Lana Del Rey – Born To Die
Label: |
Interscope Records – 00602527934242 |
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Format: |
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Pop |
Style: |
Trip Hop |
Tracklist
A1 | Born To Die | ||
A2 | Off To The Races | ||
A3 | Blue Jeans | ||
A4 | Video Games | ||
B1 | Diet Mountain Dew | ||
B2 | National Anthem | ||
B3 | Dark Paradise | ||
B4 | Radio | ||
C1 | Carmen | ||
C2 | Million Dollar Man | ||
C3 | Summertime Sadness | ||
C4 | This Is What Makes Us Girls | ||
Bonus Tracks | |||
D1 | Without You | ||
D2 | Lolita | ||
D3 | Lucky Ones |
Companies, etc.
- Licensed To – Polydor (UK)
- Licensed To – Interscope Records
- Manufactured By – www.gzvinyl.com
- Produced For – This Much Talent
- Phonographic Copyright ℗ – Lana Del Rey
- Copyright © – Lana Del Rey
- Pressed By – GZ Digital Media – 97174E
- Published By – EMI
- Published By – Sony ATV
- Published By – Copyright Control
- Published By – Heavycrate
- Published By – Yorkshire Moors
- Published By – Songs
- Published By – BMG Chrysalis
- Published By – Sony
- Published By – ATV
- Published By – Warner/Chappell
- Published By – Universal
- Recorded At – Human Feel Studios, Los Angeles
- Engineered At – The Green Building, Santa Monica
- Mastered At – Metropolis Mastering
- Lacquer Cut At – Metropolis Mastering
Credits
- Lacquer Cut By – JDavis*
- Management – Ed Millett
- Mastered By – John Davis (4)
- Vocals – Lana Del Rey
Notes
Heavyweight vinyl.
Gatefold cover.
Includes insert with lyrics and credits.
The insert has rounded corners.
Runouts are laser etched except for 'A1', 'B1', 'JDavis Metrop' and 'JD' which are hand etched.
Tracks A1, B4 published by EMI / Sony ATV (ASCAP). Mixed [...] for 365 Artists.
Track A2 published by Copyright Control / EMI. Mixed [...] for 365 Artists.
Track A3 published by EMI / Heavycrate (ASCAP) / Yorkshire Moors / Songs. Mixed [...] for 365 Artists.
Track A4 published by EMI / Sony ATV (ASCAP).
Track B1 published by BMG Chrysalis / EMI.
Track B2 published by EMI / Sony / ATV / Sony ATV (ASCAP).
Track B3 published by EMI.
Track C1 published by EMI / Sony ATV.
Track C2 published by EMI / Sony / ATV. Mixed [...] for 365 Artists. Recorded at Human Feel Studios, Los Angeles, California.
Track C3 published by EMI. Mixed [...] for 365 Artists.
Track C4 published by EMI / Warner Chappell.
Track D1 published by EMI / Universal. Mixed [...] for 365 Artists.
Track D2 published by EMI / Sony ATV / Universal. Co-produced [...] for This Much Talent. Mixed [...] for 365 Artists.
Track D3 published by EMI. Engineered [...] at The Green Building, Santa Monica.
Mastered [...] at Metropolis Mastering, London.
℗ & © 2012 Lana Del Rey, under exclusive license to Polydor (UK).
Under exclusive license to Interscope Records in the USA.
Gatefold cover.
Includes insert with lyrics and credits.
The insert has rounded corners.
Runouts are laser etched except for 'A1', 'B1', 'JDavis Metrop' and 'JD' which are hand etched.
Tracks A1, B4 published by EMI / Sony ATV (ASCAP). Mixed [...] for 365 Artists.
Track A2 published by Copyright Control / EMI. Mixed [...] for 365 Artists.
Track A3 published by EMI / Heavycrate (ASCAP) / Yorkshire Moors / Songs. Mixed [...] for 365 Artists.
Track A4 published by EMI / Sony ATV (ASCAP).
Track B1 published by BMG Chrysalis / EMI.
Track B2 published by EMI / Sony / ATV / Sony ATV (ASCAP).
Track B3 published by EMI.
Track C1 published by EMI / Sony ATV.
Track C2 published by EMI / Sony / ATV. Mixed [...] for 365 Artists. Recorded at Human Feel Studios, Los Angeles, California.
Track C3 published by EMI. Mixed [...] for 365 Artists.
Track C4 published by EMI / Warner Chappell.
Track D1 published by EMI / Universal. Mixed [...] for 365 Artists.
Track D2 published by EMI / Sony ATV / Universal. Co-produced [...] for This Much Talent. Mixed [...] for 365 Artists.
Track D3 published by EMI. Engineered [...] at The Green Building, Santa Monica.
Mastered [...] at Metropolis Mastering, London.
℗ & © 2012 Lana Del Rey, under exclusive license to Polydor (UK).
Under exclusive license to Interscope Records in the USA.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 602527934242
- Barcode (Scanned, UPC-A, on sticker): 602527950891
- Label Code: LC00309
- Rights Society: ASCAP
- Other (LP1 catalog number): 2794317 00602527943176
- Other (LP2 catalog number): 2794318 00602527943183
- Matrix / Runout (Side A runout): 97174E1/A www.gzvinyl.com- 2793424-A A1 JDavis Metrop
- Matrix / Runout (Side B runout): 97174E2/A 2793424-B B1 JD
- Matrix / Runout (Side C runout): 97174E3/A www.gzvinyl.com- 2793424-C A1
- Matrix / Runout (Side D runout): 97174E4/A 2793424-D
Other Versions (5 of 129)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Born To Die (CD, Album) | Interscope Records | 2787091 | UK | 2012 | |||
Born To Die (LP, Album, Gatefold) | Universal Music Group | 06025 2793106 7 | 2012 | ||||
Recently Edited
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Born To Die (CD, Album, Deluxe Edition, Fold-Out Cardboard Sleeve) | Universal Music Group | 06025 2793108 1 | 2012 | |||
Recently Edited
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Born To Die (CD, Album, Deluxe Edition) | Interscope Records | 2793087, 00602527930879 | Europe | 2012 | ||
Born To Die (CD, Album) | Universal Music Group | 06025 2791024 6 | Europe | 2012 |
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Reviews
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Ran my copy through the cleaner twice before playing. Minimal to no crackles. Don’t hear distortion on video games. Overall sounds great and one of the better GZ pressings I own.
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Warned by other reviews, I ran mine through my record cleaning machine before playing, and was pleasantly surprised. There is still baked in crackle lasting for about 5 seconds of Video Games, otherwise, my copy is pretty immaculate: clean, flat, and centred, as one would hope.
I have the single LP version, but the SQ on this copy is notably superior. It obviously falls short of being a sonic marvel, but the dynamics are more expansive, and the tone richer than the streamed version... At least on my system.
And Summertime Sadness is a perfect pop song. -
Sound is overall good, lots of crackling sadly, especially on D side even though I brushed it more than once.
But, in the end, that's the magic of vinyl I guess. Girlfriend is happy as it was a V-Day gift.
I recommend switching from the paper inner sleeves and adding an outer sleeve asap. Tonar ones worked great for me. -
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definitely not the brilliant pressing.
but not the worst at the same time.
Lana's voice fits on vinyl perfectly.
but, for sure, it deserve better release quality, than You get here.
I didn't listen other versions of this album. And also I can see a lot of positive s here, so You may like it too. -
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This is a good pressing. I bought a copy used and while it was very dirty at first, deep cleaning it helped massively. It was probably dirty out of the factory from those darn paper sleeves, which I immediately replaced with plastic ones after cleaning and you should too.
Sound quality is good. I think there's some clarity on the vinyl (mostly vocals) that's lacking in the CD. Though the CD does some of the thundering lows better (like in Summertime Sadness).
I do not have the US vinyl to compare to; I can imagine how cramming this album into a single LP would negatively affect the sound. The bonus songs on side D are nice. I would like it if more artists had their music pressed onto 3 sides with the 4th side containing bonus songs. -
Edited 8 years agoBought this version Last Year (Its only been 2017 for a day, so i still forget its 2017 lol) only because when i first got into collecting vinyl records, i didn't know shit & thought the bonus tracks weren't listed on the US release, & that they were hidden. I payed $20 for the standard US version in 2014 & it sounded pretty good, but i knew i was gonna get this one day & sell the old copy. Well this year i found it for only $15 & freaked out. They have This release & The Standard sold for the same price, because i don't think they saw what was different about it. Everywhere that carries it around me has both versions for the same price. Now this copy did have a lot more popping, but i think its because it had paper on it fro the sleeve. Now it sounds just as great as the old copy i owned, plus its nice to have the bonus tracks now. I would get this if you are a fan of hers (I mean probably every fan owns this by now, i mean we all know how her fans are). Now we get into why i got this, because people ether love her or hate her & i know some people will think I'm just some kid praising her, which is not what i do. I found Lana when paradise had just came out. She was kind of the first indie/alternative music i had actually listened to/picked out myself & it was something different for me back then. Would i probably freak over her now?.....No. I think she makes good music & i buy all her albums, but its not as great as a lot of people make it seem. TBH i probably pick out like a few songs i like from the album & play those mostly. I will say Born To Die had a lot on that album, but i still didn't like a few of the songs on it. I do put it in my record collection starter kit, when people ask me what to start out with. Do i think there is better albums by different artist to buy first on vinyl? yeah i do. Examples are Erotica by Madonna, Back to Black or anything else by Amy Winehouse (I would personally start with Back to Black Tho, its only $12), Pom Pom or Before Today by Ariel Pink, The velvet Underground & Nico Album, i mean i could go on & on about it, but you get my point.
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I've owned the US pressing for a couple years now. This blows it out of the water. Absolutely night and day. There is dynamic range, clarity, the highs are luscious, the bass is tight. I'm so damn happy with it. If there's surface noise, clean it. No it's not ideal but it fixes the problem.
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