Wire – Red Barked Tree
Label: |
Pinkflag – PF 18 |
---|---|
Format: |
CD
, Album
|
Country: |
UK, Europe & US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
1 | Please Take | 3:51 | |
2 | Now Was | 2:24 | |
3 | Adapt | 2:51 | |
4 | Two Minutes | 2:01 | |
5 | Clay | 3:12 | |
6 | Bad Worn Thing | 3:33 | |
7 | Moreover | 4:34 | |
8 | A Flat Tent | 2:16 | |
9 | Smash | 3:55 | |
10 | Down To This | 4:56 | |
11 | Red Barked Trees | 5:35 |
Companies, etc.
- Phonographic Copyright ℗ – Pinkflag
- Copyright © – Pinkflag
- Published By – Pinkflag
- Published By – Mute Song
- Distributed By – Cargo Records
- Distributed By – Redeye
- Recorded At – Resident Studios
- Recorded At – Press Play Studios
- Recorded At – Swim Studio
- Mixed At – Swim Studio
- Mastered At – Skye Mastering
- Glass Mastered At – Sony DADC, Southwater
Credits
- Art Direction, Photography By – Jon Wozencroft
- Artwork [Cover Image] – Jannis Kounellis
- Engineer [Press Play Studios] – Andy Ramsay
- Engineer [Resident Studio] – Sean Douglas (2)
- Mastered By – Denis Blackham
- Mixed By – Colin Newman
- Performer [Wire Are], Bass, Vocals, Performer [Various] – Graham Lewis
- Performer [Wire Are], Drums – Robert Grey
- Performer [Wire Are], Vocals, Guitar, Performer [Various] – Colin Newman
- Songwriter, Performer – Wire
Notes
Recorded at Resident Studio, London, Press Play Studios, London & Swim Studio, London. Mixed in Swim Studio.
Mastered @ Skye Mastering.
Cover image: Untitled 2010 (detail). Courtesy Sproveri gallery London.
℗ & © 2011 Pink Flag
Published by Pink Flag/Mutesong
Distributed by Cargo Records [Europe] and Redeye [USA]. Made in England.
Issued as a standard Digipak.
Mastered @ Skye Mastering.
Cover image: Untitled 2010 (detail). Courtesy Sproveri gallery London.
℗ & © 2011 Pink Flag
Published by Pink Flag/Mutesong
Distributed by Cargo Records [Europe] and Redeye [USA]. Made in England.
Issued as a standard Digipak.
Barcode and Other Identifiers
- Barcode (Text): 5 055300 321015
- Barcode (Scanned): 5055300321015
- Matrix / Runout (Variant 1 to 6): Sony DADC PF18CD 01
- Mastering SID Code (Variant 1, 2, 3, 5, 6): IFPI LY33
- Mould SID Code (Variant 1): IFPI AEW22
- Mould SID Code (Variant 2): IFPI AEW42
- Mould SID Code (Variant 3): IFPI AEW39
- Mould SID Code (Variant 4): IFPI AEW41
- Mould SID Code (Variant 5): IFPI AEW43
- Mould SID Code (Variant 6): IFPI AEW35
Other Versions (5 of 10)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Red Barked Tree (CD, Album) | Popfrenzy Records | PF 118 | Australia | 2010 | ||
New Submission
|
Red Barked Tree (CD, Album) | Pinkflag | PF 18 | UK, Europe & US | 2010 | ||
New Submission
|
Red Barked Tree (CDr, Album, Promo) | Pinkflag | PF 18 | UK, Europe & US | 2010 | ||
New Submission
|
Red Barked Tree (LP, Test Pressing, White Label) | Pinkflag | PF 18 LP | UK | 2010 | ||
New Submission
|
Red Barked Tree (CDr, Promo) | Popfrenzy Records | none | Australia | 2010 |
Recommendations
Reviews
-
What's there to say about Wire. Their debut album was 1977, they've done quite a few since then. It could be argued that the ship sailed after guitarist Bruce Gilbert left in 2004, but then along came their 2008 record "Object 47" which blew apart anyone's conceptions about the tank being on empty. "Red Barked Tree" sounds more like a Colin Newman solo record than something Wire would put out, he's their front-man by the way. This isn't a good sign, then again there are enough moments on here to salvage what would otherwise be a rather indulgent exercise in monotony. They seem to have gone for a gray, unyielding tone of resigned aplomb with this one. It may take a few more listens but this outing just doesn't have any songs which stand out. It's not surprising that a maudlin offering would come from them, it's happened before. Manscape, anyone?
Over the arc of the album you can feel the weight of what it must be like for this band to be themselves. They don't sound like anyone else, this much you should know but there isn't a whole lot of innovation going on and by the time you finish listening to "Red Barked Tree", you're wondering where the rest of it is. Wire sound as taut as their name, there's no flab in their music or anything excessively done in the arrangements but it all just feels so obligatory which is about the last thing you'd expect from one of (if not the) definitive groups of the punk/post-punk era. They are in their fifties at this point, so perhaps they're simply mellowing. I'd hate to think they were bowing to the conventions of expectation by compromising. After all, it's not as though they aren't known and it isn't as if there's some record label breathing down their neck making draconian demands: it's their own label putting it out!
I don't know what to feel about all this but it isn't a pleasant set of thoughts. Perhaps it's time to set Wire down for a while, a good long while. Thirty-three years of work is enough to burn anyone out, even these fellows.
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