Oasis (2)Be Here Now

Label:

Creation Records – CRECD 219

Format:

CD , Album, Stereo

Country:

UK

Released:

Genre:

Rock

Style:

Britpop

Tracklist

1 D'You Know What I Mean?
Performer [Backwards Bits]Mark Coyle
7:42
2 My Big Mouth 5:02
3 Magic Pie 7:19
4 Stand By Me 5:56
5 I Hope, I Think, I Know 4:22
6 The Girl In The Dirty Shirt 5:49
7 Fade In-Out
Slide GuitarJohnny Depp
6:52
8 Don't Go Away 4:48
9 Be Here Now 5:13
10 All Around The World
HarmonicaMark Feltham
9:20
11 It's Gettin' Better (Man!!) 7:00
12 All Around The World (Reprise) 2:08

Companies, etc.

  • Phonographic Copyright ℗Creation Records Ltd.
  • Copyright ©Creation Records Ltd.
  • Distributed By3MV
  • Distributed ByVital (2)
  • Published ByOasis Music
  • Published ByCreation Songs Ltd.
  • Published BySony / ATV Music Publishing
  • Recorded AtAbbey Road Studios
  • Recorded AtRidge Farm Studios
  • Recorded AtAir Lyndhurst Hall
  • Recorded AtMaster Rock Studios
  • Recorded AtOrinoco Studios
  • Mastered AtThe Exchange
  • Pressed ByDADC Austria – A0100222691-0101

Credits

  • Arranged By [Strings]Noel Gallagher
  • BassGuigsy*
  • Design [Assisted By]Matthew Sankey
  • Design [Sleeve Design], Art DirectionBrian Cannon
  • Drums, PercussionWhitey*
  • GuitarBonehead (4)
  • Guitar, Backing Vocals [Backing Vox]Noel*
  • KeyboardsMike Rowe
  • Mastered ByMike Marsh
  • Photography ByMichael Spencer Jones
  • Photography By [Collage]Jill Furmanovsky
  • ProducerOwen Morris
  • SleeveMicrodot (4)
  • SongwriterNoel Gallagher
  • Vocals [Vox]Liam*

Notes

Printed notes:
A Creation Records product.
℗ & © 1997 Creation Records Ltd.
Distributed by 3MV / Vital.
Recorded at Abbey Road, Ridge Farm, Air, Master Rock and Orinoco Studios, England between Nov 96 - April 97.
Mastered at The Exchange.
All songs Oasis Music / Creation Songs Ltd / Sony / ATV Music Publishing.

This record is dedicated to the eternal memory of Delia Arthurs.

Barcode and Other Identifiers

  • Barcode (Scanned): 5017556602195
  • Barcode (Text): 5 017556 602195
  • Matrix / Runout (Variant 1): DADC AUSTRIA A0100222691-0101 12 B3
  • Mastering SID Code (Variant 1): IFPI L552
  • Mould SID Code (Variant 1): none
  • Matrix / Runout (Variant 2): DADC AUSTRIA A0100222691-0101 12 A1
  • Mastering SID Code (Variant 2): IFPI L552
  • Mould SID Code (Variant 2): IFPI 9406
  • Matrix / Runout (Variant 3): DADC AUSTRIA A0100222691-0101 12 B2
  • Mastering SID Code (Variant 3): IFPI L552
  • Mould SID Code (Variant 3): IFPI 94D7
  • Matrix / Runout (Variant 4): DADC AUSTRIA A0100222691-0101 12 B6
  • Mastering SID Code (Variant 4): IFPI L552
  • Mould SID Code (Variant 4): none
  • Matrix / Runout (Variant 5): DADC AUSTRIA A0100222691-0101 22 A7
  • Mastering SID Code (Variant 5): IFPI L552
  • Mould SID Code (Variant 5): IFPI 94E0
  • Matrix / Runout (Variant 6): DADC AUSTRIA A0100222691-0101 22 B3
  • Mastering SID Code (Variant 6): IFPI L552
  • Mould SID Code (Variant 6): IFPI 94X2
  • Matrix / Runout (Variant 7): DADC AUSTRIA A0100222691-0101 22 A4
  • Mastering SID Code (Variant 7): IFPI L552
  • Mould SID Code (Variant 7): IFPI 94X2
  • Matrix / Runout (Variant 8): DADC AUSTRIA A0100222691-0101 22 A9
  • Mastering SID Code (Variant 8): IFPI L552
  • Mould SID Code (Variant 8): IFPI 94Y4
  • Matrix / Runout (Variant 9): DADC AUSTRIA A0100222691-0101 12 B1
  • Mastering SID Code (Variant 9): IFPI L552
  • Mould SID Code (Variant 9): IFPI 94E4
  • Matrix / Runout (Variant 10): DADC AUSTRIA A0100222691-0101 12 C2
  • Mastering SID Code (Variant 10): IFPI L552
  • Mould SID Code (Variant 10): IFPI 94X1
  • Matrix / Runout (Variant 11): DADC AUSTRIA A0100222691-0101 34 B4
  • Mastering SID Code (Variant 11): IFPI L554
  • Mould SID Code (Variant 11): IFPI 94X2
  • Matrix / Runout (Variant 12): DADC AUSTRIA A0100222691-0101 12 B5
  • Mastering SID Code (Variant 12): IFPI L552
  • Matrix / Runout (Variant 13): DADC AUSTRIA A0100222691-0101 12 A6
  • Mastering SID Code (Variant 13): IFPI L552
  • Mould SID Code (Variant 13): none
  • Matrix / Runout (Variant 14): DADC AUSTRIA A0100222691-0101 22 B5
  • Mastering SID Code (Variant 14): IFPI L552
  • Mould SID Code (Variant 14): IFPI 94Y3
  • Matrix / Runout (Variant 15): DADC AUSTRIA A0100222691-0101 22 B2
  • Mastering SID Code (Variant 15): IFPI L552
  • Mould SID Code (Variant 15): IFPI 94F9
  • Matrix / Runout (Variant 16): DADC AUSTRIA A0100222691-0101 22 A12
  • Mastering SID Code (Variant 16): IFPI L552
  • Mould SID Code (Variant 16): IFPI 94X6
  • Matrix / Runout (Variant 17): DADC AUSTRIA A0100222691-0101 22 B12
  • Mastering SID Code (Variant 17): IFPI L552
  • Mould SID Code (Variant 17): IFPI 94A1
  • Matrix / Runout (Variant 18): DADC AUSTRIA A0100222691-0101 22 A10
  • Mastering SID Code (Variant 18): IFPI L552
  • Mould SID Code (Variant 18): IFPI 94H9
  • Matrix / Runout (Variant 19): DADC AUSTRIA A0100222691-0101 12 C5
  • Mastering SID Code (Variant 19): IFPI L552
  • Mould SID Code (Variant 19): IFPI 94X1
  • Matrix / Runout (Variant 20): DADC AUSTRIA A0100222691-0101 12 C4
  • Mastering SID Code (Variant 20): IFPI L552
  • Mould SID Code (Variant 20): IFPI 94W7
  • Matrix / Runout (Variant 21): DADC AUSTRIA A0100222691-0101 22 B8
  • Mastering SID Code (Variant 21): IFPI L552
  • Mould SID Code (Variant 21): IFPI 94W8
  • Matrix / Runout (Variant 22): DADC AUSTRIA A0100222691-0101 34 B10
  • Mastering SID Code (Variant 22): IFPI L554
  • Mould SID Code (Variant 22): IFPI 94X2
  • Matrix / Runout (Variant 23): DADC AUSTRIA A0100222691-0101 22 B10
  • Mastering SID Code (Variant 23): IFPI L552
  • Mould SID Code (Variant 23): IFPI 94Y4

Other Versions (5 of 137)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Be Here Now (CD, Album) Helter Skelter HES 488187 2, 488187 2 Europe 1997
Recently Edited
Be Here Now (CD, Album, Stereo) Epic EK 68530, 68530 US 1997
Recently Edited
Be Here Now (2×LP, Album, Gatefold Sleeve) Creation Records CRELP 219 UK 1997
Recently Edited
Be Here Now (Box Set, Limited Edition, CD, Album) Creation Records CRECD 219 UK 1997
Recently Edited
Be Here Now (2×LP, Album, Box Set, ) Creation Records CRELP 219 UK 1997

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Reviews

  • TakayukiSaitou's avatar
    TakayukiSaitou
    After I started listening to the songs, I forgot how much time had ed, and I was given a pleasant and uplifting moment, and when I started listening to the last song, the whole album was over
    I was so moved that I couldn't put into words
    I would like to express my gratitude to those who gave it to me
    Thank you so much
    • stevenbennett5's avatar
      stevenbennett5
      Edited 7 years ago
      On a par with Heathen Chemistry as the worst Oasis album. Only 3 decent songs on it (Stand By Me, I Hope I Think I Know, Don't Go Away), and one ok song (My Big Mouth) all lost amongst the boring, droning-on-forever, nonsense, that was the rest of the album.
      • James1600's avatar
        James1600
        Such a great album, the most underrated of all time
        • carl2580's avatar
          carl2580
          Could someone list the be here now promo 3 disc (remastered) please if someone has it for sale. Thanks
          • pyenapple's avatar
            pyenapple
            Edited 8 years ago
            In retrospect, this album is appallingly shit. And it's such shitty shit that it makes me actually like the relatively decent moments on the first two Oasis albums less than I otherwise would. I was relatively ambivalent about "Be Here Now" at the time of its release, having liked the spirit and sound (if not the featherweight substance) of those first two albums, and sort-of-digging the weirdly trudgy, grim apocalyptic beat of "D'you Know What I Mean". But this...this egotistical mess is where the truth of the matter was laid bare. Oasis always wanted to take on the mantle of The Beatles but, sadly, never understood what made The Beatles great—at all. The bits of studio silliness on "Be Here Now" (tacked-on music hall codas? Sure. Spooky backwards vocals? Yeah, why not? That's what The Beatles did, right?) are hugely cringeworthy. And Noel's lyrics are, when not utterly crap, clunky pastiches of Beatles lyrics and song titles. As though throwing out winking Beatles references out makes the resulting mess any good! That's like you or me walking down the street and yelling "Pizza! Pizza! You like that, right?!" at people and then expecting them to be full. This album is pompous, coke-fueled, insubstantial twaddle. Listening to the entire thing from start to finish is akin being allowed to thumb through Noel's own personal Beatles scrapbook and finding it has blow residue and "me like Beatles" scrawled in crayon on every page. The parts of this mess that aren't horrible are basically straight-up formulaic and see the group recycling their own sound completely, hoping/praying it'll keep working. This sound only worked—and marginally so—on those first two albums because Oasis were a group with a lot to prove. And they were young, full of verve, ready to fight and claw their way to the top! But by the third album, they were bloated rich egoists with no ideas, peddling a ploddy formula that they painted with the vibrant colors of the "Yellow Submarine" LP cover to fool everyone, including themselves. The last part is the saddest part of all of it: they fully, obviously, painfully believed their own bloviations about the level of their artistry. If you can watch the "All Around The World" video without laughing and/or puking, you're either a great liar or one of the guards at Buckingham Palace. Hell, even that second Menswear album ("¡Hay Tiempo!", which came out just barely on the heels of "Be Here Now") is a vastly superior release. Despite what Oasis' self-aggrandizing rockstar egos would have had everyone believe, the band just wasn't all that amazing. Time casts things in a very stark light. Fucking Oasis.

            I give it two stars because one star would be without redeeming qualities. It's not as though the actual music here is all that bad—it's just formulaic and bloated. It's bad, but it's not Starship (2) - Knee Deep In The Hoopla bad.
            • esoxlucas's avatar
              esoxlucas
              one of the most underrated albums of all time... The press slagged it to peices at the time,,, just cos it was different to the first two albums.. this was there third album in four years,,,,, and the backlash from the critics was if anything a result of there massive sucess... If this album was brought out now in 2014 it would be seen as a masterpeice...But true oasis fans knew it was a fantastic album ,,,, it was then and it still is today

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              • Avg Rating:3.72 / 5
              • Ratings:216

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