Madonna – Ray Of Light
Label: |
Warner Bros. Records – 9362-46847-1 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Pop |
Style: |
Synth-pop |
Tracklist
A1 | Drowned World / Substitute For Love | 5:09 | |
A2 | Swim | 5:00 | |
A3 | Ray Of Light | 5:21 | |
B1 | Candy Perfume Girl | 4:34 | |
B2 | Skin | 6:22 | |
B3 | Nothing Really Matters | 4:27 | |
C1 | Sky Fits Heaven | 4:48 | |
C2 | Shanti / Ashtangi | 4:29 | |
C3 | Frozen | 6:12 | |
C4 | The Power Of Good-Bye | 4:10 | |
D1 | To Have And Not To Hold | 5:23 | |
D2 | Little Star | 5:18 | |
D3 | Mer Girl | 5:32 |
Companies, etc.
- Recorded At – Larrabee North
- Mastered At – Sterling Sound
- Copyright © – Warner Bros. Records Inc.
- Marketed By – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Manufactured By – Warner Music Manufacturing Europe
- Lacquer Cut At – Universal M & L,
- Pressed By – Optimal Media Production – B382810
Credits
- Arranged By – Patrick Leonard (tracks: C3)
- Art Direction – Kevin Reagan
- Backing Vocals – Nii Harris* (tracks: B3)
- Conductor – Suzie Katayama
- Design – Kevin Reagan
- Drum Programming – Steve Sidelnyk (tracks: B3, D2)
- Drums – Fergus Gerrand (tracks: A1, A2)
- Engineer – Pat McCarthy
- Flute – Pablo Cook (tracks: A2)
- Guitar – Marc Moreau (tracks: B2)
- Keyboards – Marius de Vries (tracks: C3)
- Lacquer Cut By – Willem Makkee
- Mastered By – Ted Jensen
- Percussion – Fergus Gerrand (tracks: D3)
- Photography By – Mario Testino
- Producer – William Orbit (tracks: A1 to D1, D3)
- Translated By – Vyass Houston (tracks: C2)
- Written By – Dave Curtis (tracks: A3)
- Written-By – William Orbit (tracks: A1 to B1, C2, D3)
Notes
180 Gram Deluxe Edition, Reissue From Original Master tapes. Comes with lyric inner sleeves.
On the label of record 2, side 2, track 1 is misspelled as " To Have And Not To Have".
On back cover track list ''To Have And Not To Hold'' has a space at the end making it misaligned with other titles, an error not seen on the 1998 European LP.
Made in .
On the label of record 2, side 2, track 1 is misspelled as " To Have And Not To Have".
On back cover track list ''To Have And Not To Hold'' has a space at the end making it misaligned with other titles, an error not seen on the 1998 European LP.
Made in .
Barcode and Other Identifiers
- Barcode (Text): 0 93624 68471 8
- Barcode (Scanned): 093624684718
- Matrix / Runout (Runout side 1, stamped): D33 09362468471 S1 320
- Matrix / Runout (Runout side 1, hand etched): B382810-01 A1
- Matrix / Runout (Runout side 2, stamped): D33 09362468471 S2 320
- Matrix / Runout (Runout side 2, hand etched): B382810-01 B1
- Matrix / Runout (Runout side 3, stamped): D33 09362468471 S3 320
- Matrix / Runout (Runout side 3, hand etched): B382810-02 C1
- Matrix / Runout (Runout side 4, stamped): D33 09362468471 S4 320
- Matrix / Runout (Runout side 4, hand etched): B382810-02 D1
- Label Code (Back side of sleeve): LC 01485
Other Versions (5 of 204)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Demo Assembly As Of 6/4/97 (CDr, Test Pressing) | Maverick | none | US | 1997 | |||
Recently Edited
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LP Seq As Of 12/4/97 (CDr, Album) | Maverick | none | US | 1997 | ||
Recently Edited
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Ray Of Light (CD, Album) | Warner Bros. Records | 9362-46847-2 | Europe | 1998 | ||
Ray Of Light (2×LP, Album) | Maverick | 9362-46847-1 | Europe | 1998 | |||
Recently Edited
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Ray Of Light (CD, Album, Limited Edition, Special Edition, Lenticular Digipak) | Warner Bros. Records | 9 46884-2, 9362-46884-2 | UK & Europe | 1998 |
Recommendations
Reviews
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Astonishingly good album, ‘To Have And Not To Hold’ and ‘Frozen’ have to be 2 of the greatest songs written. Thanks due to ‘RMlegshaver’ for pointing out that Willem Makkee was involved with this 2003 vinyl pressing, he also did work for ‘Speaker’s Corner Records’.
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Edited one year agoBoth my copies of this pressing have bad cover art that is over saturated and harsh. I got two copies of the clear vinyl from Record Store Day, and the covers are beautiful. The 2015 pressing also looks much more like the Cd Art when I saw it in the store.
Anyone else with multiple pressings notice this is over saturated color wise and kinda muddyish? I’m just talking about the front cover. Every other pressing the front cover looks clean and pretty. -
The mastering of this album is so good even a cd sounds great. I had the 2019 version which was a bit less detailed but even more 3 dimensional.
This version has both. I wish most of records sounded like this. -
Great mastering, deep, with great frequency extension both towards bass and highs. Luscious sound. A bit of surface noise, but nothing too problematic (especially after cleaning).
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Edited 2 years agoAbsolutely amazing sounding album. I don't own many pop albums but I can listen to this one forever. Outstanding production and perfect pressing.
Update: I didn't even notice Willem Makkee cut the lacquer for this one (320 in the deadwax). Look him up, he is very highly respected. -
Edited 5 years agoPlayed back to back with the later 2016 reissue, this one's a little crisper and the Bass not so heavy (a good thing). My copy was clean and doesn't suffer from surface noise as some other commenters have mentioned. If you have the 2016 don't sweat it too much, the differences are subtle rather than significant. The 2016 also comes with deluxe liners, not just the picture/lyric sleeves.
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Disc 2 / Side 2 Tem um erro de impressão, a faixa "To Have and Not o Hold" está escrito "... and Not to HAVE"
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This EU pressing sounds fantastic. Though (as far as I know) Ray of Light was recorded digitally, this LP was mastered from the original master tapes. SQ is amazing.
However... my copy has some surface noise, crackle issues. I cleaned the record, now it's tolerable. Such a shame, as the SQ is brilliant. -
A few pops at the beginning of track one but, that can be overlooked by the amazing sound on this album. I don't understand how they can shove 2 LPs in this sleeve. They should have made this a gatefold. Wonder how the Rhino release compares to sound quality?
Release
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