The All-American Rejects – Move Along
Label: |
Doghouse Records (2) – B0004791-02 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Punk |
Tracklist
| 1 | Dirty Little Secret | 3:14 | |
| 2 | Stab My Back | 3:11 | |
| 3 | Move Along | 4:00 | |
| 4 | It Ends Tonight | 4:05 | |
| 5 | Change Your Mind | 3:40 | |
| 6 | Night Drive | 3:26 | |
| 7 | 11:11 P.M. | 3:04 | |
| 8 | Dance Inside | 4:02 | |
| 9 | Top Of The World | 3:25 | |
| 10 | Straitjacket Feeling | 3:38 | |
| 11 | I'm Waiting | 3:37 | |
| 12 | Can't Take It | 2:53 |
Companies, etc.
- Distributed By – Universal Music & Video Distribution, Corp.
- Manufactured By – Universal Music & Video Distribution, Corp.
- Copyright © – Interscope Records
- Phonographic Copyright ℗ – Interscope Records
- Made By – UML
- Pressed By – UML
- Recorded At – Bay 7 Studios
- Recorded At – Sparky Dark Studio
- Recorded At – Sunset Sound
- Mixed At – Resonate Music, Burbank, CA
- Mastered At – Sterling Sound
- Published By – Smells Like Phys Ed Music
- Published By – BMG Songs
- Published By – BMG Music Publishing NA, Inc.
Credits
- A&R – Jeff Sosnow
- Arranged By [String Arranger], Conductor [String Conductor] – Deborah Lurie
- Art Direction – Chris Bilheimer
- Booking – CAA*
- Booking [Booking At CAA] – Jenna Adler
- Booking [Booking International Booking] – X Ray Touring*
- Booking [International Booking] – Martin Horne (2)
- Drums, Percussion [Additional Percussion] – Chris Gaylor
- Edited By [Protools Editing] – Paul Decarli
- Engineer [Assistant Engineer] – Hatsukazu Inagaki
- Guitar – Mike Kennerty
- Guitar, Written-By – Nick Wheeler
- Legal [Percussion Representation] – Richard Grabel
- Management – Pat Magnarella
- Management [Business] – Larry Einbund
- Mastered By – Ted Jensen
- Mixed By – Chris Lord-Alge
- Percussion – Lenny Castro
- Photography By – Chapman Baehler
- Piano – Jamie Muhoberac (tracks: 3, 4, 10, 12)
- Producer [Produced By] – Howard Benson
- Product Manager [Product Management] – Dyana Kass
- Programmed By [Programming], Keyboards – Paul Decarli
- Recorded By – Mike Plotnikoff
- Recorded By [Strings] – Casey Stone
- Technician [Drum Tech] – Jon*
- Technician [Guitar Tech] – Keith Nelson
- Technician [Live Drum Tech], Stage Manager – "Cap'n" John Jackson*
- Technician [Live Guitar Tech] – Shaun "Tooker" Davis
- Vocals, Bass, Backing Vocals, Written-By – Tyson Ritter
Notes
Recorded at Bay 7 Studios, Valley Village, CA
and Sparky Dark Studio, Calabasas, CA
Strings recorded at Casey Stone at Sunset Sound, Hollywood, CA
Mixed at Resonate Music, Burbank, CA
Mastered at Sterling Sound in NYC
The All-American Rejects use Sennheiser microphones, Gibson, Fender & Epiphone Guitars, Lines 6 Pedals, Ernie Ball strings, Dunlop picks, Tama drums, Sabian Cymbals and Vater drumsticks.
Smells Like Phys Ed Music / BMG Songs, a division of BMG Music Publishing NA, Inc. (ASCAP)
℗© 2005 Interscope Records
Release is packaged in a standard clear jewel case with a clear tray.
and Sparky Dark Studio, Calabasas, CA
Strings recorded at Casey Stone at Sunset Sound, Hollywood, CA
Mixed at Resonate Music, Burbank, CA
Mastered at Sterling Sound in NYC
The All-American Rejects use Sennheiser microphones, Gibson, Fender & Epiphone Guitars, Lines 6 Pedals, Ernie Ball strings, Dunlop picks, Tama drums, Sabian Cymbals and Vater drumsticks.
Smells Like Phys Ed Music / BMG Songs, a division of BMG Music Publishing NA, Inc. (ASCAP)
℗© 2005 Interscope Records
Release is packaged in a standard clear jewel case with a clear tray.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Barcode (Scanned): 602498823781
- Barcode (Text): 6 02498 82378 1
- Mastering SID Code: IFPI L009
- Mould SID Code (Variants 1, 3): IFPI 0313
- Mould SID Code (Variant 2): IFPI 0319
- Mould SID Code (Variant 4): IFPI 0395
- Mould SID Code (Variant 5): IFPI 0356
- Mould SID Code (Variant 6): IFPI 0361
- Mould SID Code (Variant 7): IFPI 0376
- Mould SID Code (Variant 8): IFPI 0380
- Mould SID Code (Variant 9): IFPI 0342
- Matrix / Runout (Printed): [Universal Logo] B00 047 9102 01$
- Matrix / Runout (Variant 1 - Stamped): P
- Matrix / Runout (Variant 2 - Stamped): O
- Matrix / Runout (Variant 3 - Stamped): V
- Matrix / Runout (Variant 4 - Stamped): M
- Matrix / Runout (Variant 5 - Stamped): AH
- Matrix / Runout (Variant 6 - Stamped): AJ
- Matrix / Runout (Variant 7 - Stamped): BD
- Matrix / Runout (Variant 8 - Stamped): G
- Matrix / Runout (Variant 9 - Stamped): R
- Other (Mould Text - Variants 2, 3, 6): MADE IN USA BY UML
- Other (Mould Text - Variant 4, 5): MADE IN USA
Other Versions (5 of 40)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Move Along (CD, Album) | Doghouse Records (2) | 9883123 | UK | 2005 | ||
|
New Submission
|
Move Along (CD, Album) | Universal Music Canada Inc. | B000479102 | Canada | 2005 | ||
|
New Submission
|
Move Along (CD, Album) | Interscope Records | 0602498831229 | Europe | 2005 | ||
|
New Submission
|
Move Along (CD, Album) | Doghouse Records (2) | 0602498831229, B004791-02 | Ukraine | 2005 | ||
|
New Submission
|
Move Along (CD, Album) | Doghouse Records (2) | STARCD 6960 | South Africa | 2005 |
Recommendations
Reviews
-
Awesome punk-pop album, last of their good ones. The 1st albums are fantastic, they changed/toned down to radio pop after this album SADLY. But if you are into the pun-op genre, pickj up their first two albums, you can then skip the rest unfortunately, as they are bland and boring radio pop at best
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