Maurizio PolliniÉtudes Op. 10 & Op. 25

Label:

Deutsche Grammophon – 2530 291

Format:

Vinyl , LP, Stereo

Country:

Released:

Genre:

Classical

Style:

Romantic

Tracklist

12 Etudes Op. 10
A1 Nr. 1 C-dur: Allegro 1:52
A2 Nr. 2 a-moll: Allegro 1:24
A3 Nr. 3 E-dur: Lento, Ma Non Troppo 3:40
A4 Nr. 4 cis-moll: Presto 2:00
A5 Nr. 5 Ges-dur: Vivace 1:41
A6 Nr. 6 es-moll: Andante 3:08
A7 Nr. 7 C-dur: Vivace 1:28
A8 Nr. 8 F-dur: Allegro 2:22
A9 Nr. 9 f-moll: Allegro, Molto Agitato 2:05
A10 Nr. 10 As-dur: Vivace Assai 2:04
A11 Nr. 11 Es-dur: Allegretto 2:16
A12 Nr. 12 c-moll: Allegro Con Fuoco 2:35
12 Etudes Op. 25
B1 Nr. 1 As-dur: Allegro Sostenuto 2:11
B2 Nr. 2 f-moll: Presto 1:24
B3 Nr. 3 F-dur: Allegro 1:51
B4 Nr. 4 a-moll: Agitato 1:40
B5 Nr. 5 e-moll: Vivace 2:53
B6 Nr. 6 gis-moll: Allegro 2:00
B7 Nr. 7 cis-moll: Lento 4:50
B8 Nr. 8 Des-dur: Vivace 1:03
B9 Nr. 9 Ges-dur: Allegro Assai 0:57
B10 Nr. 10 h-moll: Allegro Con Fuoco 3:55
B11 Nr. 11 a-moll: Lento - Allegro Con Brio 3:32
B12 Nr. 12 c-moll: Molto Allegro, Con Fuoco 2:29

Companies, etc.

  • Printed ByGebrüder Jänecke

Credits

  • Composed ByFrédéric Chopin
  • Engineer [Recording Engineer]Heinz Wildhagen
  • Photography By [Photo]Paolo Gianbarberis
  • PianoMaurizio Pollini
  • Producer, Recording SupervisorRainer Brock
  • Sleeve NotesKarl Schumann

Notes

—Cover info—
On front:
ST 33 along catalog number
On back:
Notes in German, English, French and Italian
Printed in by Gebrüder Jänecke, Hannover
(no label code)

—Labels info—
D. P. Made in Stereo 33

Barcode and Other Identifiers

  • Matrix / Runout (Runout A): 2530 291 = 3 S 1 ℗ 1972 320
  • Matrix / Runout (Runout B): 2530 291 S 2 3 ℗ 1972 320
  • Other (Inner Jacket Printing): 4912 000 1025 N 3/73
  • Other (Rights Information): D. P.

Other Versions (5 of 91)

View All
Title (Format) Label Cat# Country Year
New Submission
Études Op. 10 & Op. 25 (LP, Album, Stereo) Deutsche Grammophon 2530 291 UK 1972
24 Études, Op. 10 Et Op. 25 (LP, Stereo) Deutsche Grammophon 2530 291 1972
Recently Edited
Études Op. 10 & Op. 25 (LP, Stereo) Deutsche Grammophon 2530 291 UK 1972
New Submission
Das Klavierwerk 13 ・Etüden Op.10・Etüden Op.25 (LP, Club Edition, Special Edition, Stereo) Deutsche Grammophon 31 193, 64 306 Austria 1972
New Submission
24 Études, Op. 10 Et Op. 25 (LP, Album, Stereo) Deutsche Grammophon 2530 291 1972

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Reviews

  • dfddwm's avatar
    dfddwm
    Edited 9 months ago
    Confirming its legendary status among 1970s classical record collectors Pollini’s debut album for DG has now been reissued as a Universal (Japan) SACD. Whether this has improved the overall sound quality is interesting as the original LPs and transfer to CD sound quite brash and hard with some distortion in the fortes. The Opus 10 set in particular is a tour de force of virtuoso pianism, a veritable whirlwind that inevitably sacrifices some detail to lyrical power. If you want equally forceful majestic playing with more of that detail please search for Ronald Smith on APR who might be completely off your radar (as he was mine) but is a compelling pianist who aims to articulate every note. To say Smith gets inside Chopin’s music would be an understatement. It is reborn in his hands. The sound quality of the APR CD is also miles better than the Pollini. Personally I couldn't be without either in Op 10.

    With Op 25 it is a different matter. There is room for other voices, indeed there ARE other voices - mysterious and elusive - that Pollini completely ignores in his headlong bravado approach. Here again Ronald Smith is in his element exploring the more complex harmonies and chords of the later set.
    So too and highly recommended is Frederick Chiu on Harmonia Mundi USA, but with the expensive caveat you will have to buy two CDs to get both sets of etudes. I would just get Chiu’s Op 25 as this is where his interpretative skills shine.

    More traditional “straightforward” readings and performances abound in a less pressurised relaxed style with varying degrees ranging from the deadly dull (Robert Browning on RCA) to the divine Edith Picht-Axenfeld (Sony Japan).

    My choice is therefore Picht-Axenfeld for delightful unhurried but glittering pianism supplementing the ferocious wolf in the pack Pollini. First choice in all respects goes to Ronald Smith on APR for both intelligent pianism and demonstration recorded sound quality.
    • SirWinston's avatar
      SirWinston
      Johannes aus B würde sagen, das sind Sachen zum Flexen!

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