Sonic YouthGoo

Label:

DGC – 9 24297-D2

Format:

CD , Album

Country:

US

Released:

Genre:

Rock

Style:

Noise Rock

Tracklist

1 Dirty Boots
Backing VocalsDon Fleming
5:24
2 Tunic (Song For Karen)
Backing VocalsJ Mascis
6:17
3 Mary-Christ 3:08
4 Kool Thing
FeaturingChuck D.*
4:04
5 Mote
Backing VocalsJ Mascis
7:36
6 My Friend Goo
Backing VocalsJ Mascis
2:18
7 Disappearer
Backing VocalsDon Fleming
5:08
8 Mildred Pierce
Recorded By [Vocals]Jim Waters
2:12
9 Cinderella's Big Score 5:50
10 Scooter + Jinx 1:00
11 Titanium Exposé 6:26

Companies, etc.

  • Manufactured ByWarner Bros. Records Inc.
  • Copyright ©The David Geffen Company
  • Phonographic Copyright ℗The David Geffen Company
  • Recorded AtSorcerer Sound
  • Recorded AtGreene St. Recording
  • Mixed AtRight Track Recording
  • Mastered AtMasterdisk
  • Recorded AtWaterworks
  • Manufactured ByDADC – DIDX-007224

Credits

  • Art DirectionKevin Reagan
  • Engineer [Assistant]Judy Kirschner
  • Illustration [Cover Drawings]Raymond Pettibon
  • Mastered ByHowie Weinberg
  • Mixed ByRon Saint Germain*
  • Percussion [Additional]Nick Sansano
  • Photography ByMichael Lavine
  • ProducerSonic Youth
  • Producer [Sub-production]J Mascis
  • Recorded ByNick Sansano
  • Songwriter [All Songs By]Sonic Youth
  • StylistSuzanne Sasic

Notes

Released in a standard jewelbox with a 2x3 foldout booklet (12 pages).

Recorded at Sorcerer Sound and Greene St., NYC.
Mixed at Right Track, NYC.
Mastered at Masterdisk.
Track 4: Chuck D. appears courtesy of Def Jam, Columbia Records
Track 8: Vocal recorded at Waterworks, NYC.

2 versions of this release exist. This release distinguishes from the other version in a different barcode and fine print on the back cover.

Manufactured exclusively by Warner Bros. Records Inc. ©℗ 1990 The David Geffen Company. Made in U.S.A.
Mfg. by DADC. (disc face)

The cover is based on a photo of David Smith and Maureen Hindley (sister of 'Moors Murderer' Myra Hindley).

Barcode and Other Identifiers

  • Barcode (Text): 0 7599-24297-2 6
  • Barcode (Scan): 075992429726
  • Matrix / Runout (Mirrored): DIDX-007224 1 + ++ +++++
  • Other (Sony DADC Code – Disc Face, Printed): DIDX 007224
  • SPARS Code: AAD
  • Rights Society: ASCAP

Other Versions (5 of 149)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Goo (CD, Album) DGC 7599-24297-2 Europe 1990
Recently Edited
Goo (CD, Album, Club Edition) DGC D2-24297 US 1990
Recently Edited
Goo (LP, Album) Geffen Records LP-7-1 2 02832 0, LP-7-1 2028320, 7599-24297-1 Yugoslavia 1990
Recently Edited
Goo (LP, Album, 7", All Media, Limited Edition) DGC 7599-24297-1, PRO-570 Europe 1990
Goo (LP, Album) DGC 7599-24297-1 Europe 1990

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Reviews

  • ius's avatar
    ius
    Edited 11 months ago
    I'm struggling a lot to identify my copy of this record.
    The label sticker on the vinyl is normally black but in my case it is white. Also the sealing of the cover has a red sticker of `Back to Black 60th Anniversary`.
    I believe it should be that one: https://discogs.sitiosdesbloqueados.info/release/2450302-Sonic-Youth-Goo
    Could someone confirm my theory?
    Thanks!
    • 8Eightcoins8
      Considering its the albums 30th anniversary, anything special coming on Vinyl?
      • kapervisser's avatar
        kapervisser
        How does the original sounds compared to the 2015 back to black pressing ?
        • Alastis's avatar
          Alastis
          Edited 19 years ago
          "Goo" is universally considered a first "sell-out" album by Sonics. What it really means is that they cut on noise and added more melody, which resulted in a slew of major and minor hits (the biggest being Kool Thing, followed by 100%, Dirty Boots and Drunken Butterfly). So, all in all, it was a major success for a band, whether it was due to success/explosion of bands like Nirvana or move to a major label. Lyrically, much of it deals with violence and abuse (if it its still not clear, one should take a look at the words written on the cover). There's weird Carpenters obsession theme (Tunic), referral to the murder of Joe Cole, Henry Rollins roadie (100%), protest against male hegemony (Kool Thing, Swimsuit Issue) and many other less clear subjects (Dirty Boots, Mildred Pierce, Titanium Expose, Drunken Butterfly). One should also note that not all songs feature typical verse-chorus verse form - in fact, Mildred Pierce is ending abruptly with heavily distorted voice of Thurston Moore screaming out the name of the song for a minute or so. So there you have it - a very diverse work, probably one of the best that they done in the 90s.

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