowe
2:45
4 Drive On 2:23
5 Why Me Lord
Written-ByKris Kristofferson
2:21
6 Thirteen
Written-ByGlenn Danzig
2:29
7 Oh Bury Me Not
Adapted By, Arranged ByJohnny Cash
3:52
8 Bird On A Wire
Written-ByLeonard Cohen
4:00
9 Tennessee Stud 2:54
10 Down There By The Train
Written-ByTom Waits
5:35
11 Redemption 3:01
12 Like A Soldier 2:49
13 The Man Who Couldn't Cry
Written-ByLoudon Wainwright III
4:59

Companies, etc.

  • Phonographic Copyright ℗American Recordings
  • Copyright ©American Recordings
  • Mastered AtPrecision Mastering
  • Pressed BySpecialty Records Corporation

Credits

  • Art DirectionMartyn Atkins
  • DesignChristine Cano
  • Engineer [Mix]Jim Scott
  • Mastered ByStephen Marcussen
  • Photography By [Cover Photograph, Other Photographs]Andrew Earl*
  • Photography By [Other Photographs]Martyn Atkins
  • ProducerRick Rubin
  • Written-ByJohnny Cash (tracks: 2, 4, 11, 12)

Notes

Includes a mini booklet of liner notes hand-written by Cash.

©℗1994 American Recordings. Made in U.S.A.

Barcode and Other Identifiers

  • Barcode: 0 9362-45520-2 4
  • Matrix / Runout (Variant 1): 1 45520-2 SRC**01 M1 S3
  • Matrix / Runout (Variant 2): 1 45520-2 SRC**01 M1 S1
  • Matrix / Runout (Variant 3): 1 45520-2 SRC**01 M1 S6
  • Matrix / Runout (Variant 4): 1 45520-2 SRC**01 M2 S10

Other Versions (5 of 57)

View All
Title (Format) Label Cat# Country Year
American Recordings (LP, Album) American Recordings 9-45520-1, 1-45520 US 1994
Recently Edited
American Recordings (CD, Album, Club Edition) American Recordings 45520-2, W2 45520 Canada 1994
Recently Edited
American Recordings (CD, Album) American Recordings 74321236852 Australia 1994
American Recordings (LP, Album) American Recordings 74321 23685 1 Europe 1994
Recently Edited
American Recordings (CD, Album) American Recordings 74321 23685 2 Europe 1994

Recommendations

  • Unchained
    1996 US
    CD —
    Album
    Shop
  • American III: Solitary Man
    2000 US
    CD —
    Album
    Shop
  • American V: A Hundred Highways
    2006 US
    CD —
    Album
    Shop
  • Anthology 1
    1995 US
    CD —
    Album, Stereo, Mono
    Shop
  • Mule Variations
    1999 US
    CD —
    Album, Stereo
    Shop
  • Anthology 2
    1996 US
    CD —
    Album, Stereo, Mono
    Shop
  • Icky Thump
    2007 US
    CD —
    Album, Stereo
    Shop
  • OK Computer
    1997 US
    CD —
    Album
    Shop
  • American VI: Ain't No Grave
    2010 US
    CD —
    Album
    Shop
  • Anthology 3
    1996 US
    CD —
    Album, Stereo, Mono
    Shop

Reviews

  • verian's avatar
    verian
    Prior to this, the first release in the American Recordings series, Cash had suffered an ostrich-related abdominal injury, kicked drugs, had double by surgery on his failing heart and was dropped by Columbia Records. His last long player, that wasn’t a compilation, was released in ‘91, ‘The Mystery Of Life’. It peaked at #70 in the Country charts and, according to Cash, received an initial pressing of only 500 copies by Mercury. It seems fair to say that his stock was at an all time low, until an unlikely investor appeared in Rick Rubin, who is perhaps best known for starting the rap record label Def Jam from his dorm room while in college, or for working with hard rock bands like Metallica and System of a Down.

    Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar. They put together a sparsely arranged collection of original compositions by Cash, traditional songs, and covers. Two of the songs, "Tennessee Stud" (Jimmy Driftwood) and "The Man Who Couldn't Cry" (Loudon Wainwright), were recorded live at Johnny Depp’s then nightclub, The Viper Room in Los Angeles. Cash also included versions of songs by more modern artists, such as Tom Waits (“Down There by the Train”) and Glenn Danzig ("Thirteen" written specifically for Cash) which contributed to the albums critical success and the receipt of a 1994 Grammy Award for Best Contemporary Folk Album of the Year.

    Cash composition ‘Drive On’ spoke from experience. He was not a er of the Vietnam conflict, and the Country Music establishment were somewhat upset by his outspoken view, however, it was Johnny and June Carter Cash who paid for their own trip and lived in a trailer on an American Base, entertaining the troops on their way to the front and visiting them in hospital when they returned. ‘Drive On’, with its almost spoken verses and sung chorus, repeats the soldier's mantra, "It don't mean nothin'”, and speaks, with a sadness, of the ambivalence felt towards many of the returning soldiers that still exists to this day, with many Veterans still suffering, “It was a real slow walk in a real sad rain/ And nobody tried to be John Wayne/ I came home, but Tex did not/ And I can't talk about the hit he got/ I got a little limp now when I walk/ Got a little tremolo when I talk”.

    ‘Redemption’ is ostensibly a creation story, but also reads as a rumination by Cash on his finding of God once more, the old testament God rather than the gentler version presented by the New Testament, and coming to with his past and looking forward, with a clean slate, to the future. “And the blood was the price/ That set the captives free/ And the numbers that came/ Through the fire and the flood Clung to the tree/ And were redeemed by the blood.”

    At 62, Cash was once again creating simple music. No orchestras, no barbershop quartets, no gimmicks, just his careworn voice and the honesty he is able to convey. ‘American Recordings’ was the beginning of a turn in fortunes for Cash, with the video of the first single "Delia's Gone" (directed by Anton Corbijn and featuring Kate Moss), being put into rotation on MTV for a new audience whose interest was peaked and who began to delve into his back catalogue, and it was a reminder for many long time followers, whose interest in Cash was re-ignited.

    Prior to 1994 all I really knew of Cash was ‘A Boy Named Sue’ and ‘Ring of Fire’ so this release opened me up to a whole new area of music. I had previously dismissed Country as a genre, but with Cash seemingly performing as though he had nothing to lose, with nobody listening, there was in ‘American Recordings’ a purity that led me to explore a vast plain of unheard music, but for me, little will ever match the simple beauty of this album.
    • GaryAdamo's avatar
      GaryAdamo
      Does anyone know anything about the Americans Recording LP on green colored vinyl ? When it comes up on DiscDogs it has a disclaimer saying it is blocked from sale in the marketplace.
      • soundfanz's avatar
        soundfanz
        Thanks jasonlars. I just checked my version, and it appears I have the bootleg. Funnily enough I am quite happy with the sound of it and will keep. :)

        Release

        See all versions
        Recently Edited

        For sale on Discogs

        Sell a copy

        64 copies from €1.79

        Statistics

        • Have:2141
        • Want:295
        • Avg Rating:4.33 / 5
        • Ratings:138
        • Last Sold:
        • Low:€1.05
        • Median:€3.47
        • High:€8.80

        Videos (13)

        Edit

        Lists

        Contributors