Portishead – Roseland NYC Live
Label: |
Go! Beat – 559 424-1 |
|---|---|
Format: |
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Country: |
UK & Europe |
Released: |
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Genre: |
Funk / Soul |
Style: |
Trip Hop |
Tracklist
| A1 | Humming | |
| A2 | Cowboys | |
| A3 | All Mine | |
| B4 | Mysterons | |
| B5 | Only You | |
| B6 | Half Day Closing | |
| B7 | Over | |
| C1 | Glory Box | |
| C2 | Sour Times | |
| D3 | Roads | |
| D4 | Strangers |
Companies, etc.
- Licensed To – Polydor Ltd. (UK)
- Phonographic Copyright ℗ – Go! Beat
- Copyright © – Go! Beat
- Pressed By – MPO
- Published By – Chrysalis Music Ltd.
- Published By – EMI Music Publishing
- Published By – Rondor Music Ltd.
- Published By – Warner/Chappell Music
- Published By – MCA Music
- Recorded At – Roseland Ballroom
- Recorded At – The Warfield
- Recorded At – Quart Festival
- Designed At – Ryan Art
Credits
- Bass – Jim Barr
- Bass [Orchestra] – John Miller (2) (tracks: A1 to C1, D4)
- Cello – Susie Katayama* (tracks: A1 to C1, D4)
- Conductor – Nick Ingman (tracks: A1 to C1, D4)
- Design – Sarah Sherley-Price
- Directed By – Geoff Barrow
- Drums – Clive Deamer (tracks: A2 to B5, B7 to D4)
- Engineer – Rik Simpson (tracks: A1 to C1, D4)
- Engineer [Live Sound] – Keith Grant
- Guitar – Adrian Utley (tracks: A2 to D4)
- Keyboards – John Baggott
- Lacquer Cut By – JA*
- Leader [Orchestra Manager] – Jesse Levy
- Management – Fruit (8)
- Orchestrated By – Nick Ingman
- Producer – Portishead (tracks: A1 to C1, D4)
- Recorded By – Sean McClintock
- Turntables [Decks] – Geoff Barrow
- Viola – Susan Follari (tracks: A1 to C1, D4)
- Violin – Anthony Posk* (tracks: A1 to C1, D4)
- Vocals – Beth Gibbons
- Written-By – Barrow*
Notes
Includes a four- poster and printed inner sleeves with photos and credits.
All tracks recorded live at the Roseland Ballroom, New York City 24th July 1997.
Except track C2 recorded live at the Warfield, San Francisco 1st April 1998; track D3 recorded live at the Quart Festival, Kristiansand 3rd July 1998.
A1 to B4, B7, D3: Chrysalis Music Ltd.
B5, B6: Chrysalis Music Ltd/EMI Music Publishing
C1: Chrysalis Music Ltd/Rondor Music Ltd
C2: Chrysalis Music Ltd/Warner Chappell Music
D4: Chrysalis Music Ltd/MCA Music
℗ 1998 Go Beat
© 1998 Go Beat
The copyright in this sound recording is owned by Go Beat under exclusive license to Polydor Ltd. (UK)
Tracks are sequentially listed.
All tracks recorded live at the Roseland Ballroom, New York City 24th July 1997.
Except track C2 recorded live at the Warfield, San Francisco 1st April 1998; track D3 recorded live at the Quart Festival, Kristiansand 3rd July 1998.
A1 to B4, B7, D3: Chrysalis Music Ltd.
B5, B6: Chrysalis Music Ltd/EMI Music Publishing
C1: Chrysalis Music Ltd/Rondor Music Ltd
C2: Chrysalis Music Ltd/Warner Chappell Music
D4: Chrysalis Music Ltd/MCA Music
℗ 1998 Go Beat
© 1998 Go Beat
The copyright in this sound recording is owned by Go Beat under exclusive license to Polydor Ltd. (UK)
Tracks are sequentially listed.
Barcode and Other Identifiers
- Barcode (Text): 7 31455 94241 5
- Barcode (Scanned): 731455942415
- Label Code: LC 7142
- Matrix / Runout (Runout Disc 1 Side A - Etched): MPO 559598-1 A-1 JA
- Matrix / Runout (Runout Disc 1 Side B - Etched): MPO 559598-1 B-1
- Matrix / Runout (Runout Disc 2 Side A - Etched): MPO 559599-1 A-1 JA
- Matrix / Runout (Runout Disc 2 Side B - Etched): MPO 559599-1 B-1
- Rights Society: BIEM/MS
- Price Code: PY 281
- Other (Cat# Disc 1): 559598-1
- Other (Cat# Disc 2): 559599-1
Other Versions (5 of 76)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Roseland NYC Live (CD, Album, Enhanced, Digipak, Slipcase) | Go! Beat | 559 446-2 | UK | 1998 | ||
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Recently Edited
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Roseland NYC Live (CD, Album) | Go! Beat | PO-7333 | Japan | 1998 | ||
| Roseland NYC Live (CD, Album, Club Edition) | London Records | P2 59424 | US | 1998 | |||
|
Recently Edited
|
Roseland NYC Live (CD, Album) | Go! Beat | 559 424-2 | Argentina | 1998 | ||
|
Recently Edited
|
Roseland NYC Live (Cassette, Album) | Go! Beat | 559 424-4 | Poland | 1998 |
Recommendations
Reviews
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I think this is a pretty great pressing--not it's not perfect, so clean it well before playing (I had to do it to get rid of some annoying pops--there was some extra vinyl). I would encourage big fans to get the 10" release. The version of Sour times on the 10" is RADICALLY different than the one at the Roseland concert. Not necessarily better or worse--the version on the reissue from the concert songs much more like the studio version--but it's nice to hear them mess with it.
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can anyone let me know which samples-go to which-song:
Humming
Cowboys
All mine
Only you
Half day…
Over
= = = ken horne “inspector clouseau”
= = = the pharcyde “she said”
= = = smokey brooks “spin it jig”
thanks in-adnvance, on-their first album
This-is explanatory = whereinwhich i
have that/info & the “songs” they
were sampled-from 😊
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What I like about this sound is the fact that it is raw, I mean, there is audible , a sibilant Beth Gibbons voice and noises from an ecstatic public! Real live experience! -
All I can say is this performance is mind blowing and equally solid pressing, this record is a gem and a keeper! -
Is there any difference, sound-wise, between the Go-Beat! 2008 Repress and the 2012 Music-on-Vinyl reissue? -
Edited 4 years agoI avoided this live album back then, because neither did it contain all the songs from the Roseland Ballroom concert nor were all the recordings from that concert. What a strange release. I really don't know what the point of buying this would have been. I already had the DVD with the whole concert, and there was a brilliant bootleg CD floating about that year - which I unfortunately lost.
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Edited 4 years agoAs far as the quality goes, it's a great clean pressing, with good bass reproduction, nice placement of instruments, but my only criticism is its a little too mono sounding.
2021 EDIT - it really does sound dire. -
The song "Sourtimes" is different in the CD audio version compared with the DVD one, the first one is slower... I prefer the DVD one... -
Release
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