Rage Against The Machine – The Battle Of Los Angeles
Label: |
Legacy – 19075851191 |
---|---|
Series: |
We Are Vinyl |
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
A1 | Testify | |
A2 | Guerrilla Radio | |
A3 | Calm Like A Bomb | |
A4 | Mic Check | |
A5 | Sleep Now In The Fire | |
A6 | Born Of A Broken Man | |
B1 | Born As Ghosts | |
B2 | Maria | |
B3 | Voice Of The Voiceless | |
B4 | New Millennium Homes | |
B5 | Ashes In The Fall | |
B6 | War Within A Breath |
Companies, etc.
- Record Company – We Are Vinyl
- Manufactured By – Noiseland Industries – 18-0234
- Lacquer Cut At – SST GmbH
- Pressed By – MPO
- Published By – Sony/ATV Songs LLC
- Published By – Retribution Music (2)
- Published By – Sony/ATV Music Publishing LLC
- Recorded At – A&M Studios
- Mixed At – A&M Studios
- Recorded At – Royaltone Studios
- Recorded At – Silent Sound Studios
- Recorded At – Southern Tracks
- Recorded At – Sunset Sound
- Recorded At – Westlake Audio
- Mixed At – Royaltone Studios
- Mixed At – Silent Sound Studios
- Mixed At – Southern Tracks
- Mixed At – Sunset Sound
- Mixed At – Westlake Audio
- Mastered At – A&M Mastering Studios
Credits
- Art Direction – Rage Against The Machine
- Artwork – Joey Krebs
- Bass – Y.tim.K.
- Co-producer – Rage Against The Machine
- Coordinator [Production] – Erin Haley
- Crew – Steve Wallace (11)
- Drums – Brad Wilk
- Edited By [Digital] – Andrew Garver
- Engineer [2nd] – Ryan Williams
- Engineer [Additional Engineering] – Sugar D
- Engineer [Assistant] – Roger Sommers
- Guitar – Tom Morello
- Lacquer Cut By – Davi Rodriguez*
- Lyrics By – Zack de La Rocha
- Mastered By – Stephen Marcussen
- Mixed By – Brendan O'Brien
- Photography By [Additional] – Steven Tirona
- Photography By [Band] – Danny Clinch
- Photography By [Inside] – Eye Cue
- Producer – Brendan O'Brien
- Recorded By – Nick DiDia
- Vocals – Zack de La Rocha
- Written-By, Arranged By – Zack de La Rocha
Notes
US Distributed version with 25 Madison Avenue, New York, NY 10010-8601 address
"We Are Vinyl" Marketing sticker
180 Gram vinyl with digital
Made in the EU
"We Are Vinyl" Marketing sticker
180 Gram vinyl with digital
Made in the EU
Barcode and Other Identifiers
- Barcode: 190758511917
- Matrix / Runout (Side A): 18-0234NL-19075851191 RE1 A2 SST DV MPO ® 20178459
- Matrix / Runout (Side B): 18-0234NL-19075851191 RE1 B2 SST DV MPO ® 20180458
Other Versions (5 of 94)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Battle Of Los Angeles (CD, Album) | Epic | EK 69630 | US | 1999 | |||
Recently Edited
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The Battle Of Los Angeles (LP, Album) | Epic | E 69630 | US | 1999 | ||
Recently Edited
|
The Battle Of Los Angeles (CD, Album) | Epic | 491993 2, EPC 491993 2 | Europe | 1999 | ||
The Battle Of Los Angeles (CD, Album) | Epic | 491993 2 | Australia | 1999 | |||
Recently Edited
|
The Battle Of Los Angeles (LP, Album) | Epic | EPC 491993 1, 4919931000 | Europe | 1999 |
Recommendations
Reviews
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This pressing has a very shrill and unpleasant sound quality. It sounds squished, and poorly EQ'd. There is hardly any bass, and the upper frequencies just rip your ears out at a high volume. It's a shame, RATM are one of the biggest bands to not have full, proper "audiophile" grade reissues. It would be great it someone could cut this from the uncompressed masters. Until then, stick with the original CD over this. (The original EU & MOV pressings sounds quite good, by the way...)
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Edited 6 months agoThis is my favorite RATM album. Front to back - filled with bangers.
Sonically, this is a bit of disappointment. Recording and mixing was done by Brendon O’Brien. He is one of the best in the industry. However, the mastering was done to brickwall everything. There is little to no room for the instruments and vocal to breathe in the mix.
If you crank it up, it’s a great background music to listen to. If you try to sit through for a front to back listening, you will for sure suffer from ear fatigue.
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This album is mixed in a way it can sound muddy, even the MOV one which i had the chance to hear isn't anything like say their S/T album. There's no way in hell any remastering will make it audiophile grade album.
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The night I listened to this, I started with the MoFi press of In a Silent Way by Miles Davis, and followed that up with the last full length from the Chicago indie band Hidden Hospitals (who, from the material I’ve sampled from them on wax, seems to care a lot about how their music ends up on vinyl). Both of these records were incredibly dynamic and full of life and scale, much more so than the digital versions I had become familiar with. So after reading all the positive reviews for this pressing of my favorite RATM album, I decided to save it for last as the big finish for the night.
I’m disappointed to say it was the least impactful record of the night. You can tell there is a huge slapper of an album somewhere in the grooves, but the mastering is too poor to give it a chance to shine. I am fully under the impression this is a digital mastering since it feels like there’s a ceiling on how the scale can unfold on each track, which is sad considering the Miles Davis record is also sourced from DSD (though you’d never know without checking) but does not remotely suffer from the same issues. The bass is muddy and overpowers the transients of the other instruments, making them sound distant and weak in comparison. Vocals are muffled under the mess of instruments in a way I don’t recall on countless car listens at full volume. Drums sound flat in a full band context and don’t punch the way I desired to hear them hit.
Needless to say, I finished the first half and shelved it, moving onto a Boris 7” boxset that had arrived from Japan a couple of days before (which got the bad taste out of my mouth and ended the night on a high note). I cannot recommend this album unless you have a budget player where dynamics will not be at the forefront of your listening experience. Anyone with a half decent setup should definitely avoid this press. -
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Just came to say that mine sounds fantastic, flat disk with no surface noise. Happy to finally own this monster
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This is, without doubt, the worst condition new record I've ever bought. There was a ton of extra material around the outside of the disk, and the sleeve was full of shavings. Both sides were badly scuffed, scratched, and hazy. Somehow, it doesn't sound nearly as bad as it looks, but it's still not exactly impressive. A fair bit of pops and static throughout. This album deserves a lot better.
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So happy this is a worthy reissue. No problems with my copy, sounds really clean. The start of Calm Like A Bomb just hits right.
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Got a nice clean pressing and it sounds fantastic after a quick wet clean to get release agent out of grooves.
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Record came in a cardboard sleeve with shavings. Very scuffed and had blemishes. Really unfortunate but be prepared to possibly return.
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