Brian Wilson – Smile
Tracklist
| A1 | Our Prayer / Gee | 2:09 | |
| A2 | Heroes And Villains | 4:53 | |
| A3 | Roll Plymouth Rock | 3:48 | |
| A4 | Barnyard | 0:58 | |
| A5 | Old Master Painter / You Are My Sunshine | 1:04 | |
| A6 | Cabin Essence | 3:27 | |
| B1 | Wonderful | 2:07 | |
| B2 | Song For Children | 2:16 | |
| B3 | Child Is Father Of The Man | 2:18 | |
| B4 | Surf's Up | 4:07 | |
| C1 | I'm In Great Shape / I Wanna Be Around / Workshop | 1:56 | |
| C2 | Vega-Tables | 2:19 | |
| C3 | On A Holiday | 2:36 | |
| C4 | Wind Chimes | 2:54 | |
| C5 | Mrs. O'Leary's Cow | 2:27 | |
| C6 | In Blue Hawaii | 3:00 | |
| C7 | Good Vibrations | 4:36 | |
| D1 | Heroes And Villains (Instrumental) | 4:47 | |
| D2 | Cabin Essence (Instrumental) | 3:30 | |
| D3 | On A Holiday (Instrumental) | 2:28 | |
| D4 | Wind Chimes (Instrumental) | 2:25 |
Companies, etc.
- Record Company – BriMel Records
- Phonographic Copyright ℗ – BriMel Records
- Copyright © – BriMel Records
- Licensed To – Nonesuch Records Inc.
- Licensed To – WEA International Inc.
- Pressed By – Optimal Media Production – B 410551
- Recorded At – Sunset Sound
- Recorded At – Your Place Or Mine Recording
- Mixed At – Your Place Or Mine Recording
- Mastered At – Gateway Mastering
- Lacquer Cut At – Masterdisk
- Published By – Irving Music
- Published By – EMI Longitude Music
- Published By – BriMel Music
- Published By – Safe & Sane Music
- Published By – EMI Robbins Catac.
- Published By – Peer International Corp.
- Published By – Warner Bros. Music
Credits
- Acoustic Bass – Dave Stone (2)
- Artwork, Design [Package] – Mark London (2)
- Bass Guitar, Other [Beret] – Bob Lizik
- Bass Trombone – Staffan Findin
- Cello – Markus Sandlund
- Drums, Saw, Effects [Sound Fx], Mallets – Jim Hines
- Engineer [Assistant] – Pete Magdalene*
- Lacquer Cut By – Don Grossinger
- Layout [Graphic Layout] – Dennis Loren
- Liner Notes – David Leaf
- Lyrics By [Words By] – Van Dyke Parks
- Management – Ronnie Lippen
- Mastered By – Bob Ludwig
- Music By, Vocals, Keyboards, Producer, Arranged By – Brian Wilson
- Photography By – Melinda Wilson
- Producer [Mix Produced By] – Darian Sahanaja
- Project Manager [Project & Marketing Consultants (International)] – Phillip Hardy
- Recorded By, Mixed By – Mark Linett
- Saxophone, Flute, Clarinet – Viktor Sand
- Strings, Horns – Stockholm Strings 'n' Horns
- Trombone – Bjorn Samulsson*
- Viola – Erik Holm (2)
- Violin – Malin-My Nilsson*
- Vocals, Guitar, Brass, Theremin [Tannerin], Whistle – Probyn Gregory
- Vocals, Guitar, Other [Eye-patch, Carrots] – Nick Walusko
- Vocals, Guitar, Percussion [Hammer] – Jeffrey Foskett
- Vocals, Keyboards, Guitar, Mallets – Scott Bennett
- Vocals, Keyboards, Mallets, Noises [Drill], Noises [Secretary] – Darian Sahanaja
- Vocals, Noises [Power Drill, Leg-slap] – Taylor Mills
- Vocals, Percussion, Whistle, Other [Celery] – Nelson Bragg
- Woodwind, Saxophone, Harmonica, Conductor [Semi-conductor] – Paul Mertons*
Notes
Embossed gate fold sleeve.
Vinyl has 4 Instrumental Bonus Tracks
Exclusively licensed to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Basic tracks recorded at Sunset Sound, Hollywood, CA, April 13 through April 17, 2004.
Overdubs and mix at Your Place Or Mine Recording, Glendale, CA, April, May & June 2004.
Mastered by Bob Ludwig in HDCD at Gateway Mastering.
Thanks to: DCS and Universal Audio for their equipment and
B3 is mistitled "Child Is Father To The Man" on the back cover.
Published by
Irving Music (BMI): A1, A2, A6, B1, C2, C4, C7, D1, D2, D4
EMI Longitude Music (BMI): A1
BriMel Music (BMI): A3, A4, B2, B3, C1, C3, C5, C6, D3
Safe & Sane Music (ASCAP): A3, A4, A6, B2, B3, C1, C3, C6, D2, D3
EMI Robbins Catac, (ASCAP): A5
Peer International Corp. (BMI): A5
Warner Brothers Music Corp.: C1
Vinyl has 4 Instrumental Bonus Tracks
Exclusively licensed to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Basic tracks recorded at Sunset Sound, Hollywood, CA, April 13 through April 17, 2004.
Overdubs and mix at Your Place Or Mine Recording, Glendale, CA, April, May & June 2004.
Mastered by Bob Ludwig in HDCD at Gateway Mastering.
Thanks to: DCS and Universal Audio for their equipment and
B3 is mistitled "Child Is Father To The Man" on the back cover.
Published by
Irving Music (BMI): A1, A2, A6, B1, C2, C4, C7, D1, D2, D4
EMI Longitude Music (BMI): A1
BriMel Music (BMI): A3, A4, B2, B3, C1, C3, C5, C6, D3
Safe & Sane Music (ASCAP): A3, A4, A6, B2, B3, C1, C3, C6, D2, D3
EMI Robbins Catac, (ASCAP): A5
Peer International Corp. (BMI): A5
Warner Brothers Music Corp.: C1
Barcode and Other Identifiers
- Barcode (Text): 0 75597 98461 3
- Barcode (Scanned): 075597984613
- Label Code: LC 00286
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Side A runout etched, [MASTERDISK] stamped): B 410551-01 A1 79846-1-A MASTERDISK DON GROSSINGER
- Matrix / Runout (Side B runout etched, [MASTERDISK] stamped): B 410551-01 B1 79846-1-B MASTERDISK DON GROSSINGER
- Matrix / Runout (Side C runout etched, [MASTERDISK] stamped): B 410551-02 C1 79846-1-C MASTERDISK DON GROSSINGER
- Matrix / Runout (Side D runout etched, [MASTERDISK] stamped): B 410551-02 D1 79846-1-D MASTERDISK DON GROSSINGER
Other Versions (5 of 23)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Smile (CD, HDCD, Album) | Nonesuch | 79846-2 | US | 2004 | |||
|
Recently Edited
|
Smile (CD, HDCD, Album) | Nonesuch | 7559-79914-2 | Europe | 2004 | ||
| Smile (CD, HDCD, Album, Cardboard Slipcase) | Nonesuch | 7559-79846-2, 79846-2 | Europe | 2004 | |||
|
New Submission
|
Smile (CD, Album, Limited Edition, Box Set, ) | Nonesuch | 7559-79914-2 | UK | 2004 | ||
|
Recently Edited
|
Smile (CD, Album, Cardboard slipcase) | Nonesuch | 7559798462 | Australia | 2004 |
Recommendations
Reviews
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While an irable achievement, to finish it/this (Taylor’s) version … to me it sounds like most late stage Brian Wilson recordings …. midi/garbage, the Wonderments backing doesn’t help. Smile was fine … in its original configuration and recordings. Yes … the Beach Boys couldn’t tour it which was the problem, plus they barely played on it, so none of the Beach Boys would get royalties.
Smiley Smile was what we got, and that’s a good record to salvage the recording sessions. As we know, Brian checked out … Carl took over and everything was fine. -
I’ve had this since it was released. What an amazing sounding pressing and then there’s that incredible music!!! -
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found this in a salvation army still in shrink! Sounds great and I prefer it to the SMILE SESSIONS by BB
Release
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