Tracklist
| 1 | Untitled | 3:56 | |
| 2 | Obstacle 1 | 4:11 | |
| 3 | NYC | 4:19 | |
| 4 | PDA | 4:59 | |
| 5 | Say Hello To The Angels | 4:28 | |
| 6 | Hands Away | 3:05 | |
| 7 | Obstacle 2 | 3:47 | |
| 8 | Stella Was A Diver And She Was Always Down | 6:27 | |
| 9 | Roland | 3:35 | |
| 10 | The New | 6:07 | |
| 11 | Leif Erikson | 4:00 |
Companies, etc.
- Copyright © – Matador Records (2)
- Phonographic Copyright ℗ – Matador Records (2)
- Copyright © – Interpol
- Published By – Copyright Control
- Manufactured By – WEA Manufacturing
- Glass Mastered At – WEA Mfg. Olyphant – Z10728
- Pressed By – WEA Mfg. Olyphant – Z10728
- Recorded At – Tarquin Studios
- Mixed At – Tarquin Studios
- Mastered At – Sterling Sound
Credits
- Mastered By – Greg Calbi
- Mixed By – Peter Katis (tracks: 1, 2, 4, 5, 7, 9, 10)
- Performer – Samuel Fogarino
- Photography By [Band Photos] – Andrew Zaeh
- Photography By, Design – Sean McCabe (3)
- Recorded By – Peter Katis
- Written-By – Interpol
Notes
All songs © by Interpol, Copyright Control / BMI 2002.
Packaging: Jewel Case
Total Playing Time: 48 mins
©℗ 2002 Matador Records.
Printed on CD and back insert: OLE 545-2
Printed on back page of booklet: ole 545-2
Packaging: Jewel Case
Total Playing Time: 48 mins
©℗ 2002 Matador Records.
Printed on CD and back insert: OLE 545-2
Printed on back page of booklet: ole 545-2
Barcode and Other Identifiers
- Barcode: 7 44861 05452 8
- Barcode (Scanned): 744861054528
- Matrix / Runout (Variant 1): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S7
- Matrix / Runout (Variant 2): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S1
- Matrix / Runout (Variant 3): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S4
- Matrix / Runout (Variant 4): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S8
- Matrix / Runout (Variant 5): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S5
- Matrix / Runout (Variant 6): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S3
- Matrix / Runout (Variant 7): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S1
- Matrix / Runout (Variants 8, 9): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S7
- Matrix / Runout (Variant 10): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S6
- Matrix / Runout (Variant 11): wea mfg. OLYPHANT Z10728 LN OLE 545.1-2 02 M1S1
- Mastering SID Code (Variant 1-11): ifpi L909
- Mould SID Code (Variant 1): IFPI 2U8D
- Mould SID Code (Variant 2): IFPI 2U8H
- Mould SID Code (Variant 3): IFPI 2U6A
- Mould SID Code (Variant 4): IFPI 2U8H
- Mould SID Code (Variant 5): IFPI 2U8J
- Mould SID Code (Variant 6): IFPI 2U8K
- Mould SID Code (Variant 7): IFPI 2U7D
- Mould SID Code (Variant 8): IFPI 2U4C
- Mould SID Code (Variant 9): IFPI 2U3G
- Mould SID Code (Variant 10): IFPI 2U8D
- Rights Society: BMI
- Mould SID Code (Variant 11): IFPI 2U6A
Other Versions (5 of 65)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Turn On The Bright Lights (CD, Album) | Virgin | 7243 8128492 6, ole 545-2 | Europe | 2002 | |||
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Turn On The Bright Lights (LP, Album, 150 Gram) | Matador | OLE 545-1 | UK & US | 2002 | ||
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Recently Edited
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Turn On The Bright Lights (CD, Album, Slipcase) | Ales Music | ALESCD 2034 | South Korea | 2002 | ||
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Turn On The Bright Lights (CD, Album, Promo) | Labels | VISA 6966, VISA6966 | Europe | 2002 | ||
| Turn On The Bright Lights (CD, Album, Key Manufacturing) | Matador | OLE 545-2, ole 545-2 | UK | 2002 |
Recommendations
Reviews
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Edited 5 years agoAnother release that completely took over the player for a good year upon release. Elements of Talking Heads, Radiohead, The Cure, Joy Division yes, but this album was so different with its off-kilter vocal delivery and unique emotional content. this was released after 911 so it just felt right ("NYC"). An inspired album, and can stand the test of time. -
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Quite frankly, a bad album that was produced badly and pressed at an even lower standard. I have heard multiple vinyl versions of this played around the city and they are all hideous sounding.
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I'd like to consider this a comment rather than a review. I don't expect anyone else to share my tastes. I think that this album represents a stellar debut. It's impossible to state that without acknowledging the popular and extensive criticism that Interpol is repackaging an older sound. They certainly owe a debt to Joy Division, The Sound, The Chameleons. But they bring much to the table in a skill for memorable tunes and effective arrangements. This album is solid to a degree that is positively rare. For what it's worth, highly recommended for anyone who likes the smoky, spiky rock music of the early eighties post punk.
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