Deftones – Around The Fur
Label: |
Warner Bros. Records – 9 46810-2 |
|---|---|
Format: |
CD
, Album, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Post-Hardcore |
Tracklist
| 1 | My Own Summer (Shove It) | 3:35 | |
| 2 | Lhabia | 4:11 | |
| 3 | Mascara | 3:45 | |
| 4 | Around The Fur | 3:31 | |
| 5 | Rickets | 2:42 | |
| 6 | Be Quiet And Drive (Far Away) | 5:08 | |
| 7 | Lotion | 3:57 | |
| 8 | Dai The Flu | 4:36 | |
| 9 | Headup | 5:12 | |
| 10.1 | MX | 4:50 | |
| 10.2 | (silence) | 14:43 | |
| 10.3 | Bong Hit | 0:25 | |
| 10.4 | (silence) | 12:40 | |
| 10.5 | Damone | 4:44 |
Companies, etc.
- Marketed By – Warner Bros. Records Inc.
- Made By – WEA Manufacturing
- Phonographic Copyright ℗ – Maverick Recording Company
- Copyright © – Maverick Recording Company
- Copyright © – My Rib Is Broke
- Copyright © – Maverick Music (2)
- Copyright © – Wb Music Corp.
- Copyright © – Roadblock Music, Inc.
- Recorded At – Studio Litho
- Mixed At – Larrabee West
- Mastered At – Sterling Sound
- Glass Mastered At – WEA Mfg. Olyphant – W1499
- Pressed By – WEA Mfg. Olyphant
Credits
- A&R – Guy Oseary
- Art Direction, Design – Kevin Reagan
- Band [Deftones], Bass – Chi*
- Band [Deftones], Drums – Abe*
- Band [Deftones], Guitar – Stef*
- Band [Deftones], Voice – Chino*
- Management [Career Direction] – W.E.M.*
- Mastered By – Ted Jensen
- Mixed By [Assisted By] – Steve Durkee
- Photography By – Rick Kosick
- Photography By [Photo Of Dana Wells] – Kevin Estrada
- Producer [Produced By] – Terry Date
- Recorded By [Assisted By] – Matt Bayles
- Recorded By, Mixed By – Terry Date
- Recorded By, Mixed By, Edited By [Digital Editing By] – Ulrich Wild
- Written-By – Max Cavalera (tracks: 9)
Notes
Release is packaged in a clear WB logo branded jewel case with a clear disc tray. This first pressing includes a 10-page color insert with lyrics and a black "Shove It" sticker on the cover; later pressings had a black & white booklet with a different hype sticker.
© ℗ 1997 Maverick Recording Company. Made in U.S.A.
Recorded at Studio Litho, Seattle, WA.
Mixed at Larrabee Studios, West Hollywood, CA.
Mastered at Sterling Sound, New York, NY.
Max Cavalera appears courtesy of Roadrunner Records.
Photo of Dana Wells used courtesy of Gloria Cavalera.
All songs ©1997 My Rib Is Broke/Maverick Music/WB Music Corp. ASCAP except "Headup" ©1997 My Rib Is Broke/Maverick Music/WB Music Corp./Roadblock Music, Inc. ASCAP
Track 10.3 is an unlisted song (answering machine recording, also known as '“Chino Taking Bong Hits”) starting around 19:31. Track 10.5 is an unlisted song starting around 32:35. The titles of both unlisted songs can be sourced from multiple websites (see submission notes for links). Tracks 10.2 (starting at 4:48) and 10.4 (starting at 19:55) are periods of silence in between the audio. Track 10's total duration is 37:19.
The woman on the cover is Lisa Hughes. The photo itself was shot by Rick Kosick, the skate photographer who went on to become part of the Jackass crew.
© ℗ 1997 Maverick Recording Company. Made in U.S.A.
Recorded at Studio Litho, Seattle, WA.
Mixed at Larrabee Studios, West Hollywood, CA.
Mastered at Sterling Sound, New York, NY.
Max Cavalera appears courtesy of Roadrunner Records.
Photo of Dana Wells used courtesy of Gloria Cavalera.
All songs ©1997 My Rib Is Broke/Maverick Music/WB Music Corp. ASCAP except "Headup" ©1997 My Rib Is Broke/Maverick Music/WB Music Corp./Roadblock Music, Inc. ASCAP
Track 10.3 is an unlisted song (answering machine recording, also known as '“Chino Taking Bong Hits”) starting around 19:31. Track 10.5 is an unlisted song starting around 32:35. The titles of both unlisted songs can be sourced from multiple websites (see submission notes for links). Tracks 10.2 (starting at 4:48) and 10.4 (starting at 19:55) are periods of silence in between the audio. Track 10's total duration is 37:19.
The woman on the cover is Lisa Hughes. The photo itself was shot by Rick Kosick, the skate photographer who went on to become part of the Jackass crew.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-46810-2 1
- Barcode (Scanned): 093624681021
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): wea mfg. OLYPHANT W1499 1 46810-2 01 M1S1
- Mastering SID Code (Variant 1): ifpi L901
- Mould SID Code (Variant 1): IFPI 2U3Y
- Matrix / Runout (Variant 2): wea mfg. OLYPHANT W1499 1 46810-2 01 M4S13
- Mastering SID Code (Variant 2): IFPI L901
- Mould SID Code (Variant 2): IFPI 2U31
- Matrix / Runout (Variant 3): wea mfg. OLYPHANT W1499 1 46810-2 01 M1S6
- Mastering SID Code (Variant 3): IFPI L901
- Mould SID Code (Variant 3): IFPI 2U3D
- Matrix / Runout (Variant 4): wea mfg. OLYPHANT W1499 1 46810-2 01 M4S1
- Mastering SID Code (Variant 4): IFPI L901
- Mould SID Code (Variant 4): IFPI 2U4H
- Matrix / Runout (Variant 5): wea mfg. OLYPHANT W1499 1 46810-2 01 M1S2
- Mastering SID Code (Variant 5): IFPI L901
- Mould SID Code (Variant 5): IFPI 2U4A
- Matrix / Runout (Variant 6): wea mfg. OLYPHANT W1499 1 46810-2 01 M1S3
- Mastering SID Code (Variant 6): ifpi L901
- Mould SID Code (Variant 6): IFPI 2U4D
- Matrix / Runout (Variant 7): [WEA mfg. OLYPHANT logo] W1499 1 46810-2 01 M4S6
- Mastering SID Code (Variant 7): ifpi L901
- Mould SID Code (Variant 7): IFPI 2U3G
Other Versions (5 of 64)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Around The Fur (Cassette, Album) | Maverick | 9 46810-4 | US | 1997 | ||
| Around The Fur (CD, Album) | Warner Bros. Records | 9362-46810-2 | Europe | 1997 | |||
|
Recently Edited
|
Around The Fur (CD, Album, WEA) | Warner Bros. Records | 9362468102 | Australia | 1997 | ||
|
New Submission
|
Around The Fur (CD, Album, Promo) | Maverick | PROP334, 9362-46810-2 | Europe | 1997 | ||
|
Recently Edited
|
Around The Fur (CD, Album) | Warner Bros. Records | CDW 46810 | Canada | 1997 |
Recommendations
Reviews
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Don’t understand why anyone in their right mind would consider this nu-metal? Nu-metal was a term for bands like Korn and Limp Bizkit, which Deftones are far far away from the sound of. Worst part is there doesn’t seem to be a way to fix this for the master release listing? -
Amazing album! Normally some Nu Metal albums sound a bit on the dated side. This one sounds great and new every time I listen it. Deftones will live forever. -
Every time I listen to this album, it's summer again, I'm a teenager, the world is a big fat mystery and I'm vaguely angry at everything. I have been listening to it for 17 years now, and it has never felt cheesy or outdated, NOT ONCE, that's how good it is. This ish right here is the soundtrack to youth. -
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How did a bunch of skate punks from SoCal make this thing? The only "teenager" album that I return to time and time again. It has stuck with me through all of my musical phases, enduring all the shifts and snobbery. It's simply TOO GOOD to leave. I have spent enough time with it to determine that the only parts I don't care for on the album are the choruses to Lotion and Head-Up. Beyond this, everything ranges from good to ridiculously great. This band is still alive and well 16 years later for a reason. This is definitely one of them.
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