Bill Evans – Trio 64
Tracklist
| A1 | Little Lulu | 3:40 | |
| A2 | A Sleeping Bee | 4:39 | |
| A3 | Always | 4:00 | |
| A4 | Santa Claus Is Coming To Town | 4:22 | |
| B1 | I'll See You Again | 3:52 | |
| B2 | For Heaven's Sake | 4:22 | |
| B3 | Dancing In The Dark | 4:35 | |
| B4 | Everything Happens To Me | 4:35 |
Companies, etc.
- Record Company – Universal Music
- Record Company – Verve
- Record Company – Acoustic Sounds Inc.
- Distributed By – Universal Music Enterprises
- Copyright © – UMG Recordings, Inc.
- Lacquer Cut At – Sterling Sound
- Mastered At – Sterling Sound
- Pressed By – Quality Record Pressings
- Printed By – Stoughton Printing Co.
Credits
- Bass – Gary Peacock
- Design [Designed By] – Acy R. Lehman*
- Drums – Paul Motian
- Engineer [Director Of Engineering] – Val Valentin
- Engineer [Recording Engineer] – Bop Simpson*
- Lacquer Cut By – RKS*
- Mastered By [Reissue Mastering] – Ryan Smith (2)
- Painting [Cover Painting], Cover [Cover Painting] – Olga Albizu
- Piano – Bill Evans
- Producer [Produced By], Sleeve Notes – Creed Taylor
- Sleeve Notes [Billboard] – Jack Maher
- Supervised By [Reissue Supervisor, Acoustic Sounds] – Chad Kassem
Notes
Recorded in New York City, Dec. 18, 1963.
A Verve Records Release; Originally released in 1964 by Verve Records.
© 2021 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
A Verve Records Release; Originally released in 1964 by Verve Records.
© 2021 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 34603 8
- Barcode (Scanned, EAN-13): 0602435346038
- Barcode (Scanned, UPC-A): 602435346038
- Other (Inside jacket): V/V6-8578
- Matrix / Runout (A side label, on edge): B0033123-01 A
- Matrix / Runout (B side label, on edge): B0033123-01 B
- Matrix / Runout (A side label): V6-8578-A (64-VGS-518)
- Matrix / Runout (B side label): V6-8578-B (64-VGS-519)
- Matrix / Runout (A side runout, etched, "STERLING" stamped): B0033123-01A RKS STERLING
- Matrix / Runout (B side runout, etched, "STERLING" stamped): B0033123-01 B RKS STERLING
Other Versions (5 of 57)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Trio 64 (LP, Album, Mono, Gatefold) | Verve Records | V-8578, V/V6-8578 | US | 1964 | ||
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New Submission
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Trio 64 (LP, Album, Mono, Gatefold) | Verve Records | V-8578 | 1964 | |||
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New Submission
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Trio 64 (LP, Album, Reissue, Stereo, Gatefold) | Verve Records | V/ V6-8578, V6-8578 | 1964 | |||
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New Submission
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Trio 64 (Reel-To-Reel, 7 ½ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album) | Verve Records | VSTC 313 | US | 1964 | ||
| Trio 64 (LP, Album, Stereo) | Verve Records | V6-8578, V6/8578 | US | 1964 |
Recommendations
Reviews
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Anyone notice any wow and flutter on the Piano? I can hear it wobble a bit at times. Haven't noticed this with any of my other records, and this doesn't seem to be pressed off-center or anything. The wobble also seems less pronounced on digital versions, but I can still hear some. Not sure if I should try another copy. -
Edited 2 years ago"Little Lulu" was my first experience hearing Bill Evans, having bought a Polygram jazz sampler in '85. Such a swingin' trio.
Was happy to pick up a clean copy of this reissue. The low frequencies sounds wonderful and overall so much great dynamics. Bass articulation(pluck) and ride cymbal ping pop right out into the room.
The pressing is mostly acceptable but at times exhibits pre-groove ghosting and other rumbly sounds between songs. A3 has inner groove distortion starting at the bass solo. Darn.
Hey, I'm just happy to be listening to BE. Everything else is a bonus. 4.5 stars. -
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Edited 2 years agoBeautiful Piano Trio album recorded shortly before Xmas 63. Hard to choose between ‚64 and ‚65. Best is to get them both. A fine remastering work by RKS and good pressing. One would only wish that the recording engineers at that time would have understood that they are not just recording a pianist as part of a group but one of the greatest jazz pianists of all times. BE would have deserved a more focused and far better recording work.
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The stereo image, the dynamic and the general presentation of this pressing is amazingly good. This is the record, if you want to show someone how a jazz Record can sound on a capable sound system. Noticed some dropped jaws already :) -
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The best release of this album ive heard so far basically amongst all the recent times reissues and everything is A☆ from pressing, mastering to presentation. Bring on Trio 65 already, a release waaaaay overdue and make sure it matches the qualities of this one!
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Have the DeAgostini version from 2016 which is fine, but this is so much more dynamic sounding and the timbre of the bass is that much richer sounding, my copy is flat and noise free. .
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