BTFlaming June

Label:

Perfecto – 0630-19473-2

Format:

CD , Single , CD2

Country:

UK

Released:

Genre:

Classical

Style:

Modern Classical

Tracklist

1 Flaming June (BT & PVD Mix)
RemixPVD*
Remix, Producer [Additional Production]Paul Van Dyk
8:50
2 Flaming June (Lemon D Remix)
Remix, Producer [Additional Production]Lemon D
8:13
3 Flaming June (H.H.C. Remix)
Engineer [Additional Engineering], Producer [Additional Production], Programmed By [Additional Programming]Nigel Champion
RemixH.H.C.
7:26
4 Flaming June (Simon Hale's Orchestrata)
Mixed ByJohn Gallen
RemixSimon Hale
5:12

Companies, etc.

  • Engineered AtThe Surgery
  • Produced AtThe Surgery
  • Published ByOld Gate Music
  • Published ByBMG Music Ltd ()
  • Phonographic Copyright ℗Warner Music UK Ltd.
  • Copyright ©Warner Music UK Ltd.
  • Glass Mastered AtDisctronics S

Credits

  • Art DirectionBlue Source
  • Photography By [Landscape]Sigurgeir Sigurjónsson
  • Photography By [Still Life]Pete Gardener*
  • ProducerB. Transeau*

Notes

Track 3: H.H.C. mix courtesy of C.S.M.F. Records Limited, with all additional engineering, production and programming at The Surgery.

℗ 1997 Warner Music UK Ltd.
© 1997 Warner Music UK Ltd.

CD comes in cardboard sleeve with a cardboard outer sleeve.

CD2 of 2CD set. See Flaming June for CD1.

Barcode and Other Identifiers

  • Barcode (Text): 7 0630-19473-2 6
  • Barcode (Scanned): 706301947326
  • Label Code: LC 1557
  • Rights Society: GEMA / BIEM
  • Matrix / Runout: DISCTRONICS S PERF 145 CD 2 01
  • Mastering SID Code: IFPI L502
  • Mould SID Code: IFPI 8776

Other Versions (5 of 28)

View All
Title (Format) Label Cat# Country Year
Flaming June (12", 45 RPM, Single) Perfecto PERF157T, 3984-21743-0 UK 1997
Recently Edited
Flaming June (2×12", 45 RPM, Promo) Perfecto SAM3008 UK 1997
Recently Edited
Flaming June (CD, Single, Promo) Perfecto PRCD715 UK & Europe 1997
Recently Edited
Flaming June (CD, Single, CD1) Perfecto PERF145CD1, 0630-19472-2 UK 1997
Recently Edited
Flaming June (2×12") Perfecto PERF145T UK 1997

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Reviews

  • dj_norf_yurksha's avatar
    4 Flaming June (Simon Hale's Orchestrata)
    Mixed By – John Gallen
    Remix – Simon Hale
    5:12
    is simply stunning and beautiful, nuff said.
    • SYSTEM-J's avatar
      SYSTEM-J
      Edited 13 years ago
      This single contains probably the least well-known mixes of this track. The main mix is a massive classic and needs no introduction, although I prefer the full 11 minute mix that I believe is only widely available on Paul Van Dyk's "Perspectives" remix compilation. Lemon D provides a very disappointing drum 'n bass remix. You'd be forgiven for thinking a drum 'n bass remix of a trance record from 1997 would be a lush atmospheric affair, but this is little more than a time-stretched sample of the main melody over a vaguely "dirty" beat.

      Much better is the HHC remix. Colin Hudd and Nigel Champion were responsible for some seminal '90s classics, including We're Not Alone, Talisman & Hudson - Leaving Planet Earth and Talismantra - Warmth Reheated, and their remix of Flaming June lives up to that pedigree. They stick within the trance genre but provide quite a different take - less "songy", with the pianos stipped away, and more of an emphasis on a driving bottom end. It's a rare example of a remix of a great track that actually feels worthwhile, and it's the only dancefloor version apart from the original I'd play. Rounding up the package is Simon Hale's Orchestrata version, which will be familiar to most as the hidden track at the end of ESCM. These two versions make this single worth hunting down, and you get a lovely cardboard sleeve for your pennies.
      • Universe's avatar
        Universe
        Edited 18 years ago
        The title 'Flaming June' was inspired by a comment made by a Manchester taxi driver to Brian Transeau about the filthy weather at the time. Hence it is appropriate that Simon Hale - a musician who is no stranger to the Manchester music scene - should provide an orchestral version.

        Indeed this orchestral version proves the theory that the very best music is essentially based on simple ideas that can be translated into multiple forms. Unfortunately, this idea of providing orchestral versions never caught on.

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