Tracklist
| A | Heart Of Glass | 5:50 | |
| B | Heart Of Glass (Instrumental) | 5:17 |
Companies, etc.
- Phonographic Copyright ℗ – Chrysalis Records
- Copyright © – Chrysalis Records
- Published By – Rare Blue Music, Inc.
- Published By – Monster Island Music
- Mastered At – MCA Whitney Recording Studios
- Pressed By – Columbia Records Pressing Plant, Terre Haute
Credits
- Producer – Mike Chapman
- Written-By – D. Harry*
Notes
A: From The Chrysalis Album "Parallel Lines" CHR-1192
Rare Blue Music Inc. (ASCAP)
Monster Island Music (ASCAP)
℗ © 1978 Chrysalis Records
Other pressings exist manufactured at Columbia Records Pressing Plant, Pitman.
Rare Blue Music Inc. (ASCAP)
Monster Island Music (ASCAP)
℗ © 1978 Chrysalis Records
Other pressings exist manufactured at Columbia Records Pressing Plant, Pitman.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Matrix / Runout (A-Side Label): CDS-2275AS
- Matrix / Runout (B-Side Label): CDS-2275BS
- Matrix / Runout (A-Side Runout Etching, variant 1): TI CDS-2275-A-1 MCA
- Matrix / Runout (B-Side Runout Etching, variant 1): TI CDS-2275-B-1
- Matrix / Runout (A-Side Runout Etching, variant 2): CDS-2275-A MCA
- Matrix / Runout (B-Side Runout Etching, variant 2): CDS-2275-B
- Matrix / Runout (A-Side Runout Etching, variant 3): CDS-2275-A-1B MCA
- Matrix / Runout (B-Side Runout Etching, variant 3): CDS-2275-BS-1C
Other Versions (5 of 153)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Heart Of Glass (7", 45 RPM, Single, Stereo) | Chrysalis | 6155 224 | Italy | 1978 | |||
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Recently Edited
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Heart Of Glass (7", 45 RPM, Single) | Chrysalis | 6285 007 | 1978 | |||
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Recently Edited
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Heart Of Glass (12", 33 ⅓ RPM, Single, Test Pressing) | Chrysalis | CDS-2275 | US | 1978 | ||
| Heart Of Glass (7", 45 RPM, Single) | Chrysalis | 6172 676 | 1978 | ||||
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Recently Edited
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Heart Of Glass (12", 45 RPM, Single, Stereo) | Chrysalis | 9198 107 | Italy | 1978 |
Recommendations
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1982 UKVinyl —12", 45 RPM, Single -
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Reviews
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My copy must be a mispressing, because I had the vocal versions on both sides even though it stated instrumental on the B side. -
I don't know who the tasteless idiot was that thought it was a good idea to loop that tedious refrain with the male backing singers going "naa na na, na na na na na na na na na, naa na na" round and round and round ad nauseam. It's the worst part of the song and yet it seems to be the repeated fadeout on the most commonly heard versions. The best version is the one with the extended spacey synth instrumental outro.
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One of most iconic recordings of the 70s. New Wave/Punk/Disco/Electronica- it fused elements of these cross genres to create what was at the time a fairly unique sound. The record was massive. The 12" does have beefed up bass but not to the point of distortion when played at volume. It has terrific percussive and electronic elements too.
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A good marketing maneuver to get Debbie Harry on the label since the US 12" used a generic cover. Check out the 12" cover from .
Release
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Recently Edited
Recently Edited
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