Aphex Twin – 26 Mixes For Cash
Label: |
Warp Records – WarpCD102 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Acid |
Tracklist
| 1-01 | Seefeel– | Time To Find Me (AFX Fast Mix) | 7:34 |
| 1-02 | Gavin Bryars Ensemble– | Raising The Titanic (Big Drum Mix) | 8:42 |
| 1-03 | Gentle People*– | Journey (Aphex Twin Care Mix) | 10:14 |
| 1-04 | Kinesthesia– | Triachus (Mix By Aphex Twin) | 4:12 |
| 1-05 | Philip Glass– | Heroes (Aphex Twin Remix) | 5:18 |
| 1-06 | Buck Tick*– | In The Glitter Part 2 (Aphex Twin Mix) | 5:02 |
| 1-07 | Jesus Jones– | Zeros And Ones (Aphex Twin Reconstruction #2) | 5:49 |
| 1-08 | Nav Katze– | Ziggy (Aphex Twin Mix #1) | 4:25 |
| 1-09 | Saint Etienne– | Your Head My Voice (Voix Revirement) | 3:15 |
| 1-10 | Nav Katze– | Change (Aphex Twin Mix #2) | 4:16 |
| 1-11 | The Beatniks– | Une Femme N’est Pas Un Homme (Aphex Twin Mix) | 4:06 |
| 1-12 | Nine Inch Nails– | The Beauty Of Being Numb Section B (Created By Aphex Twin) | 3:27 |
| 1-13 | Nobukazu Takemura– | Let My Fish Loose (Aphex Twin Remix) | 5:26 |
| 2-01 | Die Fantastischen Vier– | Krieger (Aphex Twin Baldhu Mix) | 3:23 |
| 2-02 | Phillip Boa & The Voodoo Club*– | Deep In Velvet (Aphex Twin Turnips Mix) | 3:50 |
| 2-03 | Curve– | Falling Free (Aphex Twin Remix) | 7:41 |
| 2-04 | Mescalinum United– | We Have Arrived (Aphex Twin QQT Mix) | 4:23 |
| 2-05 | Nine Inch Nails– | At The Heart Of It All (Created By Aphex Twin) | 3:49 |
| 2-06 | 808 State– | Flow Coma (Remix By AFX) | 4:59 |
| 2-07 | Aphex Twin– | Windowlicker (Acid Edit) | 4:15 |
| 2-08 | Baby Ford– | Normal (Helston Flora Remix By AFX) | 6:51 |
| 2-09 | Aphex Twin– | SAW2 CD1 TRK2 (Original Mix) | 6:30 |
| 2-10 | Meat Beat Manifesto– | Mindstream (The Aphex Twin Remix) | 3:42 |
| 2-11 | DMX Krew– | You Can't Hide Your Love (Hidden Love Mix) | 5:05 |
| 2-12 | Wagon Christ– | Spotlight (Aphex Twin Mix) | 6:57 |
| 2-13 | Mike Flowers Pops*– | Debase (Soft Palate) | 5:50 |
Companies, etc.
- Licensed From – Too Pure Ltd.
- Licensed From – Decca Music Group Limited
- Licensed From – Rephlex
- Licensed From – Victor Entertainment, Inc.
- Licensed From – EMI Commercial Markets
- Licensed From – Heavenly Recordings
- Licensed From – Vap
- Licensed From – Universal Music
- Licensed From – Toy's Factory
- Licensed From – Sony Music Entertainment () GmbH
- Licensed From – Universal Music GmbH
- Licensed From – BMG
- Licensed From – Acardipane Records
- Licensed From – PIAS Benelux
- Licensed From – Luke Vibert
- Licensed From – Lo Recordings
- Produced For – Euphorbia Productions Ltd.
- Produced For – Constrictor Productions
- Produced For – Planet Core Productions
- Phonographic Copyright ℗ – Warp Records Limited
- Phonographic Copyright ℗ – Too Pure Ltd.
- Phonographic Copyright ℗ – Point Music Ltd.
- Phonographic Copyright ℗ – Rephlex
- Phonographic Copyright ℗ – Victor Entertainment, Inc.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Phonographic Copyright ℗ – Heavenly Recordings
- Phonographic Copyright ℗ – Vap
- Phonographic Copyright ℗ – TVT Records
- Phonographic Copyright ℗ – Interscope Records
- Phonographic Copyright ℗ – Idyllic Records
- Phonographic Copyright ℗ – Sony Music Entertainment () GmbH
- Phonographic Copyright ℗ – Motor Music GMBH
- Phonographic Copyright ℗ – Anxious Records
- Phonographic Copyright ℗ – Planet Core Productions
- Phonographic Copyright ℗ – Men Records
- Phonographic Copyright ℗ – Play It Again Sam Records
- Phonographic Copyright ℗ – Luke Vibert
- Phonographic Copyright ℗ – Lo Recordings
- Copyright © – Warp Records Limited
- Copyright © – Tintoretto Music
- Copyright © – Screen Gems-EMI Music Inc.
- Copyright © – BMG Music Publishing Ltd.
- Copyright © – Dunvagen Music Publishers, Inc.
- Published By – Chrysalis Music Ltd.
- Published By – Victor Music Publishing Co., Inc.
- Published By – EMI Music Publishing Ltd.
- Published By – Fujipacific Music Inc.
- Published By – Warner/Chappell
- Published By – Leaving Hope Music, Inc.
- Published By – TVT Music, Inc.
- Published By – Toy's Factory Music Publishing
- Published By – Edition "Vierte Dimension"
- Published By – BMG Ufa
- Published By – Constrictor Musikverlag
- Published By – Anxious Music Ltd.
- Published By – Sony Music Publishing Ltd.
- Published By – Virgin Music (Publishing) Ltd.
- Published By – ICM (2)
- Published By – Hanseatic
- Published By – Rhythm King Music
- Published By – Chrysalis Music
- Published By – Les Editions Confidentielles
- Published By – W.I.M.P.
- Recorded At – Llannerlog Studios
- Recorded At – Clissolog
- Recorded At – The Bank (5)
- Manufactured By – Pozzoli
- Pressed By – MPO Broadcrest
Credits
- Design – TDR*
Notes
6- Digipak with two white trays, leftmost with sleeve for booklet and 6- booklet.
First edition in a Digipak, later copies issued in a jewel case.
Copies shipped from Warpmart include a small clear plastic sleeve containing a pair of limited edition foil-wrapped Aphex Twin chocolate coins.
Inner Digipak :
Tracks 1-01, 1-07, 2-03 done in the frontroom, Southgate Road.
Tracks 1-02 to 1-06, 1-08, 1-10 to 1-13, 2-01, 2-02, 2-05, 2-09, 2-12, 2-13 made at the Atomic Ab.sorption Laboratory, Clissolog Studio.
Tracks 2-07, 2-08, 2-11 recorded at the Bank.
Tracks 1-09, 2-10 made at Lannerlog.
Track 2-04 Clayhill.
Back Cover:
This compilation ℗ 2003 Warp Records Limited.
© 2003 Warp Records Limited.
Made in England.
Track 2-06 listed as "Remix By AFX", with no artist or title given.
Track 2-09 title refers to Selected Ambient Works Volume II, CD 1, track 2.
Seven tracks have been edited for this release from their original longer versions:
1-04 edited from original 5:21 version.
1-05 edited from original 5:32 version.
1-08 edited from original 6:02 version.
1-09 edited from original 4:10 version.
1-11 edited from original 5:25 version.
2-05 edited from original 7:14 version.
2-10 edited from original 6:53 version.
Insert s:
1-01 Published by Chrysalis Music ℗ 1993 Too Pure Records Limited. Licensed courtesy of Too Pure Records Limited.
1-02 ℗ 1994 Point Music. Licensed courtesy of Decca Music Group.
1-03 Published by D.Stoddard/J.Leahy/L.Bette/S.Simmonon/Chrysalis Music ℗ 1995 Rephlex from Journey, The Gentle People Rephlex CAT040CD/EP. Licensed courtesy of www.rephlex.com.
1-04 Published by Chris Jeffs/Chrysalis Music ℗ 1998 Rephlex, from Previously Unavailable On Compact Disc, Cylob. Rephlex CAT055CD. Licensed courtesy of www.rephlex.com
1-05 Produced for Euphorbia Productions, Ltd. © 1977 Tintoretto Music (BMI), Screen Gems-EMI Music, Inc. (BMI) & BMG Music Publishing Ltd. (BMI). © 1996 Dunvagen Music Publishers, Inc. Symphony istered throughout world exclusively by Dunvagen Music Publishers, Inc. (ASCAP) ℗ 1996 Point Music Ltd. Licensed courtesy of Decca Music Group.
1-06 Published by Victor Music Publishing ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-07 Published by EMI Music Publishing Ltd ℗ 1993 EMI Records Ltd. Licensed courtesy of EMI Commercial Markets.
1-08 Published by Fujipacific Music Inc ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-09 Published by Warner Chappell/Chrysalis Music ℗ 1993 Heavenly Recordings. Licensed courtesy of Heavenly Recordings.
1-10 Published by Fujipacific Music Inc ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-11 ℗ 1994 VAP, from Another High Exit, The Beatniks. Licensed courtesy of VAP.
1-12 (Leaving Hope/TVT Music, Inc ASCAP) ℗ 1995 TVT/Interscope Records. Licensed courtesy of Universal Music.
1-13 Published by Toy's Factory Music Publishing ℗ 1995 Idyllic. Licensed courtesy of Toy's Factory.
2-01 Published by Edition Vierte Dimension of EMI Music Publishing GmbH ℗ 1996 Sony Music Entertainment () GmbH, from Live Und Direkt, Die Fantastischen Vier. Licensed courtesy of Sony Music Entertainment () GmbH.
2-02 Original song and sounds produced for Constrictor Productions. Published by BMG-Ufa/Constrictor Music ℗ 1995 Motor Music GmbH. Licensed courtesy of Universal Music GmbH.
2-03 Published by Anxious Music Ltd/Sony Music Publishing Ltd/Virgin Music (Publishing) Ltd ℗ 1992 Anxious Records. Licensed courtesy of BMG.
2-04 Written and produced for Planet Core Productions. Published by ICM/Hanseatic ℗ 1990 P. Licensed courtesy of Acardipane.
2-05 (Leaving Hope/TVT Music, Inc ASCAP) ℗ 1995 TVT/Interscope Records. Licensed courtesy of Universal Music.
2-06 Published by Massey/Simpson/Price/Chrysalis Music ℗ 2001 MEN1, from 2 Remixes by AFX, (MEN1). Licensed courtesy of www.rephlex.com.
2-07 Published by Chrysalis Music. ℗ 2003 Warp Records Limited.
2-08 Published by Rhythm King Music/Chrysalis Music ℗ 1998 Rephlex, from Normal, Baby Ford (Rephlex BFORD15). Licensed courtesy of www.rephlex.com.
2-09 Published by Chrysalis Music ℗ 2003 Warp Records Limited.
2-10 Published by Les Editions Confidentielles ℗ 1993 Play It Again Sam Records. Licensed courtesy of PIAS Benelux.
2-11 Published by Ed DMX/Chrysalis Music ℗ 1997 Rephlex, from Ffressshh!, DMX Krew (Rephlex CAT053CD/LP). Licensed courtesy of www.rephlex.com.
2-12 ℗ 1995 Luke Vibert. Licensed courtesy of Luke Vibert.
2-13 Published by W.I.M.P ℗ 1996 Lo Recordings. Licensed courtesy of Lo Recordings.
First edition in a Digipak, later copies issued in a jewel case.
Copies shipped from Warpmart include a small clear plastic sleeve containing a pair of limited edition foil-wrapped Aphex Twin chocolate coins.
Inner Digipak :
Tracks 1-01, 1-07, 2-03 done in the frontroom, Southgate Road.
Tracks 1-02 to 1-06, 1-08, 1-10 to 1-13, 2-01, 2-02, 2-05, 2-09, 2-12, 2-13 made at the Atomic Ab.sorption Laboratory, Clissolog Studio.
Tracks 2-07, 2-08, 2-11 recorded at the Bank.
Tracks 1-09, 2-10 made at Lannerlog.
Track 2-04 Clayhill.
Back Cover:
This compilation ℗ 2003 Warp Records Limited.
© 2003 Warp Records Limited.
Made in England.
Track 2-06 listed as "Remix By AFX", with no artist or title given.
Track 2-09 title refers to Selected Ambient Works Volume II, CD 1, track 2.
Seven tracks have been edited for this release from their original longer versions:
1-04 edited from original 5:21 version.
1-05 edited from original 5:32 version.
1-08 edited from original 6:02 version.
1-09 edited from original 4:10 version.
1-11 edited from original 5:25 version.
2-05 edited from original 7:14 version.
2-10 edited from original 6:53 version.
Insert s:
1-01 Published by Chrysalis Music ℗ 1993 Too Pure Records Limited. Licensed courtesy of Too Pure Records Limited.
1-02 ℗ 1994 Point Music. Licensed courtesy of Decca Music Group.
1-03 Published by D.Stoddard/J.Leahy/L.Bette/S.Simmonon/Chrysalis Music ℗ 1995 Rephlex from Journey, The Gentle People Rephlex CAT040CD/EP. Licensed courtesy of www.rephlex.com.
1-04 Published by Chris Jeffs/Chrysalis Music ℗ 1998 Rephlex, from Previously Unavailable On Compact Disc, Cylob. Rephlex CAT055CD. Licensed courtesy of www.rephlex.com
1-05 Produced for Euphorbia Productions, Ltd. © 1977 Tintoretto Music (BMI), Screen Gems-EMI Music, Inc. (BMI) & BMG Music Publishing Ltd. (BMI). © 1996 Dunvagen Music Publishers, Inc. Symphony istered throughout world exclusively by Dunvagen Music Publishers, Inc. (ASCAP) ℗ 1996 Point Music Ltd. Licensed courtesy of Decca Music Group.
1-06 Published by Victor Music Publishing ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-07 Published by EMI Music Publishing Ltd ℗ 1993 EMI Records Ltd. Licensed courtesy of EMI Commercial Markets.
1-08 Published by Fujipacific Music Inc ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-09 Published by Warner Chappell/Chrysalis Music ℗ 1993 Heavenly Recordings. Licensed courtesy of Heavenly Recordings.
1-10 Published by Fujipacific Music Inc ℗ 1994 Victor Entertainment, Inc JAPAN. Licensed courtesy of Victor Entertainment, Inc JAPAN.
1-11 ℗ 1994 VAP, from Another High Exit, The Beatniks. Licensed courtesy of VAP.
1-12 (Leaving Hope/TVT Music, Inc ASCAP) ℗ 1995 TVT/Interscope Records. Licensed courtesy of Universal Music.
1-13 Published by Toy's Factory Music Publishing ℗ 1995 Idyllic. Licensed courtesy of Toy's Factory.
2-01 Published by Edition Vierte Dimension of EMI Music Publishing GmbH ℗ 1996 Sony Music Entertainment () GmbH, from Live Und Direkt, Die Fantastischen Vier. Licensed courtesy of Sony Music Entertainment () GmbH.
2-02 Original song and sounds produced for Constrictor Productions. Published by BMG-Ufa/Constrictor Music ℗ 1995 Motor Music GmbH. Licensed courtesy of Universal Music GmbH.
2-03 Published by Anxious Music Ltd/Sony Music Publishing Ltd/Virgin Music (Publishing) Ltd ℗ 1992 Anxious Records. Licensed courtesy of BMG.
2-04 Written and produced for Planet Core Productions. Published by ICM/Hanseatic ℗ 1990 P. Licensed courtesy of Acardipane.
2-05 (Leaving Hope/TVT Music, Inc ASCAP) ℗ 1995 TVT/Interscope Records. Licensed courtesy of Universal Music.
2-06 Published by Massey/Simpson/Price/Chrysalis Music ℗ 2001 MEN1, from 2 Remixes by AFX, (MEN1). Licensed courtesy of www.rephlex.com.
2-07 Published by Chrysalis Music. ℗ 2003 Warp Records Limited.
2-08 Published by Rhythm King Music/Chrysalis Music ℗ 1998 Rephlex, from Normal, Baby Ford (Rephlex BFORD15). Licensed courtesy of www.rephlex.com.
2-09 Published by Chrysalis Music ℗ 2003 Warp Records Limited.
2-10 Published by Les Editions Confidentielles ℗ 1993 Play It Again Sam Records. Licensed courtesy of PIAS Benelux.
2-11 Published by Ed DMX/Chrysalis Music ℗ 1997 Rephlex, from Ffressshh!, DMX Krew (Rephlex CAT053CD/LP). Licensed courtesy of www.rephlex.com.
2-12 ℗ 1995 Luke Vibert. Licensed courtesy of Luke Vibert.
2-13 Published by W.I.M.P ℗ 1996 Lo Recordings. Licensed courtesy of Lo Recordings.
Barcode and Other Identifiers
- Barcode (Text): 801061010225
- Label Code: LC02070
- Matrix / Runout (CD1): MPO [Logo] WARPCD102-1 12/22/02
- Matrix / Runout (CD2): MPO [Logo] WARPCD102-2 12/22/02
- Mastering SID Code (CD1 & CD2, Variants 1-7): IFPI LR61
- Mould SID Code (CD1, Variant 1): none
- Mould SID Code (CD1, Variant 2): IFPI RZ17
- Mould SID Code (CD1, Variant 3): IFPI RZ12
- Mould SID Code (CD1, Variant 4): IFPI RZ01
- Mould SID Code (CD1, Variant 5): IFPI RZ14
- Mould SID Code (CD2, Variant 1): IFPI RZ03
- Mould SID Code (CD2, Variant 2): ifpi 8Y10
- Mould SID Code (CD2, Variant 3): none
- Mould SID Code (CD2, Variant 4): IFPI RZ01
- Mould SID Code (CD2, Variant 5): IFPI RZ10
- Mould SID Code (CD2, Variant 6): IFPI RZ05
- Mould SID Code (CD1, Variant 7): IFPI RZ08
- Mould SID Code (CD2, Variant 7): none
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
26 Mixes For Cash (2×CD, Compilation, Digipak) | Zomba | WarpCD102, WARPCD102, RTD 126.4051.2 | Europe | 2003 | ||
|
Recently Edited
|
26 Mixes For Cash (2×CDr, Compilation, Promo) | Warp Records | WARP CD 102 | UK | 2003 | ||
|
Recently Edited
|
26 Mixes For Cash (2×CD, Compilation, Digipak) | Beat Records | BRC-69 | Japan | 2003 | ||
|
Recently Edited
|
26 Mixes For Cash (2×CD, Compilation, Unofficial Release) | Zomba Records (2) | WarpCD102, RTD 126.4051.2 | Russia | 2003 | ||
|
New Submission
|
26 Mixes For Cash (2×CD, Compilation, Unofficial Release) | Zomba Records (2) | WARPCD102, RTD 126.4051.2 | Russia | 2003 |
Recommendations
Reviews
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Edited one year agoDisappointing and bizarre that some tracks are edited in half when there's 12-13 minutes to spare on CD2. At the Heart of It All completely loses its dark appeal. When you start editing your own tracks down, it feels like you're making it known that you made repetitive music.
I think CD1 eventually sounds way too repetitive because most of the remixes on CD1 have an ambient tone layered on top. CD2 is way more beat oriented and not as similar sounding track by track and probably the better of the 2. I didn't notice the lower quality mp3 squishiness that much on the tracks some have complained about, but probably a bunch of these songs would sound a lot better with a high bitrate remastering. -
Many years i hardly listened to 26 mixes for cash.
Mainly do to CD1, which i really don`t like.
But CD2 is amazing!! -
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saw this on vinyle recently, does somebody knows if that version of the lp exist on that format, its maybe a bootleg btw
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Pearls before swine. Beautiful and comprehensive collection of experimental remixes. Well worth the price. It might take a while to wrap your head around some of it but this collection is a great look into the many versatile styles of Aphex. Most of the tracks are unrecognizable from the originals which in many cases is for the best.
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Like Booj1Boy and others have said, the Philip Glass–Heroes (Aphex Twin Remix) could be better. I bought my copy on holiday in 2003 or 2004 and discovered that when I got home that there was annoying glitch on that track 5. I'm still looking for a better pressing of the track - or genuine early generation 24bit wav or flac file. Today, I noticed that on all the pressings I could see that the track is reduced in time from 5:32. So, questions - 1. do the 5:18 reduced length versions just simply miss out the long silence which follows the fade out/end of the music? 3. Is the full length 5:32 available on any media anywhere? 4. Does anyone know of sources of that track 5 which do NOT have the glitch on track 5?
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The whinging about this set is funny. It's like complaining that your perfectly cooked meal arrived on too small of a plate or that your vintage bottle had a bit or cork in it. The bits that folks seem to be most worked up about continue to be the most interesting as the years move along. History always favours the winners. -
This compilation was in my player for weeks back when it came out. I heard it quite a long time (long enough to memorize several turning points in the music even)- why I say that? Because I was pretty surprised when I bought all original CDs these remixes are lifted from. As an entry to Aphex' remix works and his diverse range of recreations this is a good preview but sadly nothing more.
One problem is that several tracks have been edited to fit the 2xCD edition. Compared to the original remixes this interrupts the flow of the reworks to a large degree. A way more serious point- some tracks are sourced from low bitrate MP3s. "Heroes (Aphex Twin Remix)", "Your Head My Voice (Voix Revirement)" and "Deep In Velvet (Aphex Twin Turnips Mix)" are somewhat up-mastered to disguise the poorly encoded origin. Bowies rework is shrouded in heavy compression to fill the sonic gaps left by the low MP3 codec resulting in a blown-out bass. Compare it to the original Japan MiniCD and you will see why the 26 Mixes-version is subpar.
The Saint Etienne remix suffers from harsh frequencies whereas the unscathed rework on the CD sounds more balanced.
The Boa remix is taken from a vinyl copy audible at the start of the track. Also here compression reduces the joy hearing the version.
If you are able to track down the original CDs with the remixes- go ahead and do yourself a favour. -
Edited 5 years agoSome interesting comments here. I think that there is some really great tracks on this comp... the baby ford, flow coma rmx, both nin mixes, gentile people ect.... some slightly anti-climactic stuff, but something different here for sure and probably something for everyone. Even a few dance floor bangers to even things out a bit... ;)
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Track 5, the Bowie/Phillip Glass Heroes remix, is sourced from a poorly encoded MP3 that's had the audio channels reversed, a nasty glitch at 1:47, and it's poorly edited.
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