Faith No More – King For A Day....Fool For A Lifetime
Tracklist
| A1 | Digging The Grave | 3:03 | |
| A2 | I Started A Joke | 3:00 | |
| B | Interview With Billy Gould | ||
| C1 | Ricochet | 4:28 | |
| C2 | I Wanna Fuck Myself | 2:52 | |
| D | Interview With Mike Bordin | ||
| E1 | Evidence | 3:54 | |
| E2 | The Gentle Art Of Making Enemies | 3:28 | |
| F | Interview With Roddy Bottum | ||
| G1 | Take This Bottle | 4:58 | |
| G2 | Cuckoo For Caca | 3:41 | |
| H | Interview With Dean Menta | ||
| I1 | What A Day | 2:32 | |
| I2 | The Last To Know | 4:27 | |
| J | Interview With Mike Patton | ||
| K1 | Ugly In The Morning | 3:05 | |
| K2 | Greenfields | 3:42 | |
| L1 | Get Out | 2:17 | |
| L2 | Just A Man | 5:36 | |
| M1 | King For A Day | 6:34 | |
| M2 | Star A.D. | 3:42 | |
| N1 | Caralho Voador | 4:00 | |
| N2 | Spanish Eyes | 4:05 |
Companies, etc.
- Phonographic Copyright ℗ – Slash Records
- Record Company – Slash Records
- Licensed To – London Records 90 Ltd.
- Licensed From – Slash Records
- Mastered At – Metropolis Mastering
Credits
- Liner Notes – Phil Alexander
- Mastered By [Cut] – JA*
- Producer – Dean Menta (tracks: A2, K2)
Notes
Front sleeve sticker: "Limited edition 7-inch collectors set includes entire album + b sides previously unavailable on vinyl + exclusive interviews with each band member."
Despite of the claim of exclusivity on this sticker, B-Side 'Absolute Zero' was available on vinyl on the UK 12" single 'Digging The Grave'.
Includes a four page folded cardboard insert with album artwork on the front and a two page album review written specifically for this compilation by Phil Alexander - Editor, Kerrang! Magazine, London, July 1995.
Track durations are taken from the release face labels. Durations for interview sections are not present on the release.
℗ 1995 Slash.
Despite of the claim of exclusivity on this sticker, B-Side 'Absolute Zero' was available on vinyl on the UK 12" single 'Digging The Grave'.
Includes a four page folded cardboard insert with album artwork on the front and a two page album review written specifically for this compilation by Phil Alexander - Editor, Kerrang! Magazine, London, July 1995.
Track durations are taken from the release face labels. Durations for interview sections are not present on the release.
℗ 1995 Slash.
Barcode and Other Identifiers
- Matrix / Runout (Hand-etched Side A): 850 2307 A/1 JA
- Matrix / Runout (Hand-etched Side B): 850 2307 B-1
- Matrix / Runout (Hand-etched Side C): 850 1147 C/1 JA
- Matrix / Runout (Hand-etched Side D): 850 1147 D-1
- Matrix / Runout (Hand-etched Side E): 850 2327 E/1 JA
- Matrix / Runout (Hand-etched Side F): 850 2327 F/1
- Matrix / Runout (Hand-etched Side G): 850 2347 G/1 JA
- Matrix / Runout (Hand-etched Side H): 850 2347 H/1
- Matrix / Runout (Hand-etched Side I): 850 2347 I/1 JA
- Matrix / Runout (Hand-etched Side J): 850 0547 J/1
- Matrix / Runout (Hand-etched Side K): 850 2367 K/1 JA
- Matrix / Runout (Hand-etched Side L): 850 2367 L/1
- Matrix / Runout (Hand-etched Side M): 850 2387 M1 JA
- Matrix / Runout (Hand-etched Side N): 850 2387 SIDE N.
- Matrix / Runout (Stamped Side B, C, D, E, F, G, H, I, J, K, L, M, N): Ⓜ
- Label Code: LC 7654
- Rights Society: BIEM / STEMRA
- Barcode (Sticker): 042285022872
Other Versions (5 of 108)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Final Mixes (CDr, Album) | Reprise Records | none | US | 1994 | |||
| King For A Day Fool For A Lifetime (CD, Album) | Reprise Records | 9 45723-2 | US | 1995 | |||
| King For A Day Fool For A Lifetime (CD, Album) | London Records | 828 560-2 | Europe | 1995 | |||
|
Recently Edited
|
King For A Day Fool For A Lifetime (CD, Album) | London Records | POCD-1165 | Japan | 1995 | ||
|
Recently Edited
|
King For A Day / Fool For A Lifetime (Cassette, Album) | Slash | 828 560-4 | Poland | 1995 |
Recommendations
-
-
-
-
-
-
-
1992 UK &Vinyl —7", 45 RPM, Single, Limited Edition, Numbered, Special Edition -
-
1992 UKVinyl —12", 45 RPM, Single, Numbered, Picture Disc, Special Edition -
Reviews
-
Anyone has two times sides I/J? I had two times K/L sides in my box so I can swap mine if anyone has the other record.
-
Edited 7 years agoI am looking for sides M/N because in my unopened boxset there were twice sides K/L - both in excellent condition until now. I can sell/swap one if anyone had the M/N sides or just was missing it.
-
Is there no tracklist in this box??? I Have only the seven vinyls in a white sleeve and the foldout-insert. The backside of the box is black with a barcode-sticker.
-
It's a different concept and I'll commend them for that but it just seems silly at the end of the day. I've never had a good experience w/ 45's mastered at 33 1/3. Plus I don't mind flipping my albums every 3-5 songs but this would just get tedious when you want to sit back and enjoy the whole package.
-
I absolutely love 'King For A Day Fool For A Lifetime' and the idea of this box set is a great one. All the tracks from the album, plus the great b-sides from the singles and short interviews with each band member with the exception of Trey Spruance the guitarist for the album, whose interview was replaced by fill-in tour guitarist Dean Menta's following Trey Spruance's departure after the album had been completed.
The blueprint is a good one then and a nice little box set which was packaged very well in a hard black outer box, a nice hthick card fold out bio and album review by Phil Alexander from Kerrang! Magazine.
There is an issue though caused by the constraints of the format chosen. For the format chosen though, the results achieved are great. They sound fantastic for the format concerned (33⅓ RPM 7" single). This combination (vinyl size and rpm) gave Metropolis Mastering severe limitations, but they made a great pressing and achieved a fantastic sound quality in spite of the limitations of the media they were working with.
However it does not compare favorably to the LP, the CD and the 45rpm 12" format that most of the B-Sides were available on. For what it is, it's good. Vinyl pressed at this speed at that side works against severe limitations and the sound has to be compressed with a massive loss, you get messy highs, indistinct lows and a lot of fuzz and distortion - an issue which has been offset by expert mastering and pressing. Again, hats off to Metropolis and Jack Adams.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
17 copies from $70.00