AC/DCHigh Voltage

Label:

ATCO Records – SD 36-142

Format:

Vinyl , LP, Album , SP-Specialty Pressing

Country:

US

Released:

Genre:

Rock

Style:

Hard Rock

Tracklist

A1 It's A Long Way To The Top (If You Wanna Rock 'N' Roll) 5:10
A2 Rock 'N' Roll Singer 5:00
A3 The Jack 5:50
A4 Live Wire 5:45
B1 T.N.T. 3:30
B2 Can I Sit Next To You Girl 4:06
B3 Little Lover 5:26
B4 She's Got Balls 4:46
B5 High Voltage 4:18

Companies, etc.

  • Phonographic Copyright ℗J. Albert & Son Pty. Ltd.
  • Copyright ©J. Albert & Son Pty. Ltd.
  • Published ByEdward B. Marks Music Corporation
  • Produced ForAlbert Productions
  • Produced AtAlbert Studios
  • Manufactured ByAtlantic Recording Corporation
  • Pressed BySpecialty Records Corporation

Credits

  • BassMark Evans (3)
  • DrumsPhil Rudd
  • GuitarMalcolm Young
  • Lacquer Cut ByPorky (5)
  • Lead GuitarAngus Young
  • Lead VocalsBon Scott
  • Lettering [Uncredited]Gerard Huerta
  • Photography By [Cover]Michael Putland
  • ProducerVanda & Young
  • Written-ByYoung*

Notes

Specialty Records Corporation pressing variant with "SP" suffix in label matrix.

Early US pressing on yellow ATCO label. No barcode on sleeve.

Published by E.B. Marks Corp., BMI

Produced by Vanda & Young for Albert Productions at Albert Studios, Sydney, Australia.

℗© 1976 J. Albert & Sons (Pty) Ltd.

Printed in U.S.A.

For information on uncredited "Typography" Credit, please see: Gerard Huerta

Barcode and Other Identifiers

  • Rights Society: BMI
  • Matrix / Runout (Side A Label): ST-C-763667-SP
  • Matrix / Runout (Side B Label): ST-C-763668-SP
  • Matrix / Runout (Variant 1, Side A): ST-C-763667-B AT (PR)SP PORKY PRIME CUT
  • Matrix / Runout (Variant 1, Side B): ST-C-763668-D (PR)SP ATLANTIC STUDIOS D.K.
  • Matrix / Runout (Variant 2, Side A Etched): PR SP ST-C-763667-B AT 0-2 SML / + PORKY PRIME CUT
  • Matrix / Runout (Variant 2, Side B Etched): (PR) SP ST-C-763668-G O-4 SML-2
  • Matrix / Runout (Variant 3, Side A): ST-C-763667-B AT O-SM2-4 (PR) SP A Porky Prime Cut
  • Matrix / Runout (Variant 3, Side B): ST-C-763668-D O-1-SM2-5 (PR) SP Atlantic Studios D.K.
  • Matrix / Runout (Variant 4, Side A): ST-C-763667-B AT (PR)SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 4, Side B): ST-C-763668-G @TGP 0-3SM1 (PR)&SP
  • Matrix / Runout (Variant 5, Side A - PR SP is upside-down)): ST-C-763667-B AT 0-2 SM1-1 + PR SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 5, Side B - (PR) SP is upside-down): ST-C-763668-G @tGP 0-4 SM2-1 (PR) SP
  • Matrix / Runout (Variant 6, side A, etched): ST-C-763667-B AT 0-1SM 2-2 ԀS (ᴚԀ) A PORKY PRIME CUT
  • Matrix / Runout (Variant 6, side B, etched): ST-C-763668-G Ct4P 0-4SM1-1 ԀS (ᴚԀ)
  • Matrix / Runout (Variant 7, side A, etched): ST-C-763667-B AT 0-2 SM1-1 + PR SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 7, side B, etched): ST-C-763668-G @tGP 0-4 SM1-2 (PR) SP
  • Matrix / Runout (Variant 8, side A, etched): ST-C-763667-B AT 0-2 SM 1-1 + PR SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 8, side B, etched): ST-C-763668-G @tGP 0-4 SM2-2 (PR) SP
  • Matrix / Runout (Variant 9, side A, etched): ST-C-763667-B AT 0-1 SM2-1 + (PR) SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 9, side B, etched): ST-C-763668-G @tGP 0-4 SM1-1 (PR) SP
  • Matrix / Runout (Variant 10, side A, etched): ST-C-763667-B AT 0-2 + PR SP A PORKY PRIME CUT
  • Matrix / Runout (Variant 10, side B, etched): ST-C-763668-G @tGP 0-4 SM3-1 (PR)SP

Other Versions (5 of 333)

View All
Title (Format) Label Cat# Country Year
High Voltage (LP, Album, Stereo) ATCO Records ATL 50 257, 36142 1976
Recently Edited
High Voltage (LP, Album) Atlantic K 50257 UK 1976
New Submission
High Voltage (Cassette, Album) ATCO Records CS 36-142 US 1976
Recently Edited
High Voltage (LP, Album) ATCO Records ATL 50 257, 36142 Netherlands 1976
Recently Edited
High Voltage (LP, Album, PR) ATCO Records SD 36-142 US 1976

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Reviews

  • recordhead59's avatar
    recordhead59
    Yeah the mix it’s pretty flat with rather poorly defined low end, including drums, but give em a break. This is early AC/DC and budgets were probably low, plus you had basically a bar band in the studio, recording everything together and in one take. The pub band vibe just spews off this record in its rawest most basic form. Appreciate it for what it is. A chronical of an up and coming band. Listen to early UFO records. It’s the same thing. They eventually got more money and consequently better production. I mean “You got my picture on the wall next Gary Glitter”. Cmon. That’s who AC/DC was at the time.
    • rperkins65's avatar
      rperkins65
      Wow! Some mediocre reviews on this record below, This is classic AC/DC imo , raw n dirty, dont miss out on this classic!
      • immanipper's avatar
        immanipper
        a great early AC/DC album, tarnished by less than stellar sound quality and production. The bass is non existent (it's not very prominent on most AC/DC albums, but you literally can't hear it at all on this album), the drums are akin to muffled cardboard, and the entire album just seems thin and muddy, in comparison with their heavy and polished later albums, sound wise. Pressing is great, and Porky makes a respectable effort to make this album sound good.
        • mikeSF_'s avatar
          mikeSF_
          Edited 3 years ago
          In 1976, these Aussie rockers were on their way to the big time. This early-ish release has a few goodies and really solidifies the sound that defined pre-Brian Johnson AC/DC.
          I had this record as a kid in the early '80s, but I lent it out and it never returned. Was happy to find a clean copy of an older pressing.

          The mix is not great, it's pretty muddy and instruments are not well defined, but I do not believe that's a problem of the pressing, but just the way the band sounded then.

          • EnriqueFreeque's avatar
            EnriqueFreeque
            Edited 12 years ago
            Not the finest album of the Bon Scott era of the band by a long shot. Though I do love the bagpipes that slow build to a smashing crescendo by the end of "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" -- a song that's not just an AC/DC classic but a signature standard of hard rock. The rest of the album I've found to be too slow tempo for my taste, not enough bombast, lacking the raw, crunchier, freewheeling frenetic guitar riffs of more accomplished records like Let There Be Rock or Powerage. I don't dislike High Voltage, it's just not one I'm prone to leave on from start to finish, but I'll listen to the bagpipes and to "Live Wire" or "Can I Sit Next to You, Girl?" any freaking day of the week, or everyday, and never grow tired of them, which is going on thirty years for me now, since the time I bought the lp at Licorice Pizza in the Lakewood Mall. "She's Got Balls" is just plain lame, and "TNT" doesn't do it for me, even though that's the song that still seems to get the most classic rock airplay these days. Solid debut, however, as none of the songs are outright bad, even though a handful are embarrassingly banal and a couple rather bland. Bon Scott's now legendary wit as a lyricist hadn't quite arrived. Not consistently, song by song. He wasn't as clever as he was crass, though that would change significantly by the bands next release the following year, Dirty Deeds Done Dirt Cheap (1976). The band's immaturity showed in lead schoolboy/guitarist, Angus Young, too, as he was maybe just too damn young (he was fifteen at the time of the record's first Australian release) to have conjured up the snarling stylings of a later "Riff Raff" or "Down Payment Blues".

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