Hula (2) – 1000 Hours
Label: |
Red Rhino Records – REDLP 63 |
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Format: |
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Country: |
UK |
Released: |
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Genre: |
Electronic |
Style: |
Industrial |
Tracklist
Two Sides Live | |||
A1 | The Yesman | 2:41 | |
A2 | Bad Blood | 4:17 | |
A3 | Hour By Hour | 4:32 | |
A4 | Ghost Rattle | 4:08 | |
A5 | Jump The Gun | 4:01 | |
A6 | Baby Doll | 2:51 | |
B1 | Hard Stripes | 4:16 | |
B2 | Freeze Out | 5:34 | |
B3 | Invisible | 4:50 | |
B4 | Ambient ☐2 | 2:36 | |
B5 | Tear–Up | 3:50 | |
B6 | The Trouble With Benny | 1:46 | |
To Wind You Up | |||
C1 | Big Heat | 5:16 | |
C2 | Sour Eden | 4:02 | |
C3 | Hothouse | 4:17 | |
C4 | At The Heart | 5:18 | |
To Wind You Down | |||
D1 | Big–Car (Both Ways) | 6:51 | |
D2 | Bribery And Winning Ways | 5:02 | |
D3 | Gelsomina | 2:34 | |
D4 | Marnixstraat | 4:42 |
Companies, etc.
- Phonographic Copyright ℗ – Screaming Red Music
- Copyright © – Screaming Red Music
- Recorded At – Melkweg, Amsterdam
- Recorded At – Vara Studio
- Recorded At – Vibrasound
- Recorded At – Richard Zeilstra's Studio
- Pressed By – MPO
- Distributed By – The Cartel
Credits
- Composed By [All Compositions] – Hula (2)
- Mastered By – Porky (5)
- Performer [Hula] – Ron Wright
- Photography By [Live Photos] – Steve Mitchell (12)
Notes
Tracks A1 to B6 recorded live at the Milky Way [Melkweg] Amsterdam on 24 February 1985, part of the Sheffield Festival held there.
Equipment - N.O.S.
Tracks C2, C3, D1, D3 recorded at VARA studios, Hilversum for V.P.R.O's 'Frontline' programme.
Tracks C1, C4 & D2 recorded at Vibrasound studios, Sheffield.
Track D4 recorded at Richard Zeilstra's studio.
Thanks to: Richard Zeilstra, Gerard Walhof, Marylou Busch, Evelyn Druge,Hans Meyer, and all the staff at the Milky Way.
P&C Screaming Red Music 1986
Distributed by The Cartel
Issued in a gatefold sleeve.
Equipment - N.O.S.
Tracks C2, C3, D1, D3 recorded at VARA studios, Hilversum for V.P.R.O's 'Frontline' programme.
Tracks C1, C4 & D2 recorded at Vibrasound studios, Sheffield.
Track D4 recorded at Richard Zeilstra's studio.
Thanks to: Richard Zeilstra, Gerard Walhof, Marylou Busch, Evelyn Druge,Hans Meyer, and all the staff at the Milky Way.
P&C Screaming Red Music 1986
Distributed by The Cartel
Issued in a gatefold sleeve.
Barcode and Other Identifiers
- Matrix / Runout (Side A): MPO RED LP 63 A1 HE GOT HIT IN THE HEART, BUT IT WAS ONLY A FLESH WOUND. A PORKY PRIME CUT
- Matrix / Runout (Side B): MPO RED LP 63 B1 HOW MANY HOURS? A PORKY PRIME CUT
- Matrix / Runout (Side C): MPO RED LP63 C1 DOWN IN THE CASHBAH WITH A HOT VINDALOOP. A PORKY PRIME CUT
- Matrix / Runout (Side D): MPO RED LP63 D1 FUCK ART LET'S DANCE. A PORKY PRIME CUT
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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1000 Hours (2×LP, Album, Test Pressing) | Red Rhino Records | REDLP 63 | UK | 1986 | ||
New Submission
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1000 Hours (CD, Album, Reissue, Remastered) | Klanggalerie | gg359 | Austria | 2021 |
Recommendations
Reviews
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Edited 2 years agoI never really liked live recordings as I prefer to be at the event. That said, the tracks on side C & D are unique to this release and most not to be found anywhere else. These are really great industrial pieces, dense, 'obscure', … If you like the sound of SPK in its "Leichenschrei" period, you will love these. I don't know how many times I've played side C & D, as these tracks were growing on me. Listening to it now and they still have this much appreciated elusive effet. The last piece bears the name an Antwerp city street.
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A really great record! I'm not that much into Live records at all, but these recordings are awesome. I would have liked to be at that show. But in february of 1985 I still attended elementary school, so I guess my parents would not have allowed it... the studio record of this double LP set is worth every penny, too. If you are into stuff like Cabaret Voltaire, Throbbing Gristle, and the likes, this one is an easy and sadly overlooked choice.
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Edited 14 years agoOk - if you have this already you know its good - in my books the best Hula album and yes it is live - the live stuff is excellent and much better than your average 80's edgy-electrotypical band trying to play live - they actually did it well and the combo of the live vocals and cut ups with Avery's pluck-funk bass and Nort's drumming really worked, sometimes outshining the studio tracks (particularly prevalent on the, i guess, more rehearsed 'Cut from Inside' tracks which sound much superior here). The studio album is also of excellent quality - think along the lines of Hula meets Sigue Sigue Sputnik - well sort of! Again a classic case of 'why was it never put on CD?'. Maybe one day. A half-mile away from their next (but also excellent if somewhat more commercial) LP, i think 1000 Hours was certainly their pinnacle of clever vocal and edgy rhythmic toe-tapping-loops. Inspired me to write poetry (strange, but honestly!). Always brings back fond memories. "All fall in to the crazy circle".
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