R.E.M. – Up
Label: |
Warner Bros. Records – 1-477112 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Downtempo |
Tracklist
| A1 | Airportman | 4:11 | |
| A2 | Lotus | 4:29 | |
| A3 | Suspicion | 5:35 | |
| B1 | Hope | 5:01 | |
| B2 | At My Most Beautiful | 3:33 | |
| B3 | The Apologist | 4:28 | |
| B4 | Sad Professor | 4:00 | |
| C1 | You're In The Air | 5:21 | |
| C2 | Walk Unafraid | 4:30 | |
| C3 | Why Not Smile | 4:02 | |
| C4 | Daysleeper | 3:38 | |
| D1 | Diminished | 4:59 | |
| D2 | Parakeet | 4:08 | |
| D3 | Falls To Climb | 5:05 |
Companies, etc.
- Record Company – Warner Bros. Records Inc.
- Record Company – Time Warner
- Phonographic Copyright ℗ – R.E.M./Athens L.L.C.
- Copyright © – R.E.M./Athens L.L.C.
- Recorded At – La Casa Del Elefante
- Recorded At – Toast Studios
- Recorded At – John Keane Studios
- Recorded At – Baby Monster Studios
- Mixed At – RPM Studios
- Mixed At – John Keane Studios
- Mixed At – The Hit Factory
- Mixed At – Tree Sound Studios
- Lacquer Cut At – Sterling Sound
- Published By – Temporary Music (2)
- Published By – Sony/ATV Songs LLC
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Sony / ATV Music Publishing
- Pressed By – Specialty Records Corporation
Credits
- Arranged By [Strings] – R.E.M. (tracks: A3, C1)
- Band [R.E.M.] – Peter Buck
- Cello – Nan Maddox (tracks: A2, A3, C1)
- Conductor – Jere Flint (tracks: A2, A3, C1)
- Cover [Packaging] – Michael Stipe
- Double Bass – Douglas Sommer (tracks: A2, A3, C1)
- Edited By [Digital] – Paul Falcone (tracks: A1, A3, B4, C1, C3, D1)
- Engineer [Additional, New York] – John Hopkins (2) (tracks: D3)
- Engineer [Athens] – John Keane (tracks: A1, B4, C3)
- Engineer [San Francisco] – Charlie Francis
- Engineer [Seattle] – Peter Buck
- Engineer [Second, Athens] – Rob Haddock
- Engineer [Second, San Francisco] – Robert Shimp
- Engineer [Second] – Suzanne Dyer (tracks: A2, B1, B3, C2, C4, D2, D3)
- Lacquer Cut By – SF*
- Leader – Paul Murphy (5) (tracks: A2, A3, C1)
- Legal [Advisor] – Bertis Downs*
- Mastered By – Ted Jensen
- Mixed By – R.E.M. (tracks: A1, A3, B4, C1, C3, D1)
- Musician [Additional] – Scott McCaughey
- Other [Office] – Chris Bilheimer, David Bell, Kevin O'Neil, Mercer Brockenbrough, Meredith Williams, Sarah Petit
- Photography By – Nick Wickham
- Producer – R.E.M.
- Technician [Technical Assistance] – Microwave (9)
- Viola – Reid Harris (tracks: A2, A3, C1)
- Violin – Willard Shull (tracks: A2, A3, C1)
- Written-By – Buck*
Notes
Contains insert with lyrics.
The end of D1 includes the short song "I'm Not Over You" which is only listed on the lyric insert
Recording:
La Casa del Elefante, Seattle
Toast, San Francisco
John Keane Studios, Athens
Additional Recording on D3 at
Baby Monster Studios, New York.
Mixing at RPM Studios, New York
John Keane Studios, Athens
Hit Factory, New York
Tree Sound Studios, Atlanta
Strings recorded at Tree Sound Studios, Atlanta
Mastered at Sterling Sound
© ℗ 1998 R.E.M./Athens, L.L.C.
Made in USA
All Songs ©1998 Temporary Music (BMI) except B1 ©1998 Sony/ATV Songs LLC/Temporary Music (BMI). This song contains elements of "Suzanne" by Leonard Cohen ©1967 Sony/ATV Songs LLC . by Sony/ATV Music Publishing. Temporary Music istered in this quote-unquote world by Warner-Tamerlane Publishing Corp.
The end of D1 includes the short song "I'm Not Over You" which is only listed on the lyric insert
Recording:
La Casa del Elefante, Seattle
Toast, San Francisco
John Keane Studios, Athens
Additional Recording on D3 at
Baby Monster Studios, New York.
Mixing at RPM Studios, New York
John Keane Studios, Athens
Hit Factory, New York
Tree Sound Studios, Atlanta
Strings recorded at Tree Sound Studios, Atlanta
Mastered at Sterling Sound
© ℗ 1998 R.E.M./Athens, L.L.C.
Made in USA
All Songs ©1998 Temporary Music (BMI) except B1 ©1998 Sony/ATV Songs LLC/Temporary Music (BMI). This song contains elements of "Suzanne" by Leonard Cohen ©1967 Sony/ATV Songs LLC . by Sony/ATV Music Publishing. Temporary Music istered in this quote-unquote world by Warner-Tamerlane Publishing Corp.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-47112-1 6
- Matrix / Runout (Side A Runout Etched): 1-47112-A SR1 SF[In Oval]
- Matrix / Runout (Side B Runout Etched): 1-47112-B SR1 SF[In Oval]
- Matrix / Runout (Side C Runout Etched): 1-47112-C SR1 SF[In Oval]
- Matrix / Runout (Side D Runout Etched): 1-47112-D SR1 SF[In Oval]
- Matrix / Runout (Stamped All Sides): STERLING
- Rights Society: BMI
Other Versions (5 of 68)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Up (CD, Album) | Warner Bros. Records | 9362-47112-2 | Europe | 1998 | |||
| Up (CD, Album) | Warner Bros. Records | CDW 47112 | Canada | 1998 | |||
| Up (CD, Album, WEA Olyphant Pressing) | Warner Bros. Records | 9 47112-2 | US | 1998 | |||
|
Recently Edited
|
Up (CD, Album, Box Set, Limited Edition) | Warner Bros. Records | 9 47151-2 | US | 1998 | ||
|
Recently Edited
|
Up (Cassette, Album) | Warner Bros. Records | 9362-47112-4 | Europe | 1998 |
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Reviews
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The last great R.E.M. album, and surely their most underrated. I fell out of love with them after this. -
Edited 4 years agoStunning pressing! Quiet, rich and detailed sound, it made me like the album better than when I originally only had the CD.... -
One of my favourite R.E.M. albums; certaintly the most beautiful sounding and one that stands out among their discography for it's more experimental leanings.
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Release
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Recently Edited
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