Gene Clark – No Other
Label: |
Asylum Records – AE 1016 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
New Zealand |
Released: |
|
Genre: |
Rock |
Style: |
Folk Rock |
Tracklist
A1 | Life's Greatest Fool | 4:44 | |
A2 | Silver Raven | 4:53 | |
A3 | No Other | 5:08 | |
A4 | Strength Of Strings | 6:30 | |
B1 | From A Silver Phial | 3:40 | |
B2 | Some Misunderstanding | 8:10 | |
B3 | The True One | 4:57 | |
B4 | Lady Of The North | 6:04 |
Companies, etc.
- Recorded At – The Village Recorder
- Mixed At – Wally Heider Studios
- Phonographic Copyright ℗ – Elektra/Asylum/Nonesuch Records
- Copyright © – Asylum Records
- Copyright © – Irving Music
- Record Company – Warner Communications Inc.
- Manufactured By – EMI (NZ) Ltd.
- Distributed By – EMI (NZ) Ltd.
Credits
- Arranged By – Thomas Jefferson Kaye*
- Artwork By [Cover Art By] – Ea
- Bass – Lee Sklar*
- Drums – Russ Kunkle* (tracks: A1, A2, A4 to B2, B4)
- Guitar – Steve Bruton* (tracks: A1, B2)
- Keyboards – Michael Utley
- Lead Vocals – Gene Clark
- Mixed By [Mixing Engineer] – Mallory Earl
- Percussion – Joe Lala (tracks: A1, A3, B1, B3)
- Photography – Linda Dietricj
- Producer – Thomas Jefferson Kaye*
- Recorded By [Recording Engineer, Assistant] – Joe Tuzen
- Recorded By [Recording Engineer] – Tony Reale
- Violin – Richard Greene (tracks: A4, B2, B4)
- Vocals – Venetta Fields (tracks: A1, B2)
- Written-By – Gene Clark
Notes
Released with a two-sided printed insert.
Recorded at The Village Recorder, West Los Angeles.
Mixed at Wally Heider Recording, Studio D, San Francisco.
℗© 1974 Elektra/Asylum/Nonesuch Records, a division of Warner Communications Inc..
℗ 1974 Asylum Records.
© 1974 Irving Music/BMI
Manufactured and distributed by EMI (New Zealand) Limited.
Recorded at The Village Recorder, West Los Angeles.
Mixed at Wally Heider Recording, Studio D, San Francisco.
℗© 1974 Elektra/Asylum/Nonesuch Records, a division of Warner Communications Inc..
℗ 1974 Asylum Records.
© 1974 Irving Music/BMI
Manufactured and distributed by EMI (New Zealand) Limited.
Barcode and Other Identifiers
- Matrix / Runout (A label): 7E.1016a
- Matrix / Runout (B label): 7E.1016b
- Matrix / Runout (A runout, engraved): 7E 1016A KM A .
- Matrix / Runout (B runout, engraved): 7E 1016B KM A .
- Price Code: A
- Rights Society: BMI
Other Versions (5 of 41)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
No Other (LP, Album, Stereo, Labels, CSM runouts) | Asylum Records | 7E-1016 | US | 1974 | ||
Recently Edited
|
No Other (LP, Album) | Asylum Records | AS 53 005, 7E-1016 | 1974 | |||
Recently Edited
|
No Other (LP, Album) | Asylum Records | 7E-1016 | US | 1974 | ||
New Submission
|
No Other (LP, Album, Promo, ) | Asylum Records | 7E-1016 | US | 1974 | ||
New Submission
|
No Other (LP, Album, CSM - Santa Maria Pressing) | Asylum Records | 7E-1016 | US | 1974 |
Reviews
-
Former Byrd Gene Clark emerged as a brilliant countrified songwriter with the wonderfully laid back “White Light” album in 1971, but this 1974 album completely defied any expectations. The country swing is still happening, such as on the lovely opener ‘Life’s Greatest Fool’ and the country-psych of ‘From a Silver Phial’, but Gene sings in a hung-over drawl while the band choogles away in a delicious high haze and the massed gospel backing singers drive the songs home.
The entire album is sublime as a whole, but the real standouts include the amazing ‘Silver Raven’: all moody acoustic picking, ghostly slide guitar, tumbleweed drumming and Gene’s soulfully wracked vocal while ‘Strength Of Strings’ is a powerful, swirling mélange of cosmic vocals, lyrical bass, tumbling pianos and peals of fizzy guitar.
Gene stretches out on the title track which is a funky swamp-fuzz psych-out full of vamping organs, scorching guitar breaks and percussive breakdowns with a distorted, mournful vocal and ‘Some Misunderstanding’ is a slow-burning masterpiece with simmering synth backing and a mournful country-gospel vibe.
This album was supposed to be Gene’s defining statement with its lush arrangements, expansive contemplative songs and huge, clean production. At the time it really didn’t go down well and more-or-less sank as an expensive folly. These days it is one of those great albums that is finally being reappraised as classic buried treasure rescued from the mid 70’s LA cocaine blizzard!
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