AC/DC – For Those About To Rock (We Salute You)
Label: |
Sony Music – 5107661 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
A1 | For Those About To Rock (We Salute You) | 5:43 | |
A2 | I Put The Finger On You | 3:26 | |
A3 | Let's Get It Up | 3:54 | |
A4 | Inject The Venom | 3:31 | |
A5 | Snowballed | 3:23 | |
B1 | Evil Walks | 4:23 | |
B2 | C.O.D. | 3:20 | |
B3 | Breaking The Rules | 4:23 | |
B4 | Night Of The Long Knives | 3:25 | |
B5 | Spellbound | 4:30 |
Companies, etc.
- Record Company – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Recorded By – Mobile One
- Phonographic Copyright ℗ – Leidseplein Presse B.V.
- Copyright © – Leidseplein Presse B.V.
- Pressed By – Optimal Media Production – B956894
- Published By – J. Albert & Son (USA) Inc.
- Recorded At – H.I.S. Studio
- Recorded At – Family Studio
- Remastered At – Sterling Sound
Credits
- Engineer [Assistant] – Nigel Green
- Engineer [Mixing] – Dave Thoener*
- Engineer [Recording] – Mark Dearnley
- Liner Notes – Brad Tolinski
- Producer – Robert John "Mutt" Lange*
- Remastered By – George Marino
- Supervised By [Mastering] – Mike Fraser
- Written-By – Young*
Notes
Reissue from 2009, identified by the matrix number.
Sony Music logo without brushstroke, printed on the back of the cover and the label.
Gatefold cover with embossed artwork, text on front and title on rear.
Including a printed cardboard inner sleeve with liner notes and photos.
Runouts are etched.
[On back cover:]
Remastered from the original master tapes at Sterling Sound.
[...]
© 1981, 2003 Leidseplein Presse B.V. / ℗ 1981 Leidseplein Presse B.V.
[...]
Made in the EU.
[...]
"Columbia is the exclusive trademark of Sony Music Entertainment"
[...]
[On inner sleeve:]
[...]
Originally released as Atlantic 11111 on November 20, 1981
[...]
Additional artifacts courtesy Albert Produktions and Arnaud Durieux.
Sony Music logo without brushstroke, printed on the back of the cover and the label.
Gatefold cover with embossed artwork, text on front and title on rear.
Including a printed cardboard inner sleeve with liner notes and photos.
Runouts are etched.
[On back cover:]
Remastered from the original master tapes at Sterling Sound.
[...]
© 1981, 2003 Leidseplein Presse B.V. / ℗ 1981 Leidseplein Presse B.V.
[...]
Made in the EU.
[...]
"Columbia is the exclusive trademark of Sony Music Entertainment"
[...]
[On inner sleeve:]
[...]
Originally released as Atlantic 11111 on November 20, 1981
[...]
Additional artifacts courtesy Albert Produktions and Arnaud Durieux.
Barcode and Other Identifiers
- Barcode (Text): 5 099751 076612
- Barcode (Scanned): 5099751076612
- Matrix / Runout (Runout side A): B956894-01 A1
- Matrix / Runout (Runout side B): B956894-01 B1
- Label Code: LC 00162
- Rights Society: BIEM/GEMA
- Rights Society: ASCAP
Other Versions (5 of 340)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
For Those About To Rock We Salute You (LP, Album, Gatefold) | Atlantic | ATL K 50 851, ATL 50 851, SD 19111 | Europe | 1981 | ||
For Those About To Rock (We Salute You) (LP, Album, Gatefold) | Albert Productions | APLP.053, APLP-053 | Australia | 1981 | |||
Recently Edited
|
For Those About To Rock (We Salute You) (LP, Album, Stereo, Gatefold) | Atlantic | ATL K 50 851, ATL 50851 | Scandinavia | 1981 | ||
Recently Edited
|
For Those About To Rock (We Salute You) (LP, Album, Gatefold) | Atlantic | S 90.471 | Spain | 1981 | ||
New Submission
|
For Those About To Rock We Salute You (LP, Album, Club Edition, Gatefold) | Atlantic | 91 525 6 | 1981 |
Recommendations
Reviews
-
Great pressing, loud, dynamic and punchy. No quality issues with vinyl, heavy, flat and quiet. Consistent audio quality throughout, I hear no degradation whatsoever as reported here by others. No brainer.
-
Pleased to report no sound quality issues on my copy, consistent across all tracks/both sides to my ears.
Album is loud. -
Edited 2 years agoAfter the second tracks on both sides the quality goes down, and on side one particularly fast. By the time you get to snowballed you can’t hear a word being said it’s just incoherent noise
Edit: listening to it side by side to it on Spotify it only sounds kinda worse, still worse, but you can’t understand him in the digital one, he was probably drunk singing thi
Release
See all versions
Recently Edited
Recently Edited
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