Rage Against The MachineThe Battle Of Los Angeles

Label:

Legacy – 19075851191

Series:

We Are Vinyl

Format:

Vinyl , LP, Album, Reissue, Remastered , 180 gram

Country:

US

Released:

Genre:

Rock

Style:

Alternative Rock

Tracklist

A1 Testify
A2 Guerrilla Radio
A3 Calm Like A Bomb
A4 Mic Check
A5 Sleep Now In The Fire
A6 Born Of A Broken Man
B1 Born As Ghosts
B2 Maria
B3 Voice Of The Voiceless
B4 New Millennium Homes
B5 Ashes In The Fall
B6 War Within A Breath

Companies, etc.

  • Record CompanyWe Are Vinyl
  • Manufactured ByNoiseland Industries – 18-0234
  • Lacquer Cut AtSST GmbH
  • Pressed ByMPO
  • Published BySony/ATV Songs LLC
  • Published ByRetribution Music (2)
  • Published BySony/ATV Music Publishing LLC
  • Recorded AtA&M Studios
  • Mixed AtA&M Studios
  • Recorded AtRoyaltone Studios
  • Recorded AtSilent Sound Studios
  • Recorded AtSouthern Tracks
  • Recorded AtSunset Sound
  • Recorded AtWestlake Audio
  • Mixed AtRoyaltone Studios
  • Mixed AtSilent Sound Studios
  • Mixed AtSouthern Tracks
  • Mixed AtSunset Sound
  • Mixed AtWestlake Audio
  • Mastered AtA&M Mastering Studios

Credits

  • Art DirectionRage Against The Machine
  • ArtworkJoey Krebs
  • BassY.tim.K.
  • Co-producerRage Against The Machine
  • Coordinator [Production]Erin Haley
  • CrewSteve Wallace (11)
  • DrumsBrad Wilk
  • Edited By [Digital]Andrew Garver
  • Engineer [2nd]Ryan Williams
  • Engineer [Additional Engineering]Sugar D
  • Engineer [Assistant]Roger Sommers
  • GuitarTom Morello
  • Lacquer Cut ByDavi Rodriguez*
  • Lyrics ByZack de La Rocha
  • Mastered ByStephen Marcussen
  • Mixed ByBrendan O'Brien
  • Photography By [Additional]Steven Tirona
  • Photography By [Band]Danny Clinch
  • Photography By [Inside]Eye Cue
  • ProducerBrendan O'Brien
  • Recorded ByNick DiDia
  • VocalsZack de La Rocha
  • Written-By, Arranged ByZack de La Rocha

Notes

US Distributed version with 25 Madison Avenue, New York, NY 10010-8601 address

"We Are Vinyl" Marketing sticker
180 Gram vinyl with digital
Made in the EU

Barcode and Other Identifiers

  • Barcode: 190758511917
  • Matrix / Runout (Side A): 18-0234NL-19075851191 RE1 A2 SST DV MPO ® 20178459
  • Matrix / Runout (Side B): 18-0234NL-19075851191 RE1 B2 SST DV MPO ® 20180458

Other Versions (5 of 94)

View All
Title (Format) Label Cat# Country Year
The Battle Of Los Angeles (CD, Album) Epic EK 69630 US 1999
Recently Edited
The Battle Of Los Angeles (LP, Album) Epic E 69630 US 1999
Recently Edited
The Battle Of Los Angeles (CD, Album) Epic 491993 2, EPC 491993 2 Europe 1999
The Battle Of Los Angeles (CD, Album) Epic 491993 2 Australia 1999
Recently Edited
The Battle Of Los Angeles (LP, Album) Epic EPC 491993 1, 4919931000 Europe 1999

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Reviews

  • fendrfanIII's avatar
    fendrfanIII
    This pressing has a very shrill and unpleasant sound quality. It sounds squished, and poorly EQ'd. There is hardly any bass, and the upper frequencies just rip your ears out at a high volume. It's a shame, RATM are one of the biggest bands to not have full, proper "audiophile" grade reissues. It would be great it someone could cut this from the uncompressed masters. Until then, stick with the original CD over this. (The original EU & MOV pressings sounds quite good, by the way...)
    • syedafridiqbal's avatar
      syedafridiqbal
      Edited 6 months ago
      This is my favorite RATM album. Front to back - filled with bangers.

      Sonically, this is a bit of disappointment. Recording and mixing was done by Brendon O’Brien. He is one of the best in the industry. However, the mastering was done to brickwall everything. There is little to no room for the instruments and vocal to breathe in the mix.

      If you crank it up, it’s a great background music to listen to. If you try to sit through for a front to back listening, you will for sure suffer from ear fatigue.
      • art_of_vinyl's avatar
        art_of_vinyl
        This album is mixed in a way it can sound muddy, even the MOV one which i had the chance to hear isn't anything like say their S/T album. There's no way in hell any remastering will make it audiophile grade album.

        • adeadhum_echoed's avatar
          The night I listened to this, I started with the MoFi press of In a Silent Way by Miles Davis, and followed that up with the last full length from the Chicago indie band Hidden Hospitals (who, from the material I’ve sampled from them on wax, seems to care a lot about how their music ends up on vinyl). Both of these records were incredibly dynamic and full of life and scale, much more so than the digital versions I had become familiar with. So after reading all the positive reviews for this pressing of my favorite RATM album, I decided to save it for last as the big finish for the night.

          I’m disappointed to say it was the least impactful record of the night. You can tell there is a huge slapper of an album somewhere in the grooves, but the mastering is too poor to give it a chance to shine. I am fully under the impression this is a digital mastering since it feels like there’s a ceiling on how the scale can unfold on each track, which is sad considering the Miles Davis record is also sourced from DSD (though you’d never know without checking) but does not remotely suffer from the same issues. The bass is muddy and overpowers the transients of the other instruments, making them sound distant and weak in comparison. Vocals are muffled under the mess of instruments in a way I don’t recall on countless car listens at full volume. Drums sound flat in a full band context and don’t punch the way I desired to hear them hit.

          Needless to say, I finished the first half and shelved it, moving onto a Boris 7” boxset that had arrived from Japan a couple of days before (which got the bad taste out of my mouth and ended the night on a high note). I cannot recommend this album unless you have a budget player where dynamics will not be at the forefront of your listening experience. Anyone with a half decent setup should definitely avoid this press.
          • theabolitionist's avatar
            theabolitionist
            Copy sounded good but two Side 1 labels. I guess for $15 there can be no complaints.
            • ricstultz's avatar
              ricstultz
              Just came to say that mine sounds fantastic, flat disk with no surface noise. Happy to finally own this monster
              • Bgraszer's avatar
                Bgraszer
                This is, without doubt, the worst condition new record I've ever bought. There was a ton of extra material around the outside of the disk, and the sleeve was full of shavings. Both sides were badly scuffed, scratched, and hazy. Somehow, it doesn't sound nearly as bad as it looks, but it's still not exactly impressive. A fair bit of pops and static throughout. This album deserves a lot better.
                • rbphoto's avatar
                  rbphoto
                  So happy this is a worthy reissue. No problems with my copy, sounds really clean. The start of Calm Like A Bomb just hits right.
                  • NBOSSI's avatar
                    NBOSSI
                    Got a nice clean pressing and it sounds fantastic after a quick wet clean to get release agent out of grooves.
                    • Daddiodan's avatar
                      Daddiodan
                      Record came in a cardboard sleeve with shavings. Very scuffed and had blemishes. Really unfortunate but be prepared to possibly return.

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