Eon – Fear : The Mindkiller
Label: |
Vinyl Solution – STORM 33 |
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Format: |
Vinyl
, 12", 33 ⅓ RPM, 45 RPM, Special Cut
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Techno |
Tracklist
Hype Side / Other Side | |||
A1 | Fear (Prologue) | 0:33 | |
A2 | Fear (Original Mix With Bats) | 5:04 | |
Vibe Side / This Side | |||
B1 | B Cool # 1 (8AM Mix) | 3:59 | |
B2 | Fear (Mr Raucous Mix) | 4:52 |
Companies, etc.
- Distributed By – EFA – 12" 18302 02
- Distributed By – SRD
- Phonographic Copyright ℗ – Vinyl Solution
- Copyright © – Vinyl Solution
- Published By – Schnozza Music
- Recorded At – Studio 7 (4)
- Mixed At – Studio 7 (4)
- Mastered At – P.R. Records Limited
- Mastered At – The Exchange
- Lacquer Cut At – The Exchange
Credits
- Artwork [Art Life] – Scott Flockhart
- Co-producer – J. Saul Kane
- Lacquer Cut By – Mike's*
- Mastered By – Mike*
- Plated By – P (29)
- Producer, Engineer – Ian B
- Written-By – I. Loveday*
Notes
Hype Side / Other Side : 45 RPM
Vibe Side / This Side : 33⅓ RPM
Recorded And Mixed At Studio 7, London
Mastered By Mike At The Exchange
Special Thanks To Alan Scott
Distributed In The U.K. By SRD
Made In England
© 1991 Vinyl Solution
℗ 1991 Vinyl Solution
‘Mastered At’ stands for ‘Plated At’. The both credits, with
‘Plated By’, are denoted by ‘PR-P’ etched on the runouts.
The bats sample at the end of the A side ends in a locked groove.
Track A Samples:
Heartbeat at 0:33 taken from Various – Star Trek / Sound Effects From The Original TV Soundtrack (Heartbeat).
Vocal at 0:33 taken from the film Dune (by David Lynch, 1984).
Siren at 0:54 taken from Gwen Guthrie - Peanut Butter (Larry Levan Mix).
Outro dialogue taken from the film Nosferatu.
Synth stab from The Beat Club - Security.
Part of the beginning of "Being boiled" by The Human League (on A2 + B2)
Vibe Side / This Side : 33⅓ RPM
Recorded And Mixed At Studio 7, London
Mastered By Mike At The Exchange
Special Thanks To Alan Scott
Distributed In The U.K. By SRD
Made In England
© 1991 Vinyl Solution
℗ 1991 Vinyl Solution
‘Mastered At’ stands for ‘Plated At’. The both credits, with
‘Plated By’, are denoted by ‘PR-P’ etched on the runouts.
The bats sample at the end of the A side ends in a locked groove.
Track A Samples:
Heartbeat at 0:33 taken from Various – Star Trek / Sound Effects From The Original TV Soundtrack (Heartbeat).
Vocal at 0:33 taken from the film Dune (by David Lynch, 1984).
Siren at 0:54 taken from Gwen Guthrie - Peanut Butter (Larry Levan Mix).
Outro dialogue taken from the film Nosferatu.
Synth stab from The Beat Club - Security.
Part of the beginning of "Being boiled" by The Human League (on A2 + B2)
Barcode and Other Identifiers
- Barcode (Text): 5 017687 303367
- Label Code: LC 7871
- Matrix / Runout (Etchings side A): STORM 33 A2 PR-P MIKE'S-THE EXCHANGE FEAR IS A CRASHED 1040 !
- Matrix / Runout (Etchings side B): STORM 33 B2 PR-P MIKE'S-THE EXCHANGE TWO EXTRA PINTS TODAY PLEASE
- Distribution Code (Spine): EFA 18302
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Fear: The Mindkiller (CD, Single) | Vinyl Solution | STORM 33 CD | UK | 1991 | |||
Recently Edited
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Fear : The Mindkiller (12", 45 RPM, 33 ⅓ RPM, White Label) | Vinyl Solution | STORM 33 | UK | 1991 |
Recommendations
Reviews
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Edited 6 years agoOn November 10, 2016, SubSystem stated: Enters the UK chart on 11th Aug 1991 at no.63
You've got to laugh, ha! It's totally unimaginable anything remotely like this would enter the current UK chart yet alone reach that particular number even if it did enter it nowadays. Everything, including mainstream popular music has become so diluted it's sickening.
Completely different era, different world. When the undergound techno / rave scene was competing with the mainstream without even trying to. Even if the underground truly sounded underground. No real play by mainsteam radio. Shows how popular these tunes were on the underground party scene and pirate radio play. OK maybe Kiss FM played it and it was a legal station by then, but they hardly cained it. They were still alternative and weren't exactly mainstream yet compared to other legal stations. People were feverishly purchasing this stuff, no internet, no internet radio. Just a few underground DJs and rave clubs.
Anyway, this is excellent wacky and creative stuff. Much like most of Eon's / J Saul Kane's early works were back then. -
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Edited 18 years agoI love this track in all its bonkersness. With all its crazy samples its almost Tom and Jerry. Eon's 'Spice'was a dark, beckoning trip but this does not quite hit the same spot. I never get to the end of the track but the first couple of minutes - superb. Highly amusing. Definately on its way to 'Nine Deadly Venoms' which we would later be graced with. Recommended to people with a sense of humour!
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